MA  SHA  ALLAH.......   heart  touching   voice

Soulful

MAULA YA SALLI (cover) _ Tanzeel Khan_ By Salu Bai ❤️

Naat - Mera dil badal de
Reciter - Ayat Alam

Mera Dil Badal De - Ayat Alam - Junaid Jamshed

Haal E Dil Kis Ko Sunain Lofi

Assalamu Alaikum, O beloved ones!
With great joy, I present my humble rendition
Of the timeless Kalaam, "Ilahi Teri Chaukhat Par"
A prayer from my soul, a devotion so sincere

My heart brims with love for the One above
And my struggle to return to His divine love
The message of this kalam resonates with me
To seek forgiveness, to surrender completely

The great Mufti Taqi Usmani R.A.
Expresses his guilt and his soul's decay
He seeks inner peace and tranquillity
By turning to Allah, the source of mercy

This dua reminds us of our eternal quest
To seek forgiveness, and to do our best
To tread the path of righteousness
And to strive for Allah's infinite grace

I offer my prayers to the legend who passed
Junaid Jamshed R.A., whose art shall forever last
His work inspires and awakens the hearts
Of those who seek the truth, and never depart

Through my humble cover, I aspire to spread
The message of peace and love, so that we may tread
The path of the righteous, the path of the pure
And find our way to Allah, our ultimate cure

May my rendition do justice to the beauty of the original
And may Allah bless us all, with His mercy so plentiful.
Thank you for listening! Don't forget to like, share and comment with your feedback. May Allah bless us all.

Original Credits;

TITLE ► MULTAZIM PAR (DUA) 
ARTIST ► JUNAID JAMSHED
ALBUM ► JALWA-E-JANAN
LYRICS ► MUFTI TAQI USMANI

Vocals, guitars, synths, keyboards, drums, remastering and recordings in the audio, and VFX, editings, illustrations, visuals and lyrics in this video were all designed and produced by Mazin Khushi.

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[INTRO]

الٰہی تیری چوکھٹ پر بھکاری بن کے آیا ہوں
سراپا فقر ہوں، عجز و ندامت ساتھ لایا ہوں
الٰہی تیری چوکھٹ پر بھکاری بن کے آیا ہوں
سراپا فقر ہوں، عجز و ندامت ساتھ لایا ہوں

بھکاری وہ کہ جس کے پاس جھولی ہے نہ پیالہ ہے
بھکاری وہ جسے حرص و ہوس نے مار ڈالا ہے
متاعِ دین و دانش نفس کے ہاتھوں سے لٹوا کر
سکونِ قلب کی دولت ہوس کی بھینٹ چڑھوا کر

لٹا کر ساری پونجی غفلت و نسیاں کی دلدل میں
سہارا لینے آیا ہوں ترے کعبے کے آنچل میں

گناہوں کی لپٹ سے کائناتِ قلب افسردہ
ارادے مضمحل، ہمت شکستہ حوصلے مردہ
کہاں سے لاؤں طاقت دل کی سچی ترجمانی کی
کہ کس جنجال میں گزری ہیں گھڑیاں زندگانی کی

خلاصہ یہ کہ بس جل بُھن کے اپنی روسیاہی سے
سراپا فقر بن کر اپنی حالت کی تباہی سے

ترے دربار میں لایا ہوں اب اپنی زبوں حالی
تری چوکھٹ کے لائق ہر عمل سے ہاتھ ہیں خالی

یہ تیرا گھر ہے تیرے مہر کا دربار ہے مولا
سراپا نور ہے اک مہبطِ انوار ہے مولا
تری چوکھٹ کے جو آداب ہیں میں ان سے خالی ہوں
نہیں جس کو سلیقہ مانگنے کا وہ سوالی ہوں
زباں غرقِ ندامت دل کی ناقص ترجمانی پر
خدایا رحم میری اس زبانِ بے زبانی پر

یہ آنکھیں خشک ہیں یارب انہیں رونا نہیں آتا
سلگتے داغ ہیں دل میں جنہیں دھونا نہیں آتا

الٰہی تیری چوکھٹ پر بھکاری بن کے آیا ہوں
سراپا فقر ہوں، عجز و ندامت ساتھ لایا ہوں
الٰہی تیری چوکھٹ پر بھکاری بن کے آیا ہوں
سراپا فقر ہوں، عجز و ندامت ساتھ لایا ہوں

[OUTRO]

الٰہی تیری چوکھٹ پر

[END]

Multazim Pr Dua - Ilahi Teri Chaukhat Par - A Tribute To Junaid Jamshed R.A.

