Bhai Ghulam Mohammed Chand Jee's keertan, family history, character, and spirituality are all unknown to the average Sikh of today. It is safe to say that this once Hazoori Raagi is accustomed to being ignored by the Sikh Panth for the past 50+ years. But little do we Sikhs know that a treasure of Raag Vidiya, Keertan Maryada, and Gian of Gurmat Sangeet lies with him. Much is to be said about this Sikh living in Pakistan whose ancestors are the Sikh Rababis of the Sikh Panth, since Guru Nanak Dev Jee’s time up to 1947 when the Rababi’s were banned from doing Keertan any longer in Sachkhand Siri Harimandir Sahib and all Sikh Gurdwaras.
Bhai Ghulam Chand Jee is a descendant of Bhai Mardana Jee Rababi, who spent the majority of his life serving Guru Nanak Dev Jee and playing the Rabab alongside the Guru.

Bhai Ghulam Mohammed Chand Rababi

Kirtan Playlist

gurbani

Bhai Ghulam Muhammad Chand

Raag Kirtan

Amrit kirtan

Kirtan

raag

Credits: Tabla - Rajesh Dhawle | Piano & Sound - Navdeep Dhatra

Bajuband_Thumri_Raag_Bhairavi

Raag Mian Ki Malhar By Ustad Rashid Khan

Jay Thakkar - Flute - Raag Darbari Kanada 1 - Aalap - (Anger)

Bhai Anantvir Singh Ustad Raghbir Singh Tabla Sangat -Firat Firat Prabh Aaya -Raag Lalat

Raag Naad Shabad Sohe - Dr Gurnam Singh, Bhai Gurdev Singh, Dr Nivdita kaur

Rang Ratta Mera Sahib

Bhai Avtar Singh and Bhai Gurcharan Singh are considered a live-wire between the music of the era of the great ten gurus and the modern day Sikh community and the World. Bhai Avtar Singh and Bhai Gurcharan Singh have been asserting that the original “Gurmat Sangeet” prevalent during the times of the “Ten Sikh Great Gurus was “Dhrupad” based “Gurmat Sangeet” and the “Kirtan Chowkis” during the times of the gurus were invariably performed in “Dhrupad” and “Dhamar” styles.

Har Jas Gaavaho Bhagavaan

ਮਾਈ ਮੈ ਧਨੁ ਪਾਇਓ ਹਰਿ ਨਾਮੁ ॥ Raag Kirtan

The Indian Sanskrit name for this raga is Kalyan and the Persian is Yuman. In the Ragmala, Kalian is the son of Dipak while today it is the head of the Kalian thata. It is performed during the first part of the night and is considered a blessing bringing all good into one's life. Guru Ram Das and Guru Arjan composed 23 hymns to this raga. The texts exalt the far-reaching and all-pervading power of the Lord. In the Holy Book the only raga variant given is Bhopali (Bhupali).

Live Recordings- Bhai Gurpratap Singh Hazur Sahib

Bang Ke Bangali - Hazoori Raagi Bhai Gurpartap Singh (Hazoor Sahib)

Satgur Nanak Pargatiaa Miti Dhund Jag Chanan Hoaa

Tera Kita Jato Nahi

Aavoh Sajna Haoon Dekha Darshan Teraa Ram

Sakhi Priaa Sang Sukh Bihat

Avale Allah Nuur Upayeaa

Mitar Piyare Nu Haal Muridaa Da Kehna

Maei Gur Charni Chet Laeiah

https://www.youtube.com/watch?v=p5nyflkCJZk&t=23s

Bibi Harkiran Kaur Ji - Rakhiaa Karahu Gusaaee Maerae Mai Naam Thaeraa Aadhhaar

Har Rang Rata - Bibi Priti Kaur

Jin Nar Naam Tihdaro Kahaa II Daarid Dousht Dokh Te Rahaa II

Jin Nar Naam Tihdaro Kahaa II

O mind, meditate on the Lord, the Lord of the World.

The Lord is the Jewel, the Diamond, the Ruby.

The Lord fashions the Gurmukhs in His Mint.

