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This is a rendition of the takbiraat that I learned from an Indonesian brother while living in Hadramawt, Yemen.

Takbiraat of Eid

A traditional poem (qasida) describing love of the Prophet Muhammad, peace be upon him, and the poet's desire to visit his blessed grave in Madina. This was sung at SeekersHub in Toronto during one of the blessed nights of remembrance. The masterful Nader Khan is also singing and playing the drum.

Al-Salamu 'Ala

"Qad Kafani `Ilmu Rabbi" (My Lord's Knowledge Suffices Me) is a powerful statement of reliance and trust on Allah, authored by Imam Abdullah b. Alawi al-Haddad (1634 CE [1044 Hijri] - 1720 CE [1132 Hijri]), the great Islamic scholar and spiritual guide from Hadhramawt, Yemen. Imam al-Haddad was a distinguished poet, and this particular qasida (devotional song) is one of his most-recited poems. A brief bio of the Imam may be found here: http://www.alhaddad.org/blog/?p=382.

(Accompanying picture of the Imam's mosque in Yemen is taken from http://thedowra.com.)

This particular rendition of the qasida is something I'd first heard performed at the Seekers Retreat in Melbourne (April 2011), by "The Singaporean Haqqani Ensemble" - Sidi Abdul Shakor Hadi leading the vocals, along with drumming and choral support from Sidi Muhammad Nassir, and the rest of the ensemble.

I was fortunate enough to recite this rendition of the qasida to Habib Umar bin Hafidh, at a private gathering in Melbourne Australia, in May 2011, before returning to Canada.  Many thanks to Sidi Usama Canon for facilitating this auditioning.


TECHNICAL NOTES:
I've recorded it here in Apple's GarageBand, using a Blue Yeti USB microphone (reviewed here at wired.com: http://www.wired.com/reviews/2009/11/pr_yeti/), a recent gift from a good friend that I'm putting to good use.

[NOTE: Booking requests are not processed through this website.  To book Nader Khan, please contact "bookings@naderkhan.com"]

ENGLISH TRANSLATION:
(the lyrics in Arabic, along with the translation, may be downloaded from: http://www.halaqa.org/Media/Docs/Qad%20kafani%20english.pdf)

My Lord’s knowledge has sufficed me
 from asking or choosing
For my du’a and my agonising supplication
 is a witness to my poverty.
For this secret (reason) I make supplication 
in times of ease and times of difficulty
I am a slave whose pride 
is in his poverty and obligation
----------
O my Lord and my King
 You know my state
And what has settled in my heart 
of agonies and preoccupations
Save me with a gentleness 
from You, O Lord of Lords
Oh save me, Most Generous 
before I run out of patience (with myself)
----------
O One who is swift in sending aid
 I ask for aid that will arrive to me swiftly
It will defeat all difficulty 
and it will bring all that I hope for
O Near One Who answers 
and All-Knowing and All-Hearing
I have attained realisation through my incapacity, 
my submission and my brokenness
----------
I am still standing by the door, so please my Lord
 have mercy on my standing
And in the valley of generosity, I am in i’tikaf (solitary retreat)  
So, Allah, make my retreat here permanent
And I’m abiding by good opinion (of You) 
 For it is my friend and ally
And it is the one that sits by me and keeps me company  
All day and night
----------
There is a need in my soul, O Allah 
so please fulfill it, O Best of Fulfillers
And comfort my secret and my heart
 from its burning and its shrapnel
In pleasure and in happiness  and 
as long as You are pleased with me
For joy and expansion is my state  
and my motto and my cover
----------

Qad Kafani - My Lord is Sufficient - by Imam Haddad, sung by Nader Khan

This is a set of lyrics that I've been trying to set a tune to, for well over 3 years now.It was originally intended to be on the first album, but to a very different tune.It's a good thing I waited - this is the most satisfied I've been.