Allah Hu Allah Hu Assubhu Bada

Mohamed Tarek Hum Ne Ankhon Se Dekha Nahi

Ya Nabi Salam Alaika

Sami Yusuf - Hasbi Rabbi  Live In Concert 2015

Listen to “Hasbi Rabbbi Part-1” in amazing Virtual Surround Sound experience.

=================================
                     Important Notes
====================================

Use a pair of headphones and close your eyes for the best experience. You will hear music that moves around you.

HASBI RABBI JALLALLAH Part- 1 || Danish & Dawar || 3D AUDIO || Use Headphones 🎧

LANGUAGE: English

SONGWRITER: Nader Khan

INSPIRATION: 
A song of repentance, based on the very first couplet of Maulana Jalaluddin Rumi`s famous poetic compilation, the “Mathnawi”; a section of the litany “Hizb al Kabir” composed by the founder of the Shadhili Sufi order, Imam Abul-Hasan al Shadhili; the “Ode of Repentance” from the poetic compendium of the renowned Sufi scholar Shaykh Muhammad ibn Al-Habib (where the first two Arabic lines come from); and a few other readings.

The “covenant” being referred to in this song, is found in the seventh chapter of the Holy Qur’an, "The Heights" ("Al A'raf") , verse 172, but can also be taken to refer to any oath, promise, or responsibility. This event is sometimes referred to in Persian Islamic literature as “Ruz-e-alast” (the day of “alast”). The prayer at the end of the song is the prayer of Adam and Eve as they accept responsibility for their misjudgment, also from same chapter of the Qur’an, in verse 23.

LYRICS:
Visit http://naderkhan.com

06 - The Sound Of Tears (TAKE MY HAND, rel. 2008)

LANGUAGE: English

SONGWRITER: Nader Khan

INSPIRATION: 
A song based on a story cited by Imam Ghazali in his book “Duties of Brotherhood in Islam”, translated into English by Muhtar Holland. The story is of two friends from a pre-Islamic Jewish community, and deals with their lifestyle of devotion and worship, how one of them goes astray, and how his friend takes him by the hand, back to his original path.

LYRICS:
Take my hand, come with me
Take your time, but don’t you see
That your ways, won’t set you free
Take my hand, come with me

Take a look, inside the door
Of my heart, you’ll see for sure
That my love, for you is pure
Take my hand, come with me

I won’t judge, won’t put you down
While you lie, down on the ground
Take your time, I’ll hang around
Take my hand, come with me

I don’t know how I would fare
If your trials, I was to bear
But your burden, do let me share
Take my hand, come with me

Take this hate out of your heart
It’s alright that we’ve grown apart
Let’s give this thing a brand new start
Take my hand, come with me

Turn your anger, your glowing rage
Against yourself, break out of the cage
Write your story, on a brand new page
Take my hand, come with me

I won’t shout, I’ll stay composed
This is where, you need me most
It’s not too late, the door hasn’t closed
Take my hand, come with me

And if i stumble, as I walk with you
I’ll take your hand, oh I’ll come with you
I’ll need your strength, to pull me through
But now take my hand, and now come with me
___________________________________
© Nader Khan 2008 All Rights Reserved

04 - TAKE MY HAND - PreviewClips - Take My Hand [English]

LANGUAGE: Urdu/Arabic/Farsi

SONGWRITER: Popular

INSPIRATION:
An Urdu song in praise of the Prophet and well-known in the Indian subcontinent. Current rendition is based on a version composed by the Indian music director Ravindra Jain and sung by Mohammad Aziz for the popular 1990 Indian movie “Henna”. The familiar opening rubai was reportedly composed by Shaykh Sa’di Shirazi.
___________________________________

