[p*dis] distribution sampler for September 2016

p*dis sampler 2016.09

Exclusive new track from our new album The Unified Field. 
Out on Denovali Records on October 25th on Vinyl / CD / Digital

Cross Hands

Buy Infinity Pools EP: http://smarturl.it/buyipools

What does the future of peace and quiet look like? Is it possible for someone to find serenity in a world where population mushrooms and buildings continuously jockey for the best possible view? With Kael Smith’s (Mombi, Khale) Mute Forest this dichotomy is at the epicenter of his 'Infinity Pools EP' due April 7th via Lost Tribe Sound. 

To coincide with visuals courtesy of Gregory Euclide (Bon Iver, Erased Tapes), Smith’s debut EP fuses acoustic sounds, mangled electronics and provocative lyrics across four meditative yet mesmerizing tracks. 

Serving as a companion piece to his expansive and sonorous LP, 'Deforestation', due later this year, Smith’s 'Infinity Pools EP' was actually written as a reaction to that material but will be released first.“ 'Deforestation' will in a sense be a prequel to the EP,” explains Smith. “And for listeners who follow along, should provide an interesting reverse narrative,” he concludes. 

“Crypt,” the EP’s opener, contains oscillating vinyl-sampled rhythms, chiming electric guitar and gently struck nylon guitar. Following that is the sparce and haunting “Volcanoes Flowing,” which traces a melancholy beat and slow, lovely piano crescendos to its heartbreaking conclusion. 

Darker in tone, title track "Infinity Pools" has a commanding presence using ominous electronics and damaged samples of Le Creuset pots being struck. Heavily processed and featuring vocals from Smith’s longtime girlfriend Kelly O’Brien, the track unfurls into a hypnotic groove over the chilling words “You’ll feel like an ember trilling/out in space.” 

Washing over the listener to conclude the EP, “Eat the Skin” originally started as an A Winged Victory for the Sullen remix of a song off of their recent LP, 'Atomos'. As the track progressed though, all of the layers performed by AWVFTS were eventually stripped leaving only acoustic guitar and Smith’s voice. “I like to pretend we wrote that song together, hopefully someday they will hear it” desires Smith. He uses the big, cavernous sound of acoustic guitar as base for unhurried, dulcet vocals and airy electronics. “I’ve always loved the big, acoustic sound of Seafood’s “Desert Stretched Before the Sun”“ explains Smith. “I really tried to emulate that deep resonate tone where the acoustic sounds like a tidal wave.”

All songs written, performed, recorded and mixed by Kael Smith (http://kaelsmithmusic.com) 
Kelly O'Brien backing vocals on "Infinity Pools."  
Mastering by Taylor Deupree at 12k Mastering 
Production assistance on "Crypt" & "Volcanoes Flowing" by Matthew Herron 

Original artwork by Gregory Euclide (http://gregoryeuclide.com) 
Copyright 2015 Lost Tribe Sound (http://losttribesound.com) 
Published by Settled Scores 2015 (ASCAP)

Infinity Pools EP

Volcanoes Flowing

Buy EP

Mute Forest - Volcanoes Flowing (from Infinity Pools EP)

Hi friends, I'm spontaneously releasing this atmospheric track exclusively for SoundCloud. I'll post it right away. It's designed to fill you with focus and a touch of atmosphere, and I'd love to release tracks like this from time to time.

INTERDIMENCIONAL

The Lunch Special

Buy Album: http://smarturl.it/reforestbc

The 'Reforestation EP' presents a carefully selected group of musicians to remix songs from Mute Forest's debut full-length 'Deforestation' along with two new original songs from Mute Forest himself ("Glass of Sand Water and "Everglade").  The 'Reforestation EP' also came as a digital download card with physical editions of the 'Deforestation' vinyl.  This collection was given a brilliant mastering by Kirk Marrison of Kiln (Ghostly International). 

The 'Reforestation EP' works as a solid accompaniment to the proper album, but also manages to stand on its own as a complete body of music.  The warm ambiance of Mute Forest's original songs set the perfect backdrop to be reshaped into something equally as intimate and memorable.

Reforestation EP

Everglade

Buy Album

Mute Forest - Everglade (from the Reforestation EP)

From the album Momentform Accumulations by Automatisme

Automatisme
Momentform Accumulations
180gLP/CD/DL
CST118

cstrecords.com/cst118
automatisme.bandcamp.com/

Momentform Accumulations

Automatisme • "Simultanéité 1"

Collapsing Horizons

Tangent - Distorted Perspective

Dead Light was created after Anna Rose Carter and Ed Hamilton moved from London to a quiet, remote space in the countryside. The migration out of the sprawling metropolis to their new rural refuge was a transition that significantly impacted them both, and one that continues to turn and shift under the ambivalence of change, loss, and new beginnings.

Dead Light is released on vinyl, CD and digital download on October 14th, 2016.

