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電気

Japanese artists

神mix

電気グルーヴ

マッシュアップ

原子力  by ステルスマン

1）
手間ひまかけて受け継いだ
国や命が壊れてく
地球のためと教えられた
その名も輝く原子力
段取りだんだんコケてく
博識センセイは答えてよ
地球のためより誰のため？

Say No! Say No!
汚れた電気
Say No! Say No! 
核種とりどり
Say No! Say No!
積もるアトムは子孫の代まで

2）
プルトニウムのお弁当
核種とりどりのデザート
愛のレシピで君を失う
ごらん風上の原子力
段取りだんだん逸れてく
わけ知りＴＶは答えてよ
暮らしのためより誰のため？

Say No! Say No!
汚れた電気
Say No! Say No! 
核種とりどり
Say No! Say No!
雨降るアトム孫子の代まで

3）
広島 長崎 福島
歴史の見出しに「被曝」の字
懲りない国の津々浦々で
見渡す日本の原子力
段取りだんだんバレてく
ものしり新聞は答えてよ
日本のためより誰のため？

Say No! Say No!
汚れた電気
Say No! Say No! 
核種とりどり
Say No! Say No!
積もるアトムは
Say No! Say No!
つけにまわして

Say No! Say No!
汚れた電気
Say No! Say No! 
核種とりどり
Say No! Say No!
雨降るアトム　孫子の代まで

© Copyright  2011 e-License.


原子力

Denki Groove - Upside Down

電気グルーヴ　Shangri-Laをカバーしました。
歌唱力皆無なので無理やり補正の「いんちきボイス」になっております。

ちなみにこのトラックはピストンコラージュという無料ソフトを使って作りました。
ループとギターは録音ですが・・・


電気グルーヴ Shangri-La(cover)

INTELLIGENTSIA's remix of theYellow Magic Orchestra's "KEY", from the album TECHNODELIC, focusing on instrumental and spliced with sounds from the album BGM.

Music by INTELLIGENTSIA: http://intelligentsia.band
Buy us on BANDCAMP: http://intelligentsia.bandcamp.com
Stream us on SPOTIFY: https://open.spotify.com/artist/63R6roobYpUBKGDWvsyCsP
Get us on Apple Music / iTUNES: https://itunes.apple.com/gb/artist/intelligentsia/id150400990
Like us on FACEBOOK: https://www.facebook.com/intelligentsia.band
Add us on TWITTER: https://twitter.com/IntelligentsiaM

Download

Yellow Magic Orchestra - "Key" (Intelligentsia Remix)

Yellow Magic Orchestra with Akiko Yano - (1991) Faker Holic  (1979 live) - 05 - Kang Tong Boy

平成新造語のコーナーとギブ＆迷惑のコーナーで迷いました。

電気グルーヴのオールナイトニッポン

でん☆すた (電気グルーヴ vs らきすた)

Remix of YMO's "You've Got to Help Yourself"

Help Someone Else feat. Yellow Magic Orchestra

現象の花の秘密　平沢 進
2012年11月23日発売
CHTE-0071 3150円
http://noroom.susumuhirasawa.com/modules/artist/hananohimitsu.html

現象の花の秘密(Short Ver.) by 平沢 進

サウンド＆レコーディング・マガジン 2008年5月号での電気グルーヴ「モノノケダンス」リミックスコンテスト（審査員：石野卓球）に応募したリミックストラック。みごと「佳作」受賞！！（2009年12月号にて発表されました）

電気グルーヴ - モノノケダンス (PinPonPan - Dark Remix)

さすが、電気グループという作品、、、おもしろい！

電気グルーヴ - サザエさん～トランス～

I love polysics, and i wanted to tribute them with a chiptune version of one of their hit.
It's made with LSDJ and a Game Boy Color with Prosound Mod.

