Real shame it was lost in transit! I enjoyed seeing this in Brighton. Recordings sound great

Improvising with Lekko into Cocoquantus into Cosmos, into a mixer with BIM and BAM on sends and BOUM for compression

Cosmos Lekko Test2

ENGLISH TEXT FOLLOWS

Auf der CD Sprühweißquellgold verleih mir Flügel , 2022

Programmnotiz
Im Sommer 2015 verbrachte ich zwei Monate (Juli und August) in der NES Artist Residency in Skagaströnd, Island. Jetzt, sechs Jahre später, habe ich ein elektroakustisches Stück komponiert, das ein wenig von Island inspiriert ist. Die Komposition besteht aus bearbeiteten Perkussionsklängen und unbearbeiteten Klängen (nur wenige Sekunden) von der CD „Duo Svanni – RÆTUR“ von Hildur Wågsjö Heimisdóttir und Júlia Traustadóttir Kondrup und der CD „Sounds of Island“ von Hafdis Bjarnadóttir.
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On the CD Sprühweißquellgold verleih mir Flügel , 2022

Program Note
In summer 2015 I spent two months (July and August) at the NES Artist Residency in Skagastrrönd, Iceland. Now, six years later, I created an electroacoustic composition, which is a little bit inspired by Iceland. The composition consists of edited percussion sounds and unedited sounds (just a few seconds) of the CD „Duo Svanni – RÆTUR“ by Hildur Heimisdottir and Julia Traustadottir and of the CD "Sounds of Iceland" by Hafdis Bjarnadottir.

I finished this work in January 2022

Sprühweißquellgold verleih mir Flügel - Electroacoustic Music

Mark Vernon live at Iklectik 23rd July, 2022 for Persistence of Sound. Binaural recording of quadraphonic live set diffused over the 13.1 surround sound speaker set up.

Live at Iklectik 23-07-2022 - Binaural recording of quadraphonic set

The track Joins from my side of this release. Full release here:

https://handstitched.bandcamp.com/album/upward-eyes-kindred

From the label:

“Handstitched* is thrilled to announce the next installment of the split-artist series, Ian Hawgood and Fields We Found feature alongside each other for an outing of outstanding musical composure and tranquility. 

Fields We Found and Ian Hawgood are both welcomed to Handstitched* with many thanks and admiration for their respective musical works as part of the split-artist series, it's great to have them visiting Handstitched* for this special release.

"upward eyes" & "kindred" are both limited to 50 copies. Released on mini CD-r and sage green cassette with hand-made packaging, tape O-cards and unique designs for each CD package. [HS45/45T].” 

Huge thanks to Tim and Ian, it's a real honour to be part of this x

Joins - from the split album upward eyes / kindred with Ian Hawgood on Handstitched*

for ensemble & electronics 

Paulo Amendoeira (percussion)Paola Aviles (harpe) Amélie Berson (flute) Phoebe Bognár (flute) Félix Lacquement (guitar) María Alejandra Jiménez (violin) Thierry Madiot (trombone) Mireia Pellisa Martín (saxophone) Carlo Sampaolesi (accordion) Adèle Viret (cello) + special thanks to Thomas Nicholson (Cage-clock-conducting)

commissioned by GMEA — Centre National de Création Musicale d'Albi-Tarn & part of the project 'experiences'

recording made at the Athanor, Albi, 06.08.2022
recording/ mixing by Benjamin Maumus, sound engineering at GMEA

for experiencers

A Strange Dream

M39 Pt 2

Original Track :
https://soundcloud.com/applicant/open-sky

Applicant - Open Sky (Senglar Rmx)

This CD features recordings of a now lost sculptural work that was originally commissioned in 2016 for Colour Out of Space festival. The work consists of over 100 empty computer cases, fitted with 16 customised and automated DVD drives. Between 2016 and 2018 it was exhibited in Brighton, Athens, Croydon, Oxford and Rennes, on each occasion being reconfigured into a new form. The most ambitious of these being at Detritus Festival in 2018, where a new and larger version of the work was constructed at the Onassis Cultural Centre from used computer sourced in the city. The work was sadly lost in transit between France and the UK, returning to the global trade in e-waste which its production initially sought to intervene in, so all that remains are these recordings. 

The CD is released in an edition of 150 in an oversized 7" sleeve accompanied by a 16 page risographed booklet featuring photographs and scans of the sculpture, essays by Danae Stefano and Stephen Cornford, and a letterpressed backpanel.

Stephen Cornford - Constant Linear Velocity [excerpt]

Edited and remastered version of Habala, first published in 2018. 
Made with passion and modular synths.

Habala

habala

Aquaeductus vestibuli

Consumer Waste is a low impact imprint for the publication of contemporary experimental music. Jointly run by Stephen Cornford & Samuel Rodgers, it aims to document and disseminate their collaborative work as well as that of their peers and contemporaries.

In an era when cultural material is most often received through digital means, the publication of physical documents has become for many musicians simply an expedient means to put their work in the hands of the pirates. We welcome this state of affairs and will restrict our releases to editions of one or two hundred, safe in the knowledge that should the work appeal to a wider audience, it will be downloaded by them. As such the discs will carry no official copyright.

We tacitly accept that cultural production, where it simply provides yet another avenue of our consumer driven society is a morally questionable activity and have no wish to support such a system. For these reasons, the label is to be run on a strictly not-for profit basis, with all proceeds going either direct to the artist or funding the activities of the label by providing opportunities for artists to collaborate, perform, record and publish their work. The label's name derives from the 100% post-consumer waste materials that we endeavour to use in our handmade packaging.

Supported by the Sonic Art Research Unit at Oxford Brookes University.


Stephen Cornford - Constant Linear Velocity [excerpt]

Consumer Waste

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