The lyrics were originally composed by Shaykh Abdul-Hakeem Murad and he had titled the poem as "Lamiyyat Al Ajam".Those who know what a "Lamiyya" is, will get the subtle wit of his title.

This recording was done to test out the sound setup at the new SeekersHub (http://seekershub.org) in Mississauga, Ontario.I've used a wired Shure SM-58 microphone, plugged into a Fender Passport 500 PA system - probably the best one there is for a musician on the road, in the affordable range.

It was recorded on Shaykh Faraz's iPhone 4 as a movie.I extracted the sound file in Apple's GarageBand, added in a "Live Performance" affect, and voila.

For booking inquiries, please contact bookings@naderkhan.com

NaderKhan - Pray My Lord by Shaykh Abdul-Hakeem Murad - Unplugged Acapella

إبتهال  مأخوذ من فيلم لي لي للممثل عمرو واكد
بصوت الشيخ وحيد ابو حسن الشرقاوي 
Download 
http://www.4shared.com/mp3/QmEW3nhT/-__.html?

إبتهال-فيلم لي لي

Mawlid al Diya al Lami' 01

للتحميل
download

https://bit.ly/32qr979
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مولاي صلّ وسلم دائما أبدا
على حبيبك خير الخلق كلهم
يا رب صلّ عليه صلوات الله عليه
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البدر كطلعته وجه جميل
والشمس كبسمته ظل ظليل
هو عبد الله سيد الخلق ومصطفاه
وحبيب الله خير مبعوث بوحي الله
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مولاي صلّ وسلم دائما أبدا
على حبيبك خير الخلق كلهم
يا رب صلّ عليه صلوات الله عليه
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هو خير عباد الله خير البرايا
حي فينا بهداه حلو الوصايا
نسألك الله أن تجمعنا يوما برسول الله
من كوثره يروينا فتقبل يا رباه
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مولاي صلّ وسلم دائما أبدا
على حبيبك خير الخلق كلهم
يا رب صلّ عليه صلوات الله عليه
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طاهر القلب نقي ذاكر لله
المصطفى الصفي صلى عليه الله
أخلاقه وصفاته سبحان من سواه
هو قدوتي وحبيبي ودعوة النجاة
يا رسول الله يا حبيب الله
فاكتب لنا نلقاه ندعوك يارباه
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مولاي صلّ وسلم دائما أبدا
على حبيبك خير الخلق كلهم
يا رب صلّ عليه صلوات الله عليه

مولاي .. ماهر زين .. بدون موسيقى

ماهر زين | For Give Me

Mawla ya salli wa sallim

Masar Egbari - Ba2t 7awi

غناء 
مصطفى عاطف ٌ

كلمات وألحان 
تراث صوفي




توزيع موسيقي 
أحمد عادل 

هندسة صوتية 
محمد جودة  

قـمـرٌ - Mostafa Atef

ALLAH O ALLAH (Hafiz Fahad Shah)

Recorded Tapestry of Sacred Music at the Esplanade April 2012. 

Recording and Mastering by Crew Selawat.

For online listening only. 

All copyright License applicable.

Qadqafani


الشاعر/مصطفى ابراهيم
ادين بدين الجدعنة وبدين رفاق الدرب 
وبقوله احنا مش انا فى المعمعة والضرب 
وبدين ماكنت مصدقة فى المعركة الأولى 
وبدين جثث فى المشرحة اساميها مجهولة 
وبدين من ساب على الأسفلت اخواته مقتولة 
أقول التوبة مقبولة الا فى وقت الحرب . 

