This piece is the first of my own take of Pauline Oliveros "13 changes"
Stay tuned for the 12 others

Standing Naked In the Moonlight - Music Washing The Body / O vis Eternitatis

João is a rare bird in the world of electronic experimentation.

On the one hand we have all these great artists breaking the limits of the creation of sounds and sequences with these incredible patches created via max/msp, supercollider, modular digital/analog, Kyma even some of them build their own interfaces... incredible times.

On the other hand we have those who use this technology and everything they have learned/heard from the most avant-garde territory and try to provide it with more organic sounds and to give it, we could say, something of a human soul to all this revolution that we are experiencing.

For us Noxin is a master at this.
With this Album you will have the best of both worlds, a new approach to the most avant-garde sound, but all molded in a very organic and subtle way.

A new masterpiece from NOXIN, we hope you enjoy the long sound walks that João has built for us.

NOXIN - A Little Investment, A Little Gentrification

-smppx002-

Tobira

Mukaemizu

In a summer night in Morvan, a duet of two tawny owls with great green bush crickets and wood crickets.

Tawny owls duet in summer - recorded in Morvan (France) w/ Gregoire Chauvot

Bluebottle

last years transmission from the Black Lodge

fluid karma ᯓ hope street radio 19.10.23

Raining at Your House - Early Songs (from the album "Wind Wound")

IF YOU FW ME HMU INFO&LINKS IN BIO
I had fun making this beat, Serum is so fun to use, cant wait til Im ready for Serum2. Sound design is therapeutic, Im excited to master this shi. 
God Bless You if youre reading this <3

WHEEL OF FORTUNE

Mats Erlandsson and Maria W Horn meet as Dufwa in heavy synthesis wielding insect field recordings sourced from the catalonian countryside.  Dufwa’s debut release, Fältinspelningar från Terres de l’Ebre (Field recordings from Terres de I’Ebre), defies the standard conception one might have about field recording music. By means of intricate digital processing, Dufwa scrapes the natural source-bonding from their collected insectoid recording and sonically stretches them on a continuum between drone, noise and generative music.

Dufwa - Atypi

This CD features recordings of a now lost sculptural work that was originally commissioned in 2016 for Colour Out of Space festival. The work consists of over 100 empty computer cases, fitted with 16 customised and automated DVD drives. Between 2016 and 2018 it was exhibited in Brighton, Athens, Croydon, Oxford and Rennes, on each occasion being reconfigured into a new form. The most ambitious of these being at Detritus Festival in 2018, where a new and larger version of the work was constructed at the Onassis Cultural Centre from used computer sourced in the city. The work was sadly lost in transit between France and the UK, returning to the global trade in e-waste which its production initially sought to intervene in, so all that remains are these recordings. 

The CD is released in an edition of 150 in an oversized 7" sleeve accompanied by a 16 page risographed booklet featuring photographs and scans of the sculpture, essays by Danae Stefano and Stephen Cornford, and a letterpressed backpanel.

Stephen Cornford - Constant Linear Velocity [excerpt]

Consumer Waste is a low impact imprint for the publication of contemporary experimental music. Jointly run by Stephen Cornford & Samuel Rodgers, it aims to document and disseminate their collaborative work as well as that of their peers and contemporaries.

In an era when cultural material is most often received through digital means, the publication of physical documents has become for many musicians simply an expedient means to put their work in the hands of the pirates. We welcome this state of affairs and will restrict our releases to editions of one or two hundred, safe in the knowledge that should the work appeal to a wider audience, it will be downloaded by them. As such the discs will carry no official copyright.

We tacitly accept that cultural production, where it simply provides yet another avenue of our consumer driven society is a morally questionable activity and have no wish to support such a system. For these reasons, the label is to be run on a strictly not-for profit basis, with all proceeds going either direct to the artist or funding the activities of the label by providing opportunities for artists to collaborate, perform, record and publish their work. The label's name derives from the 100% post-consumer waste materials that we endeavour to use in our handmade packaging.

Supported by the Sonic Art Research Unit at Oxford Brookes University.
