"

around 
always the reverie 
he has created, 
but the strange light is right 


Full transparent techno-industrial landscapes 
noisy
abstractions 

the perfect bend

"

Sanct X

Titres similaires : a12. ab3 .215061.

ambient

Jordan Jessep - Twilight

Noisex - Real

+ 7 of Celsius, soft wind. there's a tiny, 1-2 milimetres, ice on the shore of the lake. sound recorded with hydrophones carefully placed upon the ice.

Tiny Ice

Video can be seen here:
http://youtu.be/mkfVi4kSV0I

Link to the system:
https://cdn.modulargrid.net/img/racks/modulargrid_566340.jpg

Make Noise Anthem

4 contact microphones placed on a tiny ice. 9 January 2018.

On Dark Ice

tg77 & sampler
https://eodtracks.bandcamp.com/album/--4

the first track from 'Cames Jook' by Goldefish and Alicia (@Aliciasteanson)

https://goldefish.bandcamp.com/album/cames-jook

Cover art by Ben Hall
Mastered by MatthewBentleyAudio (SPEKTRALSOUND)

Cames Jook

Glock Fist Retro Fit

Code Walk - Notice

https://exael.bandcamp.com/album/sugar-hiccup-blurry

sugar hiccup

Extended Version of Where All Levels Cross (Remastered)

@ma3azef has teamed up with mastering engineer Heba Kadry to curate a compilation of new and unreleased materials provided by regional and international musicians to raise funds for the continuous relief work being done on the ground in Beirut to help those who have been failed by the state. 

The 17-track compilation includes contributions by @tho-om, @fatima-al-qadiri, @nicolas-jaar, @zulimusic, @freddymn, @sssarahhharasss, @deenaabdelwahed, @ayametwalli, @thisisismael and more. 

All proceeds from sales of the compilation go to local initiatives providing assistance to those affected, divided between Fundraising Campaign for the Arts and Culture Community in Beirut organised by AFAC; Beirut Musicians' Fund organised by Tunefork Studios, and Beit el Baraka.

Nisf Madeena

FRKTL — Where All Levels Cross

ISHAM KOUIDRI “ALL I SEE IS BLUE” (ENXPL03)

Paris based artist Isham Kouidri presents his debut release “All I See Is Blue” for the Enmossed and Psychic Liberation collaboration series. On “All I See Is Blue”, the artist extrapolates a sonic environment from a single piano loop. As the recording progresses through it’s respective acts, A side “Through The Window” and B side “Now He’s Gone”, tension and the sublime interplay compositionally. Isham Kouidri uses his time on “All I See Is Blue” to allow for his process to subvert the reverie he has created, but the light is always right around the bend.

Mastered by Glyn Maier
Art by Pierre Roy-Camille
purchase : https://psychicliberation.bandcamp.com/album/enxpl03-all-i-see-is-blue

ENXPL03 - ISHAM KOUIDRI - B3. NOW HE'S GONE PT.3

PRE-ORDER HERE: https://mindrecordsjapan.bandcamp.com/album/mind-clear-hors-serie-002-perrot-rollet-8

Full transparent 8" packed in beautiful half silver/half transparent sleeve. Stricly limited to the quantity pre-order before here or at Le Baron Rouge, 75012 Paris before October 25th 2020.

All tracks by Romain Perrot and Quentin Rollet

Artwork by MOYŌ

Mastering by Patrick Müller

MIND CLEAR HORS SERIE 002 - PERROT ROLLET - BRAIN

taken from "perfect stranger" cs on Trust Collective

Anasisana - I'm Doing It All For You

here is a download gift / sneak tease for the fans, to show the kind of quality I'm extracting from my old cassettes using mega high quality cassette decks.
Because I've added vari-speed, I get to choose what speed I encode them at, I've done a few different versions of all my fave ones and it's usually just what I think sounds good at the time or just different to what I'm used to.
This one is from a That's cassette labelled copy III , i used a lot of the VX90 tapes in that period of my life.
It is the 12th track on side a.
Even though I used to write COPY *.number, they were actually the original masters.
Think was one of the first tracks that had a small section with intentional microtuning, [harmonic series sec]
Encoded with Nakamichi CR7e cassette deck.

+added, it cuts out at the end coz the tape ran out :)
I remember sometimes recording tracks to cassettes, I'd be looking at the cassette nearing the end and try and finish the track before the tape ran out :)
bit different from todays recording methods .

sugar hiccup

naemi