الشاعر / جرجس شكرى 

زينو جسمه باللى عندينا 
ما احنا سبايا وراحوا أهالينا 
زينو جسمة باللى سابوه 
خربوا بلدنا والطفل قتلوه 

الموسيقين
الحان وغناء / دينا الوديدى 
بيانو / محمد صالح 
جيتار / محمود صيام 
باز / سيكا 
كمانجا / نانسي منير 
اكورديون / وائل السيد 
درامز / محمد رأفت 
شكر خاص لمهندس الصوت 
وماستر وميكساج 
محمود ديااز 

وشكر خاص 
استوديو الحجار تسجيل 
استوديو وسط البلد ماستر وميكساج 


ادين بدين الجدعنة

Aap Fakhre Rusul (Hafiz Fahad Shah)

LANGUAGE: English

SONGWRITER: Nader Khan

INSPIRATION: 
A song of repentance, based on the very first couplet of Maulana Jalaluddin Rumi`s famous poetic compilation, the “Mathnawi”; a section of the litany “Hizb al Kabir” composed by the founder of the Shadhili Sufi order, Imam Abul-Hasan al Shadhili; the “Ode of Repentance” from the poetic compendium of the renowned Sufi scholar Shaykh Muhammad ibn Al-Habib (where the first two Arabic lines come from); and a few other readings.

The “covenant” being referred to in this song, is found in the seventh chapter of the Holy Qur’an, "The Heights" ("Al A'raf") , verse 172, but can also be taken to refer to any oath, promise, or responsibility. This event is sometimes referred to in Persian Islamic literature as “Ruz-e-alast” (the day of “alast”). The prayer at the end of the song is the prayer of Adam and Eve as they accept responsibility for their misjudgment, also from same chapter of the Qur’an, in verse 23.

LYRICS:
Visit http://naderkhan.com

06 - The Sound Of Tears (TAKE MY HAND, rel. 2008)

LANGUAGE: English

SONGWRITER: Nader Khan

INSPIRATION: 
A song based on a story cited by Imam Ghazali in his book “Duties of Brotherhood in Islam”, translated into English by Muhtar Holland. The story is of two friends from a pre-Islamic Jewish community, and deals with their lifestyle of devotion and worship, how one of them goes astray, and how his friend takes him by the hand, back to his original path.

LYRICS:
Take my hand, come with me
Take your time, but don’t you see
That your ways, won’t set you free
Take my hand, come with me

Take a look, inside the door
Of my heart, you’ll see for sure
That my love, for you is pure
Take my hand, come with me

I won’t judge, won’t put you down
While you lie, down on the ground
Take your time, I’ll hang around
Take my hand, come with me

I don’t know how I would fare
If your trials, I was to bear
But your burden, do let me share
Take my hand, come with me

Take this hate out of your heart
It’s alright that we’ve grown apart
Let’s give this thing a brand new start
Take my hand, come with me

Turn your anger, your glowing rage
Against yourself, break out of the cage
Write your story, on a brand new page
Take my hand, come with me

I won’t shout, I’ll stay composed
This is where, you need me most
It’s not too late, the door hasn’t closed
Take my hand, come with me

And if i stumble, as I walk with you
I’ll take your hand, oh I’ll come with you
I’ll need your strength, to pull me through
But now take my hand, and now come with me
___________________________________
© Nader Khan 2008 All Rights Reserved

04 - TAKE MY HAND - PreviewClips - Take My Hand [English]

LANGUAGE: Urdu/Arabic/Farsi

SONGWRITER: Popular

INSPIRATION:
An Urdu song in praise of the Prophet and well-known in the Indian subcontinent. Current rendition is based on a version composed by the Indian music director Ravindra Jain and sung by Mohammad Aziz for the popular 1990 Indian movie “Henna”. The familiar opening rubai was reportedly composed by Shaykh Sa’di Shirazi.
___________________________________

LYRICS:
Ya sahibul jamalu wa ya sayyadul bashar
Min wajhikal muniro laqad nawwarul qamar
La yumkinuth thana`uka ma kaana haqquhu
Ba’daz Khuda, buzurg toi, qissa-e-mukhtasar

Marhaba Sayyadi, Makki Madaniyy-ul Arabi
Dil-o-jaan baad fidayat che ajab khush laqabi

