My Compositions

‘Bhool Ja’ is a song that articulates the innate connections we hold with the nature, it metaphors the love we feel to a lover to that with the nature. It meticulously showcases the emotions of hope, love, travel and happiness. It urges us to take a break from the hustling world - to recharge ourselves by traveling to some places we have never been before and to talk our heart out to the ones close to us.  The song ends by depicting a feeling of aliveness that comes after a journey and it tells us to forget everything else and be in the moment for a while.

Video Credits : 
D.O.P & Direction - Ahammed Naseeb 
Music Production, Composition & vocal - Nabeel Zubair
Edit - Muhsin Mubarak 
Camera Associate - Mohammed Ashif 

Audio Credits : 
Lyrics - Samsher Singh
Guitar - Hrday Sunil 
Bass Guitar - Aaditya Kotkar
Record Label: Tune.Abl
Mixed & Mastered By Ashbin Paulson at Tune.Abl
Audio Studio: Aweno Calicut
Studio - STABS WORLD 

Produced by Tentgram

Streaming platforms : 
Apple :
https://music.apple.com/in/album/bhoo...​
Spotify :
https://open.spotify.com/track/72JApx...​
Wynk :
https://wynk.in/u/CgegemAz6​
Gaana :
https://gaana.com/song/bhool-ja-14​
Hungama :
https://www.hungama.com/song/bhool-ja...​
JioSaavn : 
https://www.jiosaavn.com/song/bhool-j...​
Amazon Music :
https://music.amazon.in/albums/B08XBF...​
Resso :
https://m.resso.app/ZSJLqCQf8/​

Caller Tunes : 
Vodafone : Dial 53712380763
Idea : Dial 53712380763
Airtel : Wynk Music App
Jio : JioSaavn App
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LYRICS:
Haule haule se ye kahe dil mera,
Keh dun tujhse dil ki baat.
Paas tu ho to yea kare dil mera,
Thaam lun mai tere haath
Tum mere paas aao na,
Na rahe koy doori Darmiyaan

(VOCAL HOOK)

Fir safar pe ik chalen,
Kehti rahe aarzo
Khwaab ki tarha lage,
Ye raaste sab yun.

Kuch manzilein hain ajnabi,
Kuch manzilein jaane dil ye.
Kuch baatein tu keh ankahi,
Kuch baatein tu reh jaane de.

(VOCAL HOOK)

Lagne laga hai, jaane sab naya kyun
Saari raahein ab kyun muskuraati hain.

Tu bhi pal me jee, kal ke tu saare gum.
Bhool jaa.

Social Media Handles : 
Tentgram : 
https://www.instagram.com/tentgraam/​
https://www.youtube.com/channel/UCyxT...​

STABStudio :
https://www.youtube.com/channel/UCIOa...​

Nabeel Zubair : 
https://www.instagram.com/nabeelzubair_/​

For any further enquiry, pls email me: nabeelzofficial@gmail.com

Bhool Ja- Nabeel Zubair

Audio Credits:

Singer: Nazneen, Nabeel Zubair
Music Composed, Programmed & Arranged: Nabeel Zubair
Music Curator & Backing Vocals: Irfan Erooth
Lyrics: Suhail Sulthan
Guitar: Anand S Kanth
Flute: Aravind S Murali
Mixed & Mastered by Ashbin Paulson at Tune.Abl
Studio: Aweno Calicut

Listen to "Aaro - "The Raven's Shadow" Song on your favorite Streaming Platforms :-

Gaana - https://bit.ly/3tATy4H​
Apple Music - https://apple.co/3tCAZNu​
Amazon Music - https://amzn.to/3vIhCEv​
Resso - https://m.resso.app/ZSJFET9aH/​
Spotify - https://spoti.fi/2QpsQxT​
JioSaavn - https://bit.ly/2Nw4MrN​
Hungama - https://bit.ly/3vFcdOL​


#Nazneen​ #SainaOriginals​ #MusicVideo​

Aaro

Aaro-  Nazneen, Nabeel Zubair

'MANTRA' is a fusion of Classical Elements with modern day Synths, Percussions, and Hard Rock. This track is purely my experimentation of bringing together a wide range of genres by connecting it all through various Carnatic Raags. 

