MUSIC VIDEO - https://youtu.be/qhhkee4ary4

Brooklyn's Breakdown Brass dropped yet another killer 45! They've unleashed an original juggernaut entitled "Harrow", a follow-up to their smash debut 45 "Monmouth b/w Next Episode" (Kept Records) and sophomore 45 "The Horseman b/w Mary Jane" (Mixto Music). Driving, dirty horns are punctuated by intense trombone and baritone sax solos - prepare your stank face.  Harrow is also featured in Will Arnett's new Netflix show "Flaked".

The B-side "Nautilus (Hijacked)" is a dance-floor burner that pays homage to Bob James, whose track Nautilus has been heavily sampled by Slick Rick, Eric B & Rakim, Run-DMC, A Tribe Called Quest, Onyx, Wu Tang Clan, Big L, Pete Rock and about 300 others. Throw in some Herbie Mann/Beatnuts and you got yourself a hit!

The members of Breakdown Brass stay busy - touring and recording with Ikebe Shakedown, Antibalas, Lee Fields, Sharon Jones, Charles Bradley, Monophonics and many others. Led by Nadav Nirenberg on trombone, their unique combination of heavy Afro-Funk with the sizzle of Balkan Brass has caught the eye of Gilles Peterson, NPR, BBC and more.

Mike Buckley - Tenor Sax, Flute
Ray Cetta - Sousaphone
Vince Chiarito - Bass
Jason Colby - Trumpet
Sam Hoyt - Trumpet
Raja Kassis - Guitar
Kevin Moehringer - Trombone
Nadav Nirenberg - Trombone, Percussion
Morgan Price - Baritone Sax
Chauncey Yearwood - Drumset, Congas

Written by Nadav Nirenberg

Produced by Nadav Nirenberg
Recorded by Vince Chiarito in Brooklyn NY
Mixed by Jim Bertini at Galaxy Smith Studios, Brooklyn NY
Mastered by Steve Berson at Total Sonic Media

Harrow

Brooklyn's Breakdown Brass dropped yet another killer 45! They've unleashed an original juggernaut entitled "Harrow", a follow-up to their smash debut 45 "Monmouth b/w Next Episode" (Kept Records) and sophomore 45 "The Horseman b/w Mary Jane" (Mixto Music). Driving, dirty horns are punctuated by intense trombone and baritone sax solos - prepare your stank face.

The B-side "Nautilus (Hijacked)" is a dance-floor burner that pays homage to Bob James, whose track Nautilus has been heavily sampled by Slick Rick, Eric B & Rakim, Run-DMC, A Tribe Called Quest, Onyx, Wu Tang Clan, Big L, Pete Rock and about 300 others. Throw in some Herbie Mann/Beatnuts and you got yourself a hit!

The members of Breakdown Brass stay busy - touring and recording with Ikebe Shakedown, Antibalas, Lee Fields, Sharon Jones, Charles Bradley, Monophonics and many others. Led by Nadav Nirenberg on trombone, their unique combination of heavy Afro-Funk with the sizzle of Balkan Brass has caught the eye of Gilles Peterson, NPR, BBC and more.

Mike Buckley - Tenor Sax, Flute
Ray Cetta - Sousaphone
Vince Chiarito - Bass
Jason Colby - Trumpet
Sam Hoyt - Trumpet
Raja Kassis - Guitar
Kevin Moehringer - Trombone
Nadav Nirenberg - Trombone, Percussion
Morgan Price - Baritone Sax
Chauncey Yearwood - Drumset, Congas

Written by Nadav Nirenberg

Produced by Nadav Nirenberg
Recorded by Vince Chiarito in Brooklyn NY
Mixed by Jim Bertini at Galaxy Smith Studios, Brooklyn NY
Mastered by Steve Berson at Total Sonic Media

Nautilus (Hijacked) *Slick Rick, Beatnuts, Bob James, Herbie Mann cover*

Title track from The Pimps Of Joytime new record, featuring the Shakedown Horns (Morgan Price + Nadav Nirenberg) with Maurice Brown on the trumpet solo