Preorder here: https://itunes.apple.com/gb/album/dead-light/id1138056150

www.villagegreenrecording.co.uk

Dead Light - Blooms

Pre-order the album 'Aforger' out October 14th on LP/CD/DL here: http://phonofile.link/aforger

In a digital age where memories are mimicked by pixels and identity is as malleable as static, Douglas Dare’s new album Aforger questions the boundaries between reality and fiction. 

Inspired by recent events and revelations encountered in his life these songs depict Dare at his most vulnerable, whilst simultaneously reflecting our own obsession with reality and technology back at us.  

Aforger was mixed at the iconic Abbey Road Studios and produced by long-time collaborator Fabian Prynn. In the following conversation Douglas strips back the personal journeys and realisations which preceded its recording.

In a conversation with Douglas Dare on July 11th 2016:

The album title plays with the idea of a forger – someone creating imitations or copies, and reimagines them as the creator of something that’s no longer real. Prior to writing the record, I came out to my father and came out of a long relationship, both were hugely challenging for me and questioned my idea of identity and reality. These thoughts leaked out into the record and formed the core of Aforger. I was determined not to write a break-up album or repeat what I’d done before..

I grew up on quite an isolated farm in Dorset, surrounded by fields and not much besides. My mother taught piano from home and we didn’t have a computer, or the internet or mobile phones. In fact, my family still chooses not to use these things. It’s worlds apart from my life now in London where technology seems to dominate everything I do.

After finding out my boyfriend had been leading this double-life, I became obsessed with the question of what is real and George Orwell’s 1984 felt appropriate for me to re-read. Orwell explains this idea of reality control and Doublethink, and it struck a chord with me. The idea that truth can be steered or changed, and we might be able to believe two contradictory things at once. In my case, ignorance was my protection from the truth and ignorance really is bliss, until you’re no longer ignorant.

Binary talks about the idea that technology is allowing us to live on after we’re gone. A relative of mine whose parent passed away kept a picture of them on their phone as a background image. A friend saw this and asked ‘how can you have that there to constantly remind you of your loss?’ They replied, ‘no I have to, it shows me that they’re still here’. This resonated with me and I thought ‘okay, this is just an image to me but to them it’s more than a reminder or a reassurance, it’s a reality’. At the same time, I was finding myself haunted by the digital reminder of my ex-partner and wishing they would disappear. I had to realise that it’s all just pixels on a screen. 

I think New York can be thought of as this fabricated, magical place. I was there with my boyfriend after touring the U.S., but when I came back to London I discovered all these lies and began questioning everything. I even questioned whether New York actually happened or not. New York is a song that’s literally describing that very real feeling of not knowing who or what to believe any more – scary and magical at the same time. 

Lyrically I wanted to be as honest as possible. The album deals with so much dishonesty, so I felt the lyrics had to be the counterbalance. I was inspired by Björk’s album Vulnicura and how everything is almost awkward in its honesty. Like my first album, Aforger started as poetry, but I consciously tried to be less poetic. For instance, Oh Father is an example of complete unambiguity. It’s certainly the most personal song I’ve put out there, and the realisation that people may hear it makes me feel very vulnerable. That’s the most real feeling of all for me right now. 

Aforger

Doublethink

Buy LP/CD/DL

Douglas Dare - Doublethink

A piece to represent the perception of the acceleration of time as we get older

Summer

21 to 21

Jim Perkins - 21 To 21

Title : Dance
Artist : Marihiko Hara & Polar M
Cat # : mnc017
Release Date : September 2016
Format : CD / Digital
Genre : Post-Classical / Instrumental Pop 

01. Duo
02. The Season Changes
03. Ray of Light
04. Monologue
05. Dance
06. Ocean of Night
07. Beryl
08. Asia
09. Gone Gone Gone
10. On The Silent Way 

“Laughing, singing, dancing
Laughing, singing, and dancing
Howling, sobbing, shouting
Howling, shouting, sobbing
Laughing, singing, and dancing

Dancing.”

After releasing their critically acclaimed debut album “Beyond”, Kyoto-based Marihiko Hara and Polar M (Masumi Muranaka) have embarked on a series of live performance around Asia region, including Korea, Malaysia and many places in Japan. Each time they performed together, the sense of how their individual sounds complement each other grew stronger. And with these live performances, their interweaving sounds have underwent subtle refinement – they become even more profound and exquisite, and far more interconnected.

While touring, the duo was also actively collaborating with dance choreographers. In early 2016, the duo was again commissioned to compose new pieces for a dance performance. It was during that time, their brand new 2nd album “Dance”, was conceived.

Through their interactions with the talented dancers across Asia, these two very gifted musicians started to explore the meanings of “dance”. Gradually, they have come to realised that, everything in our daily life can be regarded as “dance” – the rhythm of the changing seasons, the subtle movement of time, the weight of words, the shifting of emotion, the cycle of life, all parts that form our lives, are indeed in themselves – a “dance”. And in this gorgeous new album, using their ever delicate sounds, the duo graciously illustrated this aesthetic interpretation of “dance”.