Composed, Arranged, Produced & Mixed by Nabeel Zubair
Mastered by Adrian Machado
Vocals & Konnakol by Aakash Rajan
Lead Guitar by Jerry Vintage

MANTRA - Nabeel Zubair

Hi everyone! 
Here’s a cover of  Dhvani Bhanushali's  ‘Vaaste’. 
I hope you like it ❤️

Sung, Produced, Mixed and Mastered by Nabeel Zubair
Video Credits to Bowdithya Choudhary

______________________________________________________

ORIGINAL CREDITS:

Song: Vaaste
Singers: Dhvani Bhanushali & Nikhil D’Souza
Music: Tanishk Bagchi 
Lyrics: Arafat Mehmood
Featuring: Siddharth Gupta and Anuj Saini
Music Label - T-Series 
Video By - Radhika Rao & Vinay Sapru
Songs Mixed & Mastered By Eric Pillai (Future Sound Of Bombay) 
Mix Assistant Engineers - Michael Edwin Pillai
Special Thanks to Azeem Dayani


All Rights to Music Label Co. & No Copyright infringement intended.

Find me on Facebook -: https://www.facebook.com/iamnabeelzubair
 & On Instagram :- https://www.instagram.com/nabccl

For any further enquiries, pls email me -: nabeelzofficial@gmail.com

#Vaaste #DhvaniBhanushali

Vaaste | Dhvani Bhanushali (Cover) -  Nabeel Zubair | MALE VERSION

Watch the video on Youtube - : https://www.youtube.com/watch?v=KtXqmeECpCY

Hey Guys,
Here's a short cover of the recent Malayalam hit "Parayuvaan" from the malayalam movie Ishq. This video has been shot as a vertical video and I hope you all like the vid. Please let me know what you all think about my take on the song in the comments below!
Much love.

Sung, Produced, Mixed and Mastered by Nabeel Zubair
Shot by Hamda


ORIGINAL CREDITS : 
Music: Jakes Bejoy
Lyrics : Joe Paul
Singers: Sid Sriram and Neha S Nair

All Rights to Music Label Co. & No Copyright infringement intended.

Parayuvaan (Cover) - Nabeel Zubair | Ishq

Heal by V3K feat. Moeha
Loka Samastha Sukhino Bhavandu.
lyrics
Loka Samastha Sukhino Bhavandu.
credits
released April 13, 2020
Produced by V3K
Vocals by Moeha

Copyright 2020 © Glitch Collective

Heal ft. Moeha

Sung, Produced, Mixed, and Mastered by Nabeel Zubair
Shot & Color Corrected by VA Edwin

______________________________________________________

ORIGINAL CREDITS:
Song: Mel Mel
Movie: Usthad Hotel (2012)
Singer(s): Naresh Iyer, Anna Katharina Valayil
Music : Gopi Sunder
Lyricist(s): Rafeeq Ahmed
Starring: Dulquer Salmaan, Thilakan, Nithya Menon
Music Label : Satyam Audios

All Rights to Music Label Co. & No Copyright infringement intended.

Find me on Facebook -: https://www.facebook.com/iamnabeelzubair
 & On Instagram :- https://www.instagram.com/nabccl

Edwin's Instagram : https://www.instagram.com/vaedwiin/
_____________________________________________________________

LYRICS (as in this version) : 

Mel mel mel vinnile
Chekkeraam kilikalaayi
Mel mel mel vinnile
Chekkeraam kilikalaayi
Veruthe.. Naam ithile..
Etho kumbil koodundakkan
Pokaaraayi
Thazhe mannin nerum thedaraai..
Ore niram swaram
Ini ore vazhi mozhi sruthi
Mel mel mel vinnile
Chekkeraam kilikalaayi
Mel mel mel vinnile
Chekkeraam kilikalaayi
Veruthe.. Naam ithile..
Etho kumbil koodundakkan
Pokaaraayi
Thazhe mannin nerum thedaraai..
Ore niram swaram
Ini ore vazhi mozhi sruthi
Mel mel mel vinnile
Chekkeraam kilikalaayi
Mel mel mel vinnile
Chekkeraam kilikalaayi
Veruthe.. Naam ithile..