Hoke mayus tere dar se savali na gaya
Khali haath aaya magar lawt ke khaali na gaya
Hai tu hi afzal-ul-insan tu mehbub-e-khuda
Ae Quraishi, O Bani Hashmi, O Muttalabi
Sayyadi anta habibi wa tabib-e-qalbi

Marhaba Sayyadi, Makki Madaniyy-ul Arabi

Kab ata hoga mujhe zawq-e-sanakhwan-e-nabi
Ae qamar, ye meri koshish kisi qabil to nahin
Meri khatir to ye nisbat bhi bohot hai mawla
Mae kahaan, varna kahaan zikr-e-khuda, naat-e-nabi
Dil-o-jaan baad fidayat che ajab khush laqabi

Marhaba Sayyadi, Makki Madaniyy-ul Arabi
___________________________________

TRANSLATION:
O possessor of beauty! O leader of mankind
It is from your enlightened countenance that the moon is illumined
It is not possible to praise you in a befitting manner
In short, after God, you are the greatest

Welcome, my Leigelord, O Makkan and Medinan of the Arabs
How wondrous! May my heart and soul be your ransom, O sweet-titled-one

Never has a questioner turned away from your threshold in a state of despair
Though he arrived empty handed, he didn’t depart empty handed
You are the best among men, the beloved of God
O Quraishite, O Hashimite, O Muttalabite
My Leigelord, you are my beloved, and the healer of my heart

Welcome, my Leigelord, O Makkan and Medinan of the Arabs

When will I taste the refinement of being one who truly praises the Prophet
O Qamar, this meagre attempt of mine is not worth anything at all
For my sake, this association is sufficient, my Lord
Who am I to be endowed with the remembrance of God, and the praise of His Prophet
How wondrous! May my heart and soul be your ransom, O sweet-titled-one

Welcome, my Leigelord, O Makkan and Medinan of the Arabs /
___________________________________
Translation © Nader Khan 2008 All Rights Reserved

02 - TAKE MY HAND - PreviewClips - Marhaba [Urdu, Arabic, Farsi]

LANGUAGE: Urdu

SONGWRITER: Muhammad Iqbal Naqibi

INSPIRATION:
This qawwali was masterfully delivered time and again by Nusrat Fateh Ali Khan. It is rendered here more as a song than a pure qawwali. The various tangential improvisations that are expected in a qawwali have been kept to a minimum. I’ve also opted to use an opening verse that was presented in a television rendition by the Indian singer Toshi Sabri.
___________________________________

LYRICS:
Hava khilaf thi, lekin chiragh khub jala
Khuda bhi hone ke kya kya sabut deta hai

Tere hi nam se har ibteda hai
Tere hi nam tak har inteha hai
Teri hamd o sana, alhamdu liLlah
Ke Tu mere Muhammad ka Khuda hai

Ye zamin jab na thi, ye jahan jab na tha
Chand suraj na thay, asman jab na tha
Raz-e-haq bhi kisi par ayan jab na tha
Tab na tha kuch yahan, tha magar Tu hi Tu

Kawnain ka masjud hai, ma’bud hai Tu
Har shai Teri shahid hai ke mash-hud hai Tu
Har ek ke lab par hai Teri hamd o sana
Har soz mein, har saaz mein mawjud hai Tu

Tu jo har aan nai shaan dikha deta hai
Dida-e-shawq ko hairan bana deta hai
Dali dali Teri takhliq ke gun gati hai
Patta patta Teri qudrat ka pata deta hai

La ilaha Teri shan ya wahdahu
Tu khayaal-o-tajassus, Tu hi arzu
Ankh ki roshni, dil ki avaz Tu

Khaliq-e-kul hai Tu, is mein kya guftagu
Sare alam ko hai Teri hi justaju
Teri jalvagari hai ayan charsu
Tha bhi Tu, hai bhi Tu, hoga bhi Tu hi Tu
___________________________________

