Singer, writer, and director. Colombiana.

Stream/ Buy After the Storm now! https://KaliUchis.lnk.to/ATS

All Inquiries: contact@kaliuchis.com

Urban Cosmonaut Radio is a platform for intercultural electronic music that finds inspiration in natural sounds and organic rhythms, with a wide range of genres and musical styles. 

As a record label UCR releases the work of international musicians, runs a podcast series, provides a booking agency and organises events and showcases world wide - always with the idea to celebrate cultures and their musical flavours.
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Contact: anna@urbancosmonaut.com
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Since 2015, Urban Cosmonaut Radio has hosted events across four continents, bringing deep electronic sounds to clubs, festivals, and underground venues worldwide.

📍 Germany 🇩🇪 – Berlin (KaterBlau, Crack Bellmer, Klunkerkranich, Mensch Meier, Burg Schnabel, Beate Uwe, Zuckerzauber), Hamburg (Slot)
📍 Portugal 🇵🇹 – Lisbon (Village Underground, Bartô), Sintra (Sintra in Nature)
📍 Mexico 🇲🇽 – Mexico City (Departamento), Tulum (Papaya Playa Project, Radio Tulum, Proyecto Tulum)
📍 Russia 🇷🇺 – Moscow (Leveldva, Blanc)
📍 USA 🇺🇸 – New York (X Marks the Loft), Washington D.C. (Crepusculo), Miami (Proyecto Tulum), San Francisco (Strategic Reserve)
📍 Brazil 🇧🇷 – São Paulo (Trackers, Supersauna)
📍 Argentina 🇦🇷 – Buenos Aires (Niceto, Casa Córdoba)
📍 Switzerland 🇨🇭 – Zurich (Kauz)
📍 France 🇫🇷 – Paris (Nuba)
📍 Turkey 🇹🇷 – Istanbul (Minimüzikhol, Arkaoda)
📍 Guatemala 🇬🇹 – Antigua (El Ilegal)
📍 Austria 🇦🇹 – Vienna (Fluc)

ATLiens Leaving The World Behind Tour TICKETS:
www.atliensofficial.com

Management:
griffin@gtprojects.media

Booking:
North America & R.O.W:
steve.gordon@unitedtalent.com
wilcox.weaver@unitedtalent.com

Asia:
david.gordoni@unitedtalent.com

Europe:
ulee@book-kings.de
rogier@book-kings.de

Australia / New Zealand:
paul@posterchild.com.au

@hybridtrapmusic 

Follow us on Spotify! :) https://open.spotify.com/playlist/3JJSkagpKQLLoqb26dl9Z7

#HouseMusic

Calling out sometimes with the drama of a cinematic crescendo and sometimes with the intimacy of a lover’s whisper, Missincat performs balancing acts of beauty and bravery on a tighrope suspended between hope and despair.

With a voice at once sweet and harsh, fragile and strong, Missincat can move you to the heights and depths of feeling.
The emotional world created by her songs is filled with contradiction, and she explores these like a wire walker who is called to face the abyss and steps forward with courage and sure feet.


French Kiwi Juice

New album "22_23 Live Sessions" out now: https://fkj.ffm.to/livesessions

Official Store: https://fkj.ffm.to/shop

Sign Up: https://fkj.ffm.to/newsletter

Management: info@verdigrismanagement.com

Bookings: 
North & South America: bowen@paradigmagency.com
Rest of World: michael.harvey-bray@paradigmagency.com

Hip-hop trio, The Dox, was founded by friends from Sacramento, California when they were just teens. True to the prolific nature of this fluid form, the group has literally recorded the evolution of the genre with a dozen releases in nine years. The Dox—an abbreviated form of Goondox and a reference to the 1985 cult classic, “The Goonies”—feature a sound that embraces East, West and South Coast styles, making certain that just one never defines them.

Part beat mixing and overdubbing, part rhythmic rap and funk shout-out, The Dox’s music has a stripped down underground vibe at its core. With the group’s street-cred edge always front and center, their deft blend of both independent and mainstream hip-hop influences ensure a level of accessibility to those outside of the urban base camp. The Dox are storytellers, giving voice to fans from all backgrounds, with their uncensored and uncompromising truth of the moment.

The Dox members, Styll and Graphk first worked together professionally in III Squad. Cash the Freshman then made it a trio upon his discharge from the U.S. Army. The trio soon changed their name to The Dox and became part of Seattle’s 2006 “Bay Area Bash” and later, the 2009 “And 1: Ball 4 Real Tour” where they performed with such acts as The Jacka, Luni Coleone, T-Nutty, and Celski and Killa Keise (Rest in Peace). The Dox used these tours to establish a core following, ultimately selling 75,000 independently-produced CDs in the process.

With an astounding 12 releases to the group’s credit (and a new one on the way), The Dox’s catalogue includes: The Money Train LP (2004); West Coast 4 Dummies (2006); I Am Sac (2008); How ‘Bout ‘Dat Vol.1: on da clock (2009); UnorthaDox (2011); Freshman LP (2011); The Stainless Project (2011); To Whom It May Concern (2012); Saclanta (2012); #RealChat Vol. 1 (2013); Ya Favorites Favorite (2013) and Outer Limits (2013).

The group’s tracks always fuse street-smart hooks with complex wordplay that tell of life’s ‘pain and gain.’ Standouts include: “Turn It Up,” a beat-heavy everybody-get-up-and-feel-good cut with a hypnotic vocal by producer Finguz; “Evo,” a trunk-banger that puts these 4G rappers in the same league as the once “it” phone; “Land Hoe” a self-proclaimed “ghetto rules of engagement” song dedicated to their girl groupies; “Home Sweet Home,” a sobering look into The Dox’s hometown of Sacramento and its the rampant crime; ”Asapolis” a striking message of monetary urgency with its world-beat; “Come Get It,” a smooth and sexed-up anthem; “Get It On The Floor,” a double-entendre bounce track; and “Can I Hit It Like This,” a raw-sex chant that is a must-have for any serious collector of The Dox’s music.

Names of Shapes is following