LYRICS:
Ya sahibul jamalu wa ya sayyadul bashar
Min wajhikal muniro laqad nawwarul qamar
La yumkinuth thana`uka ma kaana haqquhu
Ba’daz Khuda, buzurg toi, qissa-e-mukhtasar

Marhaba Sayyadi, Makki Madaniyy-ul Arabi
Dil-o-jaan baad fidayat che ajab khush laqabi

Hoke mayus tere dar se savali na gaya
Khali haath aaya magar lawt ke khaali na gaya
Hai tu hi afzal-ul-insan tu mehbub-e-khuda
Ae Quraishi, O Bani Hashmi, O Muttalabi
Sayyadi anta habibi wa tabib-e-qalbi

Marhaba Sayyadi, Makki Madaniyy-ul Arabi

Kab ata hoga mujhe zawq-e-sanakhwan-e-nabi
Ae qamar, ye meri koshish kisi qabil to nahin
Meri khatir to ye nisbat bhi bohot hai mawla
Mae kahaan, varna kahaan zikr-e-khuda, naat-e-nabi
Dil-o-jaan baad fidayat che ajab khush laqabi

Marhaba Sayyadi, Makki Madaniyy-ul Arabi
___________________________________

TRANSLATION:
O possessor of beauty! O leader of mankind
It is from your enlightened countenance that the moon is illumined
It is not possible to praise you in a befitting manner
In short, after God, you are the greatest

Welcome, my Leigelord, O Makkan and Medinan of the Arabs
How wondrous! May my heart and soul be your ransom, O sweet-titled-one

Never has a questioner turned away from your threshold in a state of despair
Though he arrived empty handed, he didn’t depart empty handed
You are the best among men, the beloved of God
O Quraishite, O Hashimite, O Muttalabite
My Leigelord, you are my beloved, and the healer of my heart

Welcome, my Leigelord, O Makkan and Medinan of the Arabs

When will I taste the refinement of being one who truly praises the Prophet
O Qamar, this meagre attempt of mine is not worth anything at all
For my sake, this association is sufficient, my Lord
Who am I to be endowed with the remembrance of God, and the praise of His Prophet
How wondrous! May my heart and soul be your ransom, O sweet-titled-one

Welcome, my Leigelord, O Makkan and Medinan of the Arabs /
___________________________________
Translation © Nader Khan 2008 All Rights Reserved

02 - TAKE MY HAND - PreviewClips - Marhaba [Urdu, Arabic, Farsi]

LANGUAGE: Urdu

SONGWRITER: Muhammad Iqbal Naqibi

INSPIRATION:
This qawwali was masterfully delivered time and again by Nusrat Fateh Ali Khan. It is rendered here more as a song than a pure qawwali. The various tangential improvisations that are expected in a qawwali have been kept to a minimum. I’ve also opted to use an opening verse that was presented in a television rendition by the Indian singer Toshi Sabri.
___________________________________

LYRICS:
Hava khilaf thi, lekin chiragh khub jala
Khuda bhi hone ke kya kya sabut deta hai

Tere hi nam se har ibteda hai
Tere hi nam tak har inteha hai
Teri hamd o sana, alhamdu liLlah
Ke Tu mere Muhammad ka Khuda hai

Ye zamin jab na thi, ye jahan jab na tha
Chand suraj na thay, asman jab na tha
Raz-e-haq bhi kisi par ayan jab na tha
Tab na tha kuch yahan, tha magar Tu hi Tu

Kawnain ka masjud hai, ma’bud hai Tu
Har shai Teri shahid hai ke mash-hud hai Tu
Har ek ke lab par hai Teri hamd o sana
Har soz mein, har saaz mein mawjud hai Tu

Tu jo har aan nai shaan dikha deta hai
Dida-e-shawq ko hairan bana deta hai
Dali dali Teri takhliq ke gun gati hai
Patta patta Teri qudrat ka pata deta hai

La ilaha Teri shan ya wahdahu
Tu khayaal-o-tajassus, Tu hi arzu
Ankh ki roshni, dil ki avaz Tu