TRANSLATION:
The wind was hostile, but the lantern did burn ever so intensely
How wondrously strange are the affirmations that God presents, of His own existence

From Your name is every beginning
Unto Your name is every ending
To praise You is to say that all praise is for You alone
You are, after all, the God of Muhammad

When this land was not, and neither was this earth
When the moon and the sun were not, and neither was this universe
When the secret of Reality hadn’t yet been bestowed upon anyone
Then, there was nothing here, save You

You’re the one prostrated to, and worshipped in both existences
Every thing attests to Your existence, ergo You are The Witnessed
It’s Your praise and extolling that is on the lips of everyone
You are Existent in every rhythm and in every tune

You Who manifests a novel majesty ever so frequently
You thereby bewilder eyes that are anticipating an experience of Your manifestations
Every branch sings the praise of Your creative feat
Every leaf is a sign that points towards Your supreme power

That there isn’t another god is of Your majesty, O Peerless One
It’s but You Who occupy my imagination, my curiosity, my aspiration
You are the light in my eyes, the voice in my heart

You are the Creator of every thing, without doubt
The entire universe is busied with it’s seeking of You
Your sublime manifestations are evident in all directions
You were Beginninglessly Eternal then, are Ever Present now, and will forever be Endlessly Eternal
___________________________________
Translation © Nader Khan 2008 All Rights Reserved

07 - TAKE MY HAND - PreviewClips - Allah Hu [Urdu]

LANGUAGE: Arabic

INSPIRATION:
This recitation of the 99 revealed names of God in the Islamic tradition was placed at the beginning of this album as a practical expression of BismiLlah ar-Rahman as-Rahim, the oft repeated formulaic beginning of all chapters of the Qur’an, save one. The phrase is popularly translated into English as “In the name of God, the Most Compassionate, the Most Merciful“, and has been devoutly repeated by Muslims throughout the ages and across the continents at the beginning of any undertaking.

This recitation is also the very first one that I had ever done in a formal gathering of dhikr, at the December 1997 Deen Intensive Program at a winter campsite 2 hours north of Toronto. It was a clear, cold night. The multitudinous stars of an Ontario country sky lit up the crisp foot-high snow all around us. We were in a large, log cabin with subdued lighting, in the company of Shaykh Hamza Yusuf, Shaykh Jamal Dhahabi, Shaykh Abdullah Al Kadi, and Shaykh Talal Ahdab. Also present were Sidi Nazim Baksh, Sidi Abdul-Rehman Malik, and many devoted students of sacred sciences and spiritual matters in the Islamic tradition. My recitation was followed by Shaykh Jamal’s recitation of the second chapter of the Burdah, and Shaykh Hamza’s moving commentary on it. It was a very special evening that remains vivid in the minds of all those present.

A recording of my performance from that session is still floating around somewhere on the internet.
___________________________________

TRANSLATION:

He is God, besides Whom there’s no other god

The All Beneficent, The Most Merciful, The King, The Sovereign, The Most Holy, The Source of Peace, The Guarantor, The Guardian, The Almighty

The Powerful, The Tremendous, The Creator, The Maker

The Fashioner of Forms, The Ever Forgiving, The All Compelling Subduer, The Bestower, The Ever Providing

The Opener, The All Knowing, The Restrainer, The Expander, The Abaser, The Exalter, The Giver of Honor, The Giver of Dishonor, The All Hearing, The All Seeing, The Judge, The Supremely Just, The Subtly Kind

The All Aware, The Forbearing, The Magnificent, The All Forgiving, The Grateful, The Sublimely Exalted

The Great, The Preserver, The Nourisher, The Reckoner, The Majestic, the Generous, The Watchful, The Responsive

The All Encompassing, The Wise, The Loving, The All Glorious, The Raiser of the Dead, The Witness, The Real