Lsdsng file is available here:
http://lsdsng.com/song/lets-dabadaba-chiptunes-remix-live-setting

Let's ダバダバ Chiptunes Remix (POLYSICS Cover)

Yellow Magic Orchestra (YMO) is a Japanese electronic music band consisting of principal members Haruomi Hosono (bass and keyboards and vocals), Yukihiro Takahashi (drums and lead vocals) and Ryuichi Sakamoto (keyboards and vocals). The band's former "fourth member" was music programmer Hideki Matsutake.Prior to the group's formation, Sakamoto had been experimenting with electronic music equipment at the Tokyo National University of Fine Arts and Music, which he entered in 1970, including synthesizers such as the Buchla, Moog, and ARP.[14] Hosono, following the break-up of his band Happy End in 1972, became involved in the recording of several early electronic rock records, including Yōsui Inoue's folk pop rock album Kōri no Sekai (1973) and Osamu Kitajima's progressive psychedelic rock album Benzaiten (1974), both of which utilized synthesizers, electric guitars, electric bass, and in the latter, electronic drums and rhythm machines.[15][16]

Also around the same time, the band's future "fourth member" Hideki Matsutake was the assistant for the internationally successful electronic musician Isao Tomita. Much of the methods and techniques developed by both Tomita and Matsutake during the early 1970s would later be employed by Yellow Magic Orchestra.[2][17] Other early influences on the band included Kraftwerk and Giorgio Moroder.[1] The former was particularly an influence on Sakamoto, who heard the band in the mid-1970s and later introduced them to his fellow band members.[18] They were impressed with Kraftwerk's "very formalized" style but wanted to avoid imitating their "very German" approach. According to Sakamoto, they were "tired" of Japanese musicians imitating Western and American music at the time and so they wanted to "make something very original from Japan."[18] He described Kraftwerk's music as "theoretical, very focused, simple and minimal and strong," contrasting it with YMO's "very Japanese" approach of fusing many different styles of music like a "bento box."[14] Their alternative template for electronic pop was less minimalistic, made more varying use of synthesizer lines, introduced "fun-loving and breezy" sounds,[19] and placed a strong emphasis on melody.
	
"Firecracker" (1978)
Menu
0:00
A sample of "Firecracker" from the 1978 album Yellow Magic Orchestra. It was combined with the "Computer Game" track into a hit single called "Computer Game". It was later sampled by artists such as Afrika Bambaata and Jennifer Lopez.
Problems listening to this file? See media help.

Sakamoto first worked with Hosono as a member of his live band in 1976, while Takahashi recruited Sakamoto to produce his debut solo recording in 1977 following the split of the Sadistic Mika Band. Hosono invited both to work on his exotica-flavoured album Paraiso, which included electronic songs produced using various electronic equipment such as the Yamaha CS-80 polyphonic synthesizer, Roland and ARP Odyssey synthesizers, the Yamaha CP-30 and Rhodes electric pianos, and electric guitar. The band was named "Harry Hosono and the Yellow Magic Band" and in late 1977 they began recording Paraiso, which was released in 1978.[20] The three worked together again for the 1978 electronic album Pacific, which included an early version of the song "Cosmic Surfin".[21] Hosono and Sakamoto also worked together alongside Hideki Matsutake in early 1978 for Hosono's experimental "electro-exotica" fusion album Cochin Moon, which fused electronic music with Indian music (reminiscent of Ravi Shankar and Bollywood music), including an early "synth raga" song "Hum Ghar Sajan".[22] The same year, Sakamoto released his own solo album, The Thousand Knives of Ryuichi Sakamoto, experimenting with a similar fusion between electronic music and traditional Japanese music in early 1978. Hosono also contributed to one of Sakamoto's songs, "Thousand Knives", in the album.[23] Thousand Knives was also notable for its early use of the microprocessor-based Roland MC-8 Microcomposer music sequencer, with Matsutake as its music programmer for the album.[24] Hosono, Sakamoto and Takahashi eventually collaborated again to form the Yellow Magic Orchestra and they began recording their self-titled album at a Shibaura studio in July 1978.[25]

The band was initially conceived as a one-off studio project by Hosono, the other two members being recruited session musicians—the idea was to produce an album fusing orientalist exotica with modern electronics, as a subversion of Orientalism and exoticization, while exploring similar themes such as Asianness. The album would eventually be called Yellow Magic Orchestra, as a satire of Japan's obsession with black magic at the time. The album featured the use of computer technology (along with synthesizers) which, according to Billboard, allowed the group to create a new sound that was not possible until then

でん☆すた (電気グルーヴ vs らきすた)

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