_____________________________________________________________

For any further enquiries, pls email me -: nabeelzofficial@gmail.com

Mel Mel (Cover) - Nabeel Zubair | Ustad Hotel

Banaras - Nabeel Zubair

Eid Mubarak Everybody, Here's a little something from us to everyone out there to celebrate this Eid. "Qamarun" is originally an Egyptian song that celebrates various attributes of the Messenger of Allah, peace and blessings be upon him. I combined this track with the all-time popular Islamic song "Muhammed Nabina".  We have put our heart & soul into making this track hoping you all would accept this track with the same love we made it with. 
Don't forget to share this video with your friends and family and help spread the message of peace and love.
-NZ

_______________________________________________________________________________________________

MUSIC CREDITS :
Performed by Fathima Hamda, Nabeel Zubair
Music Produced, Mixed, and Mastered by Nabeel Zubair
Oud Performed by Nadir Abdul Salam
Backing Vocals by Rasheeda Zubair, Risvana Hiba

Album Art Designed by Aysha Nufais

ORIGINAL ARTIST : Mostafa Atef
RECORD LABEL: I-Media Production-

ORIGINAL ARTIST : Mostafa Atef
RECORD LABEL: I-Media Production-

Download the audio for FREE here: 
https://soundcloud.com/nab-e-zuba-r/q...

All Rights to Music Label Co. & No Copyright infringement intended.

Find me on Facebook -: https://www.facebook.com/iamnabeelzubair
 & On Instagram :- https://www.instagram.com/nabccl

LYRICS :
VERSE 1
Qamarun, Qamarun, Qamarun Sidnan Nabi, Qamarun
Wa Jameel, Wa Jameel, Wa Jameel Sidnan Nabi, Wa Jameel
Wa Kafful Mustafa Kal Wardi Naadi Allah Allah
Wa Itruha Yabqa Iza Massat Ayaadi Allah Allah
Wa Amma Nawaaluha Kullal Ibaadi
Habeebullahi Ya Khairal Baraaya
Qamarun, Qamarun, Qamarun Sidnan Nabi, Qamarun
Wa Jameel, Wa Jameel, Wa Jameel Sidnan Nabi, Wa Jameel

VERSE 2
Muhammad nabina Binuru hadina
Min makkah habibi nuru Shota’al madinah
Min sholla sholatuh Widkhalab shifatuh
Ya bahtilif duluh ma’shi
Yushfa’luh mamatuh
Muhammad nabina Binuru hadina
Min makkah habibi nuru Shota’al madinah
Min sholla sholatuh Widkhalab shifatuh
Ya bahtilif duluh ma’shi
Yushfa’luh mamatuh

TRANSLATION : 
VERSE 1 
Moonlike, moonlike, moonlike is the appearance of our master, the Prophet
And beautiful, and beautiful, and beautiful is our master, the Prophet, and beautiful
Moonlike, moonlike, moonlike is the appearance of our master, the Prophet
And beautiful, and beautiful, and beautiful is our master, the Prophet, and beautiful
 
And the palm of the Chosen One is like a rose, the fresh 
and its scent remains upon the touching of hands
O God, O God
And the palm of the Chosen One is like a rose, the fresh
and its scent remains upon the touching of hands
O God, O God
 
And his kindness encompasses the all of God-serving mankind, and his kindness encompasses the all of God-serving mankind
And his kindness encompasses the all of God-serving mankind, the Beloved of God, o best of creation
 