Khaliq-e-kul hai Tu, is mein kya guftagu
Sare alam ko hai Teri hi justaju
Teri jalvagari hai ayan charsu
Tha bhi Tu, hai bhi Tu, hoga bhi Tu hi Tu
___________________________________

TRANSLATION:
The wind was hostile, but the lantern did burn ever so intensely
How wondrously strange are the affirmations that God presents, of His own existence

From Your name is every beginning
Unto Your name is every ending
To praise You is to say that all praise is for You alone
You are, after all, the God of Muhammad

When this land was not, and neither was this earth
When the moon and the sun were not, and neither was this universe
When the secret of Reality hadn’t yet been bestowed upon anyone
Then, there was nothing here, save You

You’re the one prostrated to, and worshipped in both existences
Every thing attests to Your existence, ergo You are The Witnessed
It’s Your praise and extolling that is on the lips of everyone
You are Existent in every rhythm and in every tune

You Who manifests a novel majesty ever so frequently
You thereby bewilder eyes that are anticipating an experience of Your manifestations
Every branch sings the praise of Your creative feat
Every leaf is a sign that points towards Your supreme power

That there isn’t another god is of Your majesty, O Peerless One
It’s but You Who occupy my imagination, my curiosity, my aspiration
You are the light in my eyes, the voice in my heart

You are the Creator of every thing, without doubt
The entire universe is busied with it’s seeking of You
Your sublime manifestations are evident in all directions
You were Beginninglessly Eternal then, are Ever Present now, and will forever be Endlessly Eternal
___________________________________
Translation © Nader Khan 2008 All Rights Reserved

07 - TAKE MY HAND - PreviewClips - Allah Hu [Urdu]

LANGUAGE: Urdu

SONGWRITER: Sayid Iqbal Azim

INSPIRATION: 
This naat was rendered to popular acceptance by the Pakistani Qur’an reciter and Naat performer, Qari Waheed Zafar Qasmi, and enjoys a strong emotional attachment all across the Indian subcontinent. The current rendition presents it in a typically Arabic tune of the hijaz mode.
___________________________________

LYRICS:
Faslon ko takalluf hai hum se agar
Ham bhi bebas nahin, besahara nahin
Khud unhin ko pukarenge hum dur se, 
Raaste mein agar paun thak jaaenge

Jaise hi sabz gumbad nazar aaega
Bandagi ka qarina badal jaaega
Sar jhukane ki fursat milegi kise
Khud hi aankhon se sajde tapak jaaenge

Hum madine mein tanha nikal jaaenge
Aur galiyon mein qasdan bhatak jaaenge
Hum vahaan jaake vaapas nahin aaenge
Dhundte dhundte log thak jaaenge

Naam unka jahaan bhi liya jaaega
Zikr unka jahaan bhi kiya jaaege
Nur hi nur sinon mein bhar jaaega
Saari mehfil mein jalve lapak jaaenge

Ae madine ke zaair khuda ke liye
Dastaan-e-safar mujh ko yun mat suna
Dil tadap jaaega. Baat badh jaaegi
Mere mohtat aansu chhalak jaaenge

Unki chashm-e-karam ko hai iski khabar
Kis musafir ko hai kitna shawq-e-safar
Hum ko Iqbal jab bhi ijazat mili
Hum bhi aaqa ke durbar tak jaaenge
___________________________________

TRANSLATION:
If distances prove themselves to be pretentious towards us
We are neither helpless, nor are we without support
We shall entreat Him ourselves
Should our feet grow weary along the path

The moment the green dome becomes visible
Slave hood shall manifest itself differently
Who will have respite to bow their heads
Prostrations, of their own accord, shall trickle from the very eyes

We will go out in Madina, bereft of familiar company
And deliberately lose our way in its streets
Having reached there, we shall not return
Be it that looking for us, people grow weary

His name, wheresoever it shall be mentioned
His remembrance, wheresoever it shall be made
Light, and yet more light, shall fill up the breasts of those gathered
Spiritual manifestations shall leap out upon the entire gathering