The Pimps Of Joytime - "Janxta Funk!" (Nadav Nirenberg on trombone, Morgan Price on sax)

Tracks used: Arleta - To mpar to navagio
                         Ikebe Shakedown - Pepper
                         Max Romeo - Chase the devil

For more downloads: 
http://www.4shared.com/mp3/s1F7QeLy/Arleta_-_The_bar_the_wreck_Ike.html

Arleta & Ikebe Shakedown - The bar the wreck(Matina Sous Peau mashup)

Buy it here: http://bit.ly/1LMEIwG

The reigning champs of instrumental SOUL are back with the follow up to their funky masterpiece, “Pure Cane Sugar."  Featuring members of SHARON JONES & THE DAP-KINGS.

The Sugarman 3 - Rudy's Intervention

Menahan Street Band - The Crossing

Rubblebucket - "(Focus) Oversaturated" 
off the Oversaturated EP out 9/11/12 on 10" vinyl and digitally
Produced & Mixed by Ryan Hadlock at Bear Creek Studios
Mastered by Gavin Lurssen.
▶ Spotify: bit.ly/RBonSpotify

(Focus) Oversaturated

Ikebe Shakedown, the self-titled album from the Brooklyn-based band, plays with elements of cinematic soul, Afro-funk, deep disco, and boogaloo in all the right ways.  After spending a few years together the group, named after a favorite Nigerian boogie record (and pronounced “ee-KAY-bay”), delivers a driving set of tunes featuring a mighty horn section anchored by tight, deep-pocketed grooves.

“Right now in cities across the globe, there are plenty of great Afrobeat revivalist bands aping the sound and groove of Fela Kuti’s legendary sound.  Yet, surprisingly few of the new groups have strayed from an orthodox interpretation of the genre or done much real innovation…Ikebe Shakedown is here to change that.  The band takes signature Afrobeat elements—big unison horns, slinky bass lines, tight little guitar licks—and blends them with tasty grooves culled from ’70s-style horn-driven funk”. – Marlon Bishop, WNYC

The Ikebe debut for Ubiquity Records sees the band push their globally-informed sound and eclectic approach to tune-writing into new territory. “Self-titling the album is a way to introduce the audience to the many facets of the band — to provide a more complete understanding of what we do,” bassist Vince Chiarito says.  “Our sound has grown to incorporate our influences without overtly representing any one in particular.  It just sounds like us,” he adds.

Most of the rhythm section met at Bard College, and the band rounded-out and officially formed when everyone settled in Brooklyn in 2008.  From there, Ikebe has emerged as a compelling voice on the progressive local scene.  After a run of dates around NYC, the band recorded their debut 7” single and the EP, Hard Steppin’, which was released on Colemine Records in 2009,receiving high praise from critics and fans alike.  The group was invited to record at Dunham Studios with producer Tom Brenneck and at Killion Sound in Los Angeles, home of engineer Sergio Rios of fellow Ubiquity act, Orgone.  “The studios share a lot of similarities — the tracks were all cut live to tape with minimal use of headphones and overdubs.  This basic approach allowed us to dig in and really focus on getting dynamic performances,” Chiarito explains.

The old school mentality to recording spills over in lush, laid-back, and soulful funk joints like “Kumasi Walk” and “No Name Bar,” where the multi-layered horn section plays off a cavernous backing track of slick drumming, spacey Hammond organ, and nimble guitar riffing.  The cinematic soul sound is warm and deep, with the 7-piece band sounding more like a larger ensemble as increasing layers leap from the tape.  At the other end of the BPM counter, on “Tunjunga,” the band build a gritty African disco jam boasting a floor-filling percussion section, adding seductive guitar licks and an irresistible bass-line to set the horns ablaze. “Tame The Beats” is pure fire — bold melodies and heavy rhythms propel the song, with Meters-esque breakdowns providing only brief respite from the action.

The Hold Up

Brooklyn-based Trombonist/Sousaphonist/Bandleader/Arranger