Moonlike, moonlike, moonlike is the appearance of our master, the Prophet
And beautiful, and beautiful, and beautiful is our master, the Prophet, and beautiful

VERSE 2 
Mohammed our prophet gave us his light
From Mecca his light was glaring on Medina
He who prays his prayers and tries to improve his attributes
How lucky is he who walks in his shadow
And adds to him with his death

Qamarun ( قَمَرٌ )

Qamarun ( قَمَرٌ ) Fathima Hamda, Nabeel Zubair

Nerān tries to recreate an instance from a person’s life. It is structured like an isolated scene from a film wherein a person is experiencing a moment in time. A moment where he realises that he has lost a beloved, but their presence still lingers in the spaces they used to visit together. In a sense, the album tries to explore the idea that a space can personify a living or dead entity and can thrive on the memories of those who once inhabited it.

The song lineup on the album is very intriguing as the names of the songs have been borrowed from a very diverse pool of Pan-Indian languages apart from English. Which is supported by the fact that the  album features vocals in Kashmiri, Urdu and Hindi, quite effectively using the different textures of these different tongues to its musical sensibilities.But after experiencing the melodic and beautifully  reverberant vocals on the first song Neran, it somehow felt that the indecipherability of the lyrics adds to the mood created by the serene composition of this song. If we let go of our analytical temperament and surrender ourselves completely to the musicality of it, then the song succeeds in taking us on a journey through the  pristine valleys of Kashmir and conjures up vistas of snowcapped mountains. 

August Sun & March Rain
There are two instrumental tracks on the album- August Sun and  March Rain, both of which serve the purpose of creating beautiful bridges between the individual worlds created by the other five  tracks on the album. But neither of them are merely functional in  their existence, both the songs feature immaculate acoustic guitar playing and soothing piano pieces. March Rain starts with the proverbial sounds of thunder which are subdued by a very  tranquillising plucking of an acoustic guitar, reminiscent of an echoing  Santoor somewhere in the higher reaches of a mountain range. Through these nuanced improvisations, the album has imbibed the Kashmiri aesthetics, in an attempt to transport the listener to the environs of the majestic Himalayas.  With the incorporation of sound design elements like rain, thunder, forest ambiences and bird calls, the structure of these songs is  analogous to a background score in a film. The songs succeed in breaking the conventional structure of a music album by bringing in the elements of cinema and narration. 

Rahanu
Rahanu presents itself as an alluring  enigma. Its somber intro disguises the unprecedented climax, which catches the listener off guard and somehow also lures them deeper  into the song with its powerful vocals piercing right into your soul. 

Wasfa
everything from the guitar tones to the arrangement is  imbued with the stylisations of the progressive rock genre. The song displays the heavy influence, of prog-rock pioneers like Steven  Wilson and Mikael Akerfeldt, on the creator’s subconscious. But the Hindi vocals on the track infuse the much-needed freshness and are also, at the same time representative of the influence of Bollywood  playback singing and Indian indie-rock vocal stylisations. Wasfa also features a very captivating interplay of drums and vocals, with some  exceptional drumming by longtime friend and former bandmate of  the creator- Aniket Shenoy. 

​Kalon
Kalon was the lovechild of an up-cycled background score, composed  for a student film and the inventive use of the android app- EtherPad  (a multi-touch surface and real time synthesizer).

Half Story of Mozoon
The last song on this album is designated, by the creators, as a  precursor to their next album, thus the name Half Story. This track was created with the aim of teleporting its listeners from the world 
created through this album, to the precipice of the next. With ethereal vocals and surreal ambiences to compliment, the creators have pushed the creative boundaries of experimentation in a musical  piece. With the inclusion of spoken word and a very eerie  soundscape.

Nerān

Hi. I create music, Follow to listen to them.

Aaro- Nazneen, Nabeel Zubair

Nabeel Zubair

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