O Visitor of Madina, for God’s sake
Do not thus share your journey’s narrative
The heart will grow restless, anxious; the matter shall exceed all bounds
My guarded tears shall spill forth

His magnanimous insight is well informed
As to which traveler harbours how much aspiration for his journey
Whensoever it may be that we be granted permission, O Iqbal
We too shall pay a visit unto the court of the Liege-lord
___________________________________
Translation © Nader Khan 2008 All Rights Reserved

05 - TAKE MY HAND - PreviewClips - Faslon Ko Takalluf [Urdu]

LANGUAGE: Arabic

SONGWRITER: Popular

INSPIRATION: 
Imam Muslim narrates in his Sahih, that Imam Ali said, “By the One Who split the grain (with growth) and created man, the Unlettered Prophet’s promise (Allah bless him and grant him peace) to me is: none shall love me except for a believer and none shall hate me except for a hypocrite.” Shaykh Muhammad Zahid, out of concern that I could be misunderstood, advised me to add the line “Kullu man sara `ala darbihimu” to the song when he first heard me perform it. It took him almost 10 seconds to compose a line that matched the song both in rhythm, and in propriety. This has been the first song that all my children have heard as soon as they were born, and today it’s their lullaby of choice.
___________________________________

LYRICS:
Inna fil jannati nahran min laban
Li `Aliyyin wa Husainin wa Hasan

Kullu man kana muhibban lahumu
Kullu man sara `ala darbihimu
Yadkhulu ljannata min ghairi hazan

Hubbu ahlil bayti fardun `indana
Wa bi hathal hubbi la nakhshal mihan
___________________________________

TRANSLATION:
Surely, in paradise, is a river of milk
For Ali, and Hussain, and Hasan

Whosoever loves them
Whosoever goes forth upon their path
Enters paradise without experiencing any sadness

Love of the People of the Prophetic Household is incumbent upon us
And because of this love, we do not fear tribulations
___________________________________
Translation © Nader Khan 2008 All Rights Reserved

03 - TAKE MY HAND - PreviewClips - Ahl Al Bayt [Arabic]

#AliZafar delivers a soulful rendition of "Lab Pay Aati Hai Dua Banke Tamana Meri" at #SitaroonSayAgay, an event hosted by #YousufSaluddin at Lahore Fort as a tribute to #AllamaMuhammadIqbal on his birth anniversary. 

Credits:
Produced by Ali Zafar
Music Arrangement & programming:  Hassan Badshah
Strings & Flute: Baqir Abbas
Guitars:  Rahil Mirza & Amir Azhar 
Bass Guitar: Amir Azhar
Backing vocals:  Kanza Munir & Aqsa Ali
Mix & Master:  Akash Pervaiz

Lab Pay Aati - (Soulful Rendition of Allama Iqbal Poetry)

Nader Khan (नादेर खान / نادر خان) is a Canadian singer-songwriter, recording artist, producer, arts educator, and musicologist, with a specific focus on traditional and contemporary Islamic devotional/Sufi music. Over the last 25 years, he has toured and performed across the world (Canada, United States, Mexico, South Africa, United Kingdom, Norway, Guyana, Trinidad, Mexico, Australia, Malaysia, and Singapore), in solo performances, and on tours with other internationally renowned artists. Nader has also spearheaded various social justice initiatives that promote local and international relief efforts through Islamic devotional music, arts, and youth engagement.

Nader is also an executive producer for STORIES FROM THE SEERAH, a new podcast covering the entire Seerah of The Prophet (ﷺ) in a rarely-experienced level of detail, expertly narrated by the renowned Seerah teacher, Dr. Bano Murtuja. It’s designed for 6-15 year olds, but people of all ages are getting hooked on it. Subscribe today at http://StoriesFromTheSeerah.SuperCast.com.

To book Nader, individually or with the Blacksmiths, or to get more information about his albums, performances, workshops and upcoming projects, email Bano@naderkhan.com.

05 - TAKE MY HAND - PreviewClips - Faslon Ko Takalluf [Urdu]

Nader Khan's SoundCloud

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