O Lord, please, please, be Merciful to me. ||1||Pause||

Your Glorious Virtues are inaccessible and unfathomable; how can my one poor tongue describe them? O my Beloved Lord, Raam, Raam, Raam, Raam.

O Dear Lord, You, You, You alone know Your Unspoken Speech. I have become enraptured, enraptured, enraptured, meditating on the Lord. ||1||

The Lord, my Lord and Master, is my Companion and my Breath of Life; the Lord is my Best Friend. My mind, body and tongue are attuned to the Lord, Har, Haray, Haray. The Lord is my Wealth and Property.

She alone obtains her Husband Lord, who is so pre-destined. Through the Guru's Teachings, she sings the Glorious Praises of the Lord Har. am a sacrifice, a sacrifice to the Lord, O servant Nanak. Meditating on the Lord, I have become enraptured.

Man Japo Raam Gopal (Partaal)

Ustad Sultan Khan was an Indian sarangi player and Classical vocalist belonging to Sikar Gharana.
started his career at the radio station Rajkot in Gujarat as a 20-year-old boy. 
One of the finest Hindustani classical musicians , Ustad Sultan khan picked up from his album Sur Tal accompanied by Ustad Zakir Hussain on Tabla . 
Raga Basant

Ustad Sultan Khan - Raga Basant

ਹਮ ਭੀਖਕ ਭੇਖਾਰੀ ਤੇਰੇ ਤੂ ਨਿਜ ਪਤਿ ਹੈ ਦਾਤਾ ॥
Ham Bheekhak Bhaekhaaree Thaerae Thoo Nij Path Hai Dhaathaa ||
I am just a poor beggar of Yours; You are Your Own Lord Master, You are the Great Giver.

ਹੋਹੁ ਦੈਆਲ ਨਾਮੁ ਦੇਹੁ ਮੰਗਤ ਜਨ ਕੰਉ ਸਦਾ ਰਹਉ ਰੰਗਿ ਰਾਤਾ ॥੧॥
Hohu Dhaiaal Naam Dhaehu Mangath Jan Kano Sadhaa Reho Rang Raathaa ||1||
Be Merciful, and bless me, a humble beggar, with Your Name, so that I may forever remain imbued with Your Love. ||1||

ਹੰਉ ਬਲਿਹਾਰੈ ਜਾਉ ਸਾਚੇ ਤੇਰੇ ਨਾਮ ਵਿਟਹੁ ॥
Hano Balihaarai Jaao Saachae Thaerae Naam Vittahu ||
I am a sacrifice to Your Name, O True Lord.

ਕਰਣ ਕਾਰਣ ਸਭਨਾ ਕਾ ਏਕੋ ਅਵਰੁ ਨ ਦੂਜਾ ਕੋਈ ॥੧॥ ਰਹਾਉ ॥
Karan Kaaran Sabhanaa Kaa Eaeko Avar N Dhoojaa Koee ||1|| Rehaao ||
The One Lord is the Cause of causes; there is no other at all. ||1||Pause||

Hum Bheekhak Bhikhari Tere (raag kirtan)

ਫਰੀਦਾ ਤਨੁ ਸੁਕਾ ਪਿੰਜਰੁ ਥੀਆ ਤਲੀਆਂ ਖੂੰਡਹਿ ਕਾਗ ॥
Fareedhaa Than Sukaa Pinjar Thheeaa Thaleeaaan Khoonddehi Kaag ||
Fareed, my withered body has become a skeleton; the crows are pecking at my palms.

ਅਜੈ ਸੁ ਰਬੁ ਨ ਬਾਹੁੜਿਓ ਦੇਖੁ ਬੰਦੇ ਕੇ ਭਾਗ ॥੯੦॥
Ajai S Rab N Baahurriou Dhaekh Bandhae Kae Bhaag ||90||
Even now, God has not come to help me; behold, this is the fate of all mortal beings. ||90||

ਕਾਗਾ ਕਰੰਗ ਢੰਢੋਲਿਆ ਸਗਲਾ ਖਾਇਆ ਮਾਸੁ ॥
Kaagaa Karang Dtandtoliaa Sagalaa Khaaeiaa Maas ||
The crows have searched my skeleton, and eaten all my flesh.