The Trustee, The Strong

The Steadfast, The Protecting Friend, The All Praiseworthy, The Accounter

The Initiator of all, The Reinstater Who Brings Back All, The Giver of Life, The Bringer of Death, The Ever Living, The Self Subsisting Sustainer of All, The Perceiver, The Magnificent, The All Inclusive One, The Indivisible, The Self Sufficient

The All Powerful

The All Determiner, The Expediter, The Delayer, The First, The Last, The Manifest, The Hidden, The Patron, The Self Exalted

The Most Kind and Righteous, The Ever Relenting, The Avenger, The Pardoner, The Compassionate, The Owner of All Sovereignty, The Lord of Majesty and Generosity

The Equitable, The Gatherer, The All Rich, The Enricher, The Withholder, The Distressor, The Benefactor, The Light, The Guide, The Originator, The Ever Enduring, The Inheritor of All, The Infallible Teacher

The Timelessly Patient, Sublime be His Majesty.
___________________________________
Translation © Nader Khan 2008 All Rights Reserved

01 - TAKE MY HAND - PreviewClips - The Most Beautiful Names [Arabic]

LANGUAGE: Arabic

SONGWRITER: Popular

INSPIRATION: 
Imam Muslim narrates in his Sahih, that Imam Ali said, “By the One Who split the grain (with growth) and created man, the Unlettered Prophet’s promise (Allah bless him and grant him peace) to me is: none shall love me except for a believer and none shall hate me except for a hypocrite.” Shaykh Muhammad Zahid, out of concern that I could be misunderstood, advised me to add the line “Kullu man sara `ala darbihimu” to the song when he first heard me perform it. It took him almost 10 seconds to compose a line that matched the song both in rhythm, and in propriety. This has been the first song that all my children have heard as soon as they were born, and today it’s their lullaby of choice.
___________________________________

LYRICS:
Inna fil jannati nahran min laban
Li `Aliyyin wa Husainin wa Hasan

Kullu man kana muhibban lahumu
Kullu man sara `ala darbihimu
Yadkhulu ljannata min ghairi hazan

Hubbu ahlil bayti fardun `indana
Wa bi hathal hubbi la nakhshal mihan
___________________________________

TRANSLATION:
Surely, in paradise, is a river of milk
For Ali, and Hussain, and Hasan

Whosoever loves them
Whosoever goes forth upon their path
Enters paradise without experiencing any sadness

Love of the People of the Prophetic Household is incumbent upon us
And because of this love, we do not fear tribulations
___________________________________
Translation © Nader Khan 2008 All Rights Reserved

03 - TAKE MY HAND - PreviewClips - Ahl Al Bayt [Arabic]

Nader Khan (नादेर खान / نادر خان) is a Canadian singer-songwriter, recording artist, producer, arts educator, and musicologist, with a specific focus on traditional and contemporary Islamic devotional/Sufi music. Over the last 25 years, he has toured and performed across the world (Canada, United States, Mexico, South Africa, United Kingdom, Norway, Guyana, Trinidad, Mexico, Australia, Malaysia, and Singapore), in solo performances, and on tours with other internationally renowned artists. Nader has also spearheaded various social justice initiatives that promote local and international relief efforts through Islamic devotional music, arts, and youth engagement.

Nader is also an executive producer for STORIES FROM THE SEERAH, a new podcast covering the entire Seerah of The Prophet (ﷺ) in a rarely-experienced level of detail, expertly narrated by the renowned Seerah teacher, Dr. Bano Murtuja. It’s designed for 6-15 year olds, but people of all ages are getting hooked on it. Subscribe today at http://StoriesFromTheSeerah.SuperCast.com.

To book Nader, individually or with the Blacksmiths, or to get more information about his albums, performances, workshops and upcoming projects, email Bano@naderkhan.com.

03 - TAKE MY HAND - PreviewClips - Ahl Al Bayt [Arabic]

Nader Khan's SoundCloud