Musically, the duo picked up where they left off in their very successful debut album - traces of refined post-classical, melodic folktronica, floating ambient, and glimpses of jazz, continued to be found in this 2nd album. What is more apparent in this new album is that the guitars had taken a more prominent role. As such, the sound textures and melody movements have become much richer and more diverse, which impeccably reflect the refinement that underwent for the musical style of Marihiko and Masumi.

The duo’s good friend, Mia Cabalfin - a renowned contemporary dancer from Philippines, who lent her wonderful voice in the debut album, continued to feature in this album by performing the hauntingly beautiful spoken words in the album title track. This album is tastefully mastered by Tokyo’s renowned musician and sound engineer, Chihei Hatakeyama, and features photo by Ken Furudate, and design by Seitaro Nishioka. In addition, the artist management for the duo is supported by the excellent people from Kyoto’s label and event organiser NightCruising. 

Credits:
composition, arrangement & mixed by Marihiko Hara & Polar M
track 5 : spoken words by Mia Cabalfin

mastering: Chihei Hatakeyama
photo: Ken Furudate
design: Seitaro Nishioka

To enquire about distribution, please kindly email us at info(a)mu-nest.com. Thank you. 

DANCE / Marihiko Hara & Polar M (album preview sample)

Portion / Acryl (SRCD065)

1. ?
2. ayahaaa
3. Acrylic
4. UUDDFF
5. PNA
6. 25mg
7. KKVMNBE
8. dio
9. Cola
10. Enamel

produce : Acryl (dagshenma & Madegg)
mastering : Ken'ichi Itoi
photo : Shun Ishizuka

Acrylic / Acryl

String Quartet No. 1

Fiona Brice String Quartet No. 1 - Mvt.1 (Holographic Field Rework)

Berlin based cellist and composer Anne Müller, announces the release of her long awaited debut solo album 'Heliopause'. 

Heliopause follows several Erased Tapes releases featuring Anne, including her celebrated collaboration with Nils Frahm titled 7fingers, appearances on Ólafur Arnalds & Nils Frahm’s Collaborative Works, Nils Frahm’s All Melody and his acclaimed soundtrack for the film Victoria, Lubomyr Melnyk’s Fallen Trees, as well as the two bespoke solo pieces Walzer für Robert and Bel Tono for the label’s 5th and 10th anniversary box sets. In fact, a glance at  Müller’s Discogs boasts credits on over 60 releases since she began recording in 2007.

Classically trained at Frankfurt University of Music and Performing Arts under the renowned cellist and conductor Michael Sanderling, Anne Müller performed as a cellist in many of Berlin’s symphonies for some time before choosing a different path with her music and focussing on novel approaches to classical instrumentation. A profound believer in the power of artistic collaboration, Anne’s skilled cello playing and instinctive composition became extremely sought after.

Following her work with Nils Frahm, an enduring partnership with singer-songwriter-composer Agnes Obel ensued, touring for five years together and featuring on two albums (Philharmonics and Aventine) and most recently, working with multi-instrumentalist Markus Sieber (aka Aukai) on his 2019 album Reminiscence. In between all this, Müller also co-founded the progressive live project Solo Collective along with violinist/singer Alex Stolze and pianist/conceptual artist Sebastian Reynolds, releasing Solo Collective Part One in 2017.

A solo record in every sense of the word, Müller wrote, recorded, arranged and produced Heliopause. The album is named after the boundary where the sun’s wind ceases to have influence. It is ultimately, the border of our solar system. The name struck a chord with Müller since the two voyagers sent on an exploratory mission 42 years ago, recently crossed the Heliopause, entering into interstellar space and losing power from our own sun. Müller recognised herself in this moment, not only approaching the same age, but also breaking new ground; having relied on collaborating with so many other stars and now venturing into the unknown with her first solo statement; “Heliopause marks the end of a long journey but also the start of voyages to explore strange new worlds”

Both as the closing title track and album as a whole, Heliopause crosses these physical and invisible borders throughout, sending the cello as a typically classical instrument to exciting new and uncharted territory.

· pre-order 'Heliopause' on LP/CD/DL: https://idol.lnk.to/Heliopause

Heliopause

Nummer 2

Anne Müller - Nummer 2

Nils Frahm - More & Less (Skyphos Remix)

https://brambles.bandcamp.com/album/half-gramme-holiday

-

Brambles - Half-Gramme Holiday

Independent label and distributor in Tokyo, Japan specializing in indie / underground music from Indie Rock / Electronica / Alternative, Ambient / Drone / Experimental,   Jazz / Crossover / Avant-grade, Techno / House / Disco, Beat / Downtempo / Dubstep.

We are here to seek new talent and inspire your music life. You can put your music in our dropBox or make contact with us via soundcloud. Any music and style is welcome and appreciated.

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n5MD is a record label based in Oakland CA that releases emotive styles of contemporary music.

Tangent - Distorted Perspective

n5MD

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