Music is the definition of Magic 🌬️✨

Organic Machine 🧘🏽‍♂️

Progressive House / Organic House / Tech House

I've been listening to electronic music since I was old enough to tune into the John Peel show on Radio 1. Peel first introduced me to Chicago House, Detroit Electro and Rap. I would listen to an entire show with my finger hovering over the record button of my 'tape-recorder' close to the radio speaker just to record whatever 3 electronic imports he would play each night. I wish I'd kept those recordings.
From the moment I first heard 'Roxanne Shante' I sought out everything I could ranging from Kraftwerk, Mike Oldfield, Kurtis Mantronik, Africa Bambata, Grandmaster Flash, Gorgio Morodor, Axel-F, Jean Michel Jarre and just about anyone who used a synth to make music! With the arrival of House in the mid-late 80's the likes of Marshall Jefferson, Frankie Knuckles, Farley Jackmaster Funk, Steve Silk Hurley, Adonis and many more American underground House producers, the music had developed into a new, seriously exciting phenomena.
Music progressed at pace with House and Acid imports driving change, the UK in particular underwent an epiphany of sorts in the 80's and 90's. From Break-Dancing to New Romanticism, the music developed, finally morphing into the early genres of Acid Trance, Techno and Progressive Trance. Heavily influenced by American and underground Dutch and German artists and with the advent of clubbing and non-speaking mixing DJ's, it opened up a Pandora's box of new music, influences, sounds and styles. What that amounted to for me (and most others like me) was an ever-growing range of electronic music that was continually breaking free from pigeon-holes and mainstream pop culture. Electronic music had become the new classical music of a generation.
I can only say that electronic or computer music has evolved beautifully in the past 40 years and I love it as much now as the day I first heard John Peel play fantastic American imports.
I'm not anything more than a bedroom DJ and electronic music enthusiast. I have the greatest admiration for those who DJ publicly and seek to build a following or career from DJing, but that’s not a path I’ve tried to follow. I do love to put together great tunes, so for me using this sort of platform for sharing music is perfect for me. I do mixes both on my decks and using Ableton, as sometimes I find it easier to create a journey through that medium. 
As for making music, I’m slowly finding my way around Ableton in order to bring life to the musical ideas rolling around my head. 
Anyway, I hope you enjoy the mixes I post, please give me some feedback and if nothing else, support the artists themselves and buy their music.

Angrish

Nacres, his real name is Serkan Erkan. He was born in 1975 in Istanbul/Turkey. He tended to music even before he started primary school. His biggest pleasure was listening to music with his family's records archive. During his first years of elementary school, Pink Floyd was the first band he would listen to throughout his life and be fan. This love of music might have guided him on electronics, which he associates as a profession, and studied electronics. After his education, He worked for 3 years in Istanbul's most important sound companies "Nefan" and "Display Ses & Işık" on sound and lighting systems. He was taking resident dj offer by Taxim Night Park, one of the most famous and important nightclubs of the period, where he established the sound system in 1993. By accepting this offer, he worked in Cubuklu 29, the summer residence of Taxim Night Park and Taxim Night Park, for 4 years as a Resident DJ and special night manager. During these periods, he was a guest DJ at places such as Club 2019 (Twenty), Andromeda, which are among the important venues of Istanbul. He regularly made live shows on Radio Cool, the popular electronic music radio of the time.
By 1997, he went to Cyprus, which was the event that would end his music career. In Istanbul, in Turkey despite his young age due to the demonstrated capabilities are also among the biggest musical life that was finished. Until 2018, he did not professionally deal with music for a total of 21 years. With the death of his father in 2018, he decided to return to music. "Nibiru", the first E.P released from 3XA Music owned by Clinique Group in October 2019, although it was its first release, "Hawking Talking" in E.P was among the best songs on the "Release Promo" list. After this album, he returned to Istanbul, where he had not lived for 23 years, and started living in Istanbul again. Later, he made successive E.Ps, Singles, and remixes. Yielding a total of more than 70 tracks in a year when production begins, Europe's a lot of electronic music label was shown as the most important capability of Turkey, like a "Bonzai Music". His songs have repeatedly entered Beatport's top 100 charts and major media charts such as "Release Promo Hype". It has been played over and over by dead DJs like Hernan Cattaneo. The musical style is positioned somewhere between Minimal Deep Tech and Progressive House. His style, which creates a unique drum-based sub-top, has not been fully categorized by many labels. He founded his music label, Soundeluxe, towards the end of 2020. In the first month of 2021, signed for the continuous radio show "Deep Data", And He became the resident DJ of Di.Fm. A remix He had previously made, raised it on to the Di.Fm top 10 list. Among the names he has been working with since 2020; There are names such as Dj Tarkan, Cj Art, Ewan Rill, Nico Parisi, Airwave, Phi Phi, K. Loveski.

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