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More info:

https://gasolineradio.com/shows/we-play-for-georgia/we-play-for-georgia-w-exieve-17-03-2023

Follow artist:

https://soundcloud.com/exieve
https://instagram.com/ex1eve

Support us:

https://gasolineradio.com/support

WE PLAY FOR GEORGIA W/ EXIEVE 17/03/2023

Bandcamp: https://pinkman.bandcamp.com/album/built-to-thrill

E.L.I. debuts on the Pinkman Broken Dreams series. Prepare to be entranced by the mesmerizing hardware jams that reverberate through your consciousness. As the shadows lengthen and the night embraces you, immerse yourself in 'Built to Thrill,' where darkness and euphoria collide in a symphony of madness.

Built To Thrill

BUY 10-TRACK ALBUM

E.L.I. - A Prelude To Violence (PBD23)

XTR HUMAN - I Want More Remix by Abby Knives

ABBY KNIVES draws inspiration from French poetry, infusing her music with a poetic essence that captivates the listener's imagination. With a background in singing and guitar, she seamlessly weaves her musical prowess into the realm of electronic music, creating a distinctive and enthralling sound that sets her apart. ABBY KNIVES' diverse background in singing, guitar, and electronic music shines through, adding a unique touch to her compositions.


YouTube Video I WANT MORE: https://www.youtube.com/watch?v=OuXn-Ysp9HM
Soundcloud: https://soundcloud.com/wie-ein-gott-records/
Bandcamp: https://wieeingott.bandcamp.com/album/i-want-more
Instagram: https://www.instagram.com/wie_ein_gott/
Facebook: https://www.facebook.com/wieeingott

XTR HUMAN - I Want More (Abby Knives Remix)

Datashader emerges from the shadows with a striking breaks- and bass-heavy debut release that challenges the fabric of our digital existence. Replete with a Dopplereffekt remix, it nods to the legacy of revered anonymous acts such as Scopex, Drexciya and Underground Resistance, pushing the boundaries of both electronic music exploration and its conceptual underpinnings. As a critique of the erosion of genuine human connection in the digital age, Datashader delivers a barrage of billowing subs, infectious electro, recontextualized jungle, and techno, serving as a poignant counterbalance to current dance floor-centric norms. It's a contemporary anti-soundtrack that offers a haunting mirror to the societal costs of technological convenience. 

In a world engulfed by the digital realm, where social media platforms thrive and dominate every aspect of our lives, the enigmatic project known as Datashader was founded to reflect on the pervasive erosion of authentic human connection through various virtual realities.

Artistically, Datashader seeks to critique the impact of technology on human identity and relationships, breaking with an archetype of digital conformity and expressing a profound disillusionment with the superficiality of online interactions through music. Genuine human connection and art cannot be quantified by likes, comments, or followers but rather thrives in the visceral realm of shared sonic experience and human emotion. This idea is at the core idea of Datashader, whose artistic expression ranges from avant-garde composition and electronic experimentations to art, installation, film and more.

Expressed within the varied contexts of diverse artistic mediums, Datashader explores the concept of "technological gentrification", which describes the gradual displacement of human interaction by technology. Just as gentrification alters the urban landscape, driving out communities and cultures, digital gentrification transforms the social landscape, replacing genuine connection with curated online personas. 

Musically, Datashader's practice confronts this dystopian reality, highlighting the alarming consequence of people becoming mere nodes in a network, reduced to a collection of data points. This is manifested sonically by a blistering assault of breaks, recontextualized IDM, abstract electronics and otherworldly synthscapes, conceived as the aesthetic counterbalance to much of contemporary electronic music's dancefloor focus. 

Datashader dives deep into genres and influences which stand for a form of sonic resistance: A contemporary anti- soundtrack &ndash; a sonic mirror of the price we pay for convenience and instant gratification. A self-image in constant flux. No false technological idols.

BANDCAMP

Datashader - Sync Out Off

NPLM - Asleep

Buy here: https://killekill.bandcamp.com/album/macht-macht-zement
-----
A1 // Rap One Two Three
A2 // Horn of Glory 
A3 // Im Gespräch

C1 // Zu Spät
C2 // Faust auf Faust

B1 // Nachsitzen
B2 // Disco 3
B3 // Warzenschwein

D1 // Spoil the Girl
D2 // Postman

‘Macht Macht Zement’—what does it mean? 80s drums, synths and vocals, almost without context. 
Fallbeil, two soon-to-be men (aka boys), finish tracks at the rate of butchers kneading meatballs. Due to laziness and a lack of technique, everything gets recorded on one track and immediately thrown into the frier. 
Nothing is planned. First up, school detention followed by rough LoFi rap.
The album contains a wide variety of themes; from mailmen to warthogs, from latecomers to sensible conversation, every track is created out of spontaneity. Two very short tracks on this album date back to 1999, when the boys performed as ‘Funky Granatos’ in the local youth centers. Sadly, their performances weren’t successful. Nobody wanted to listen to them and almost every concert ended in mass brawls. 
The track ‘Postman’ comes from the duo’s side project Grand Malheur and was recorded in 2015 in Bronxfeld. More output from this project will appear on various EPs in the near future. 
The album title ‘Macht Macht Zement’ originates from Tom Pötgen. Tom always wanted to throw the sacred hand grenades. We hope he does that right now!

Macht Macht Zement

BOIDAE003 - FALLBEIL - Macht Macht Zement (Snippets)

More info - http://loose-lips.co.uk/blog/lithium-parasites-sadomasochism-rhr003

@rotterhague / http://rotterhaguerecords.bandcamp.com

When Cities Collide III

Sadomasochism

PREMIERE: Lithium Parasites - Sadomasochism (RHR003)

Rennst - Sleepwalker

Artist: 01b
Title: Demencia Civil
Label: of dolls and murder
Format: Digital and limited cassette edition
Release Date: Feb 5th 2021
Buy: ofdollsandmurder.bandcamp.com/album/odm0…ncia-civil

Demencia Civil is the new various artists compilation by argentinian label/collective Of dolls and murder.
It gathers 10 artists from Scotland, Italy, Brazil and Argentina , taking us on a trip going through dystopian ebm, post apocalyptic industrial, electro and breakbeats.
The album releases on digital and limited edition cassette on February the 5th

@ofdollsandmurder
www.facebook.com/Ofdolls/
www.instagram.com/ofdollsandmurder_/

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PREMIERE // 01b - Shepherd Machine [of dolls and murder]

Ludgate Squatter - Break

https://vk.com/nplm_music

NPLM is a music producer from Saint-Petersburg, resident of the Somatik Sound System label
NPLM regularly performs at Somatik festivals and the largest open airs in Russia, such as Systo, Kastri and others


My side projects:
@starbeam
@monoblur_music

"НПЛМ тоже пускает космическую пыль, – закончил я. – Потому я и думал, что уже знаешь: Шива-Параматма, Черный Будда. Я про него вообще первый раз в жизни слышал… Не трудитесь повторять или вспоминать. Вы скажете, что это полупрезрительный ум. Тогда посмотрите вокруг. Какая смутная тень мелькнет в эту минуту? Сквозь землю уйдет? — сказал я. И мы оба поняли, о чем он спрашивает. Мы переглянулись, и он улыбнулся. Тогда я подумал, что в лице брата Веги он символизирует собою древнюю израильскую касту мудрецов, и как бы соответствует тезке их учителя, большому рассказчику. Но вряд ли это так… Нет, не только в этом, конечно. Их не пятеро. Ну, я имею в виду, из нас. Но пятеро всегда подойдут. Пусть даже в полночь... Впрочем, не важно."
(текст сгенерирован нейросетью)