Name: becoming sounds - 30 objects 10 minutes by Nakajima Rie
Duration: 10 min
Description: becoming sounds - 30 objects 10 minutes is a book and sound project. http://www.rienakajima.com/becomingsounds.html

Pointillism for sine wave No.12

Emma Grace
CRAVINGS OF PEGASUS
The third album, October 2021
A journey between organic and artificial soundscapes,
between verbal and non verbal sounds, with mythological guides and impulsive language. 

“Pegasus is the body that does not follow words, it is the one who doesn’t need to behave, the one who plays hide and seek when you’re not able to fall asleep. It is the urge to speak another language.
It’s there. When you finally trust yourself and the world around you.
It’s that voice that asks you to play in the mud, 
to sing,
and just be. ”

Composed and recorded by Emma Grace
Mastered by Capitano Merletti at Studio Garp
Video by Furio Ganz
Released by Pipapop Records

Album cover by Furio Ganz
Portraits by Alice Malingri
Made in Leccolimoni

Coda

From Visual Squash CD + Book. Coming out December 2021

Watch a video of this track by Nisa Karnsomport

Visual Squash

ANM057 Ellen Phan — BreakState

A l'invitation du festival Les détours métaphoniques, Aveyron.
Composition sur le thème des bacchanales créée en Juillet 2021.
Citations : 
Pastoral symphony - gramshi (from Marcel Cellier L'albanie Folklorique)
psalterion (HurryKen production)
David Lynch's twin peaks
Remerciements :
Eva Genniaux
Choeur de l'atelier voix de Claire Bergerault (ricercare GMEA 2019) 
Liselotte Emery (cornet à bouquin et flûte)
Ma famille, mes Amis pour leurs rires
Loco pour son souffle

MuriatiS

This composition is the result of my artistic residency at Uncool in Poschiavo (Switzerland 2021).
It is a radio portrait of Poschiavo town, its surrounding mountains and glaciers. During the residency I did outdoor self-made recordings of VLF natural radios phenomena, meteor echoes, electromagnetic field and radio communication. This portrait is a part of my ongoing  project started in 2014 about creating radio portraits around the world called “The unknown beyond” .
PHOTO CREDIT: Thomas Rohrer

Radio Portrait of Poschiavo 

" Poschiavo - A Radio Portrait" @UNCOOL artistic residency 2021

Looks but Glances | for ensemble and electronics

Conducted by Thomas Nicholson 

Commande du GMEA - Centre National de Création Musicale d’Albi-Tarn
Enregistrement à l’Athanor à Albi le 6 août 2022 et mixage par Benjamin Maumus - ingénieur du son du GMEA

Mastered by Murat Çolak
Artwork by Mona Osterkamp

Looks But Glances (2022) / GMEA

乃٥乃  // 

=͟͟͞͞      (⬬)

Yoshitake Kawai, Bussei

becoming sounds - 30 objects 10 minutes is a book and sound project.
http://www.rienakajima.com/becomingsounds.html

becoming sounds - 30 objects 10 minutes

This CD features recordings of a now lost sculptural work that was originally commissioned in 2016 for Colour Out of Space festival. The work consists of over 100 empty computer cases, fitted with 16 customised and automated DVD drives. Between 2016 and 2018 it was exhibited in Brighton, Athens, Croydon, Oxford and Rennes, on each occasion being reconfigured into a new form. The most ambitious of these being at Detritus Festival in 2018, where a new and larger version of the work was constructed at the Onassis Cultural Centre from used computer sourced in the city. The work was sadly lost in transit between France and the UK, returning to the global trade in e-waste which its production initially sought to intervene in, so all that remains are these recordings. 

The CD is released in an edition of 150 in an oversized 7" sleeve accompanied by a 16 page risographed booklet featuring photographs and scans of the sculpture, essays by Danae Stefano and Stephen Cornford, and a letterpressed backpanel.

Stephen Cornford - Constant Linear Velocity [excerpt]

Yarn sewn fabric played on prepared turntable and stylus.

Tistre is the first outcome of an experimentation with textile supports, made by Andrea Borghi in 2018, during a residency at Lottozero textile laboratories in Prato. Fabrics and yarns are the materials with which he creates discs the shape and size of a Lp. He plays them with a prepared turntable, in order to exploit the reliefs of the weft and the warp as a surface from which to produce the sound with the use of special self-built styli and electronic treatments.

Tistre follows the path taken by the artist with Discomateria, focused on experimentation with different materials such as glass, resin, metal or marble, which become the source for the production of sounds.

https://www.dinzuartefacts.com/

https://andreaborghi.com/project/tistre/

becoming sounds - 30 objects 10 minutes

Nakajima Rie

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