ਏ ਦੁਇ ਨੈਨਾ ਮਤਿ ਛੁਹਉ ਪਿਰ ਦੇਖਨ ਕੀ ਆਸ ॥੯੧॥
Eae Dhue Nainaa Math Shhuho Pir Dhaekhan Kee Aas ||91||
But please do not touch these eyes; I hope to see my Lord. ||91||

Gurbani Keertan

Fareedhaa Than Sukaa Pinjar Thheeaa

ਮੁਖ ਮੰਡਲ ਪਰ ਲਸਤ ਜੋਤਿ ਉਦੇਤ ਅਮਿਤ ਗਤ ॥
Mukha Maandala Para Lasat Jot(i) Audeta Amita Gata ॥
मुख मंडल पर लसत जोति उदेत अमित गत ॥
On his facial sphere glistens the brilliant light of infinite movement.

ਜਟਲ ਜੋਤ ਜਗਮਗਤ ਲਜਤ ਲਖ ਕੋਟਿ ਨਿਖਤਿ ਪਤਿ ॥
Jattala Jota Jagamagata Lajata Lakha Kotti Nikhat(i) Pat(i) ॥
जटल जोत जगमगत लजत लख कोटि निखति पति ॥
Such is the setting and illumination of that Light that lakhs and millions of moon feel shy before it.

ਚਕ੍ਰਵਰਤੀ ਚਕ੍ਰਵੈ ਚਕ੍ਰਤ ਚਉ ਚੱਕ੍ਰ ਕਰਿ ਧਰਿ ॥
Chakaravaratee Chakaravai Chakarata Chau Chakkara Kari Dhari ॥
चक्रवरती चक्रवै चक्रत चउ चक्र करि धरि ॥
He carries the four corners of the world on His hand and thus the universal monarchs are amazed.

ਪਦਮ ਨਾਥ ਪਦਮਾਛ ਨਵਲ ਨਾਰਾਇਣ ਨਰਹਰਿ ॥
Padama Naath Padamaachha Naval Naaraeina Narahari ॥
पदम नाथ पदमाछ नवल नाराइण नरहरि ॥
The Ever-new Lord with lotus-eyes, He is the Lord of men.

Sri Guru Dasam Granth Sahib, Ang ੩੩੪

Mukh Mandal Par Lasat Jot Outot Amit Gad

ਸਾਜਨੜਾ ਮੇਰਾ ਸਾਜਨੜਾ ਨਿਕਟਿ ਖਲੋਇਅੜਾ ਮੇਰਾ ਸਾਜਨੜਾ ॥
Saajanarraa Maeraa Saajanarraa Nikatt Khaloeiarraa Maeraa Saajanarraa ||
साजनड़ा मेरा साजनड़ा निकटि खलोइअड़ा मेरा साजनड़ा ॥
Friend, my Friend - standing so near to me is my Friend!

ਜਾਨੀਅੜਾ ਹਰਿ ਜਾਨੀਅੜਾ ਨੈਣ ਅਲੋਇਅੜਾ ਹਰਿ ਜਾਨੀਅੜਾ ॥
Jaaneearraa Har Jaaneearraa Nain Aloeiarraa Har Jaaneearraa ||
जानीअड़ा हरि जानीअड़ा नैण अलोइअड़ा हरि जानीअड़ा ॥
Beloved, the Lord my Beloved - with my eyes, I have seen the Lord, my Beloved!

ਨੈਣ ਅਲੋਇਆ ਘਟਿ ਘਟਿ ਸੋਇਆ ਅਤਿ ਅੰਮ੍ਰਿਤ ਪ੍ਰਿਅ ਗੂੜਾ ॥
Nain Aloeiaa Ghatt Ghatt Soeiaa Ath Anmrith Pria Goorraa ||
नैण अलोइआ घटि घटि सोइआ अति अम्रित प्रिअ गूड़ा ॥
With my eyes I have seen Him, sleeping upon the bed within each and every heart; my Beloved is the sweetest ambrosial nectar.

ਨਾਲਿ ