Booking & Management :
Matt
00 33 6 08 67 39 80
matthias.Dorin@gmail.com


Hi, my name is Mandragora, I am a time traveller from 1354, while I was looking for weeds in the forest I fell into a wormhole, I traveled through infinite alternate realities for like a year, after I got bored of all that cosmic stuff I decided to camp on year 2012, then I found this weird music making box and I knew something big was coming.


Bookings:
ianoche@usn-agency.com

Mandragora prefers to keep his name out of the light and go by the name of
“Neto”, hence the username @holasoyneto on most of his social networks.
Apparently born in the desert city of Chihuahua, located in the north of
Mexico, it was in this place where he decided to fully go into music,
enrolling at the local Conservatory but quickly dropped out to pursue a career
in music production.
While still studying in the Conservatory of Chihuahua he had access to a
computer lab which had GarageBand installed, he rapidly realised the
possibilities of digital versus paper. One day one of his classmates listened
to one of his compositions and said, “Hey, Neto, that sounds like Goa music,
you should play it at the local raves.”
Not long after being introduced to the local rave scene, he started promoting
different kinds of events for different kinds of audience, this served to
create a local community to introduce the “Mandragora” project to the world,
inspired by the local rave scene and the hip-hop ethos.
Having this school of thought led him to create “#futureprog” a sub-genre of
Goa trance based on the idea of ever evolving music, of trying to predict the
future, right now #futureprog is produced and played by many artists big and
small throughout the entire world.
This creation led him to move to Brazil for 6 years to join forces with Alien
Records, releasing several albums and successful singles, performing at
legendary festivals, inspiring a whole new scene of producers and partygoers
worldwide.
At the moment Neto is based in the south of France locked in the studio
creating hundreds of tracks, just released a new mini album and is back on the
road, always on tour, always getting those new tracks mastered and ready to be introduced to the world.

Devochka is a strong presence in the Brazilian electronic scene and has performed in countries like Germany, Egypt, France, Finland, Hungary, Mexico, and Switzerland. Known for her impressive sets and performances, the artist has brought her energy to renowned festivals, including Lollapalooza, Rock in Rio, Só Track Boa, and Planeta Brasil, as well as LoveBase in Berlin.

:: BOOKINGS ::
ary.junior@boxtalents.com.br
+55 47 98900-0337

O'Kobbo : Projet musical indie pop.

 


Booking : joran@wartiste.com
Management : matt@kidding-aside.com
Presave 'Invisible' : https://nto.backl.ink/invisible
The story behind NTO started with a match made in heaven, a kid from the South of France always hooked to his guitar, and electronic and dance music. After going to the Sziget Festival when he was 18, NTO started to hang out regularly at La Villa Rouge, and Bar Live, two legendary clubs in the South of France. At the time, German minimal techno music was booming and Anthony Favier would spend his nights listening to Stephan Bodzin, James Holden, or the very beginnings of Paul Kalkbrenner: "My biggest music crush of all time”. The evocative power of music, strong kicks and the unifying atmosphere of dancefloors: this is the triple focus that will inspire him to create and produce music without going through the usually mandatory DJ phase.

The story behind NTO is also about his friendship with Worakls and Joachim Pastor, with whom he created Hungry Music in 2013. Performing together on the Olympia’s stage to the Vieilles Charrues Festival, they learned to master the stage, and seduced a new generation that would follow them faithfully from this moment on. Thanks to his hits "Trauma" and "La clé des champs", which account for several millions of streams on DSPs, NTO's career took off internationally: from The Netherlands, to Germany, to Eastern Europe to Canada...  

Today, NTO is about to start a new chapter of his career. With deep basses and lysergic harmonies, he filters different layers of his melodies to make them sparkle even more, just as if they emerged from the water after hitting rock bottom. NTO is currently working on his first album.

The Avener
For bookings, please contact :
pierre.delorme@miala.fr

All other requests:
Management : contact@96musique.com

Biography :

It came as quite a shock when The Avener’s Fade Out Lines rocketed to number 1 in the German iTunes charts. It had been a long time indeed since a French artist had achieved that kind of success in Germany, especially with such a startling single. The triumph of Fade Out Lines opened a door onto a unique and yet instantly familiar world. Its irresistible, sophisticated rhythms conjured up a dual image of lovers ending up on the quays of the Seine at daybreak, and of an urban club funk beat.
Since then, the single’s phenomenal success has proved contagious, confirming The Avener’s prime intention: to travel the frontiers between genres, periods and styles; between the music we listen to and the music we dance to; between underground and high-end pop. As The Avener says himself: “Fade Out Lines is hard to define. It’s blues with jazz, folk and funk influences, and electronic instruments. It has feelings, emotion and nostalgia, but a lot of energy, too.”
It perfectly reflects his upcoming album, The Wanderings Of The Avener, a sophisticated electro manifesto in the spirit of St Germain and his Boulevard’s nu-jazz sampling, reconciling the styles of Moby and Wankelmut, King Britt and Cassius...
The ghost producer of many club hits, Tristan became The Avener when he decided to re-embrace the pleasure of music for its own sake, his early love of piano and melodies, his rich, eclectic, multilayered musical culture and deep house – an antidote to the mechanical chill that has crept into electro over the last few years.
Tristan shut himself away in the studio for months. “I began to rework old tracks that went unnoticed at the time, giving them a more modern feel...” He was determined to achieve a perfect balance: a mixture of acoustic and electro combining songwriting science with the intuition of a dance-floor specialist. And while The Avener wrote his own music, The Avener also covered Sixto Rodriguez, John Lee Hooker, Mazzy Star, The Be Good Tanyas, Andy Bey and Adam Cohen in a mosaic of seminal blues, underground folk, nocturnal pop, ironic rock and the work of forgotten artists from the 70s and 80s, exploring secret paths of memory. His sampling of Phoebe Killdeer & the Short Straws’ The Fade Out Line, a foretaste of the album, was quietly uploaded in summer 2013. It steadily gathered momentum by word of mouth in France before going massive in Germany and then all around the world.
The Avener’s delicate, radiant style has been welcomed as a So French Touch of Elegance and acclaimed as the missing link between harmonic emotion and the urge to dance worldwide. Confirmation of this triumph looks certain with the release of his first album, The Wanderings of the Avener, out on January 19, 2015.

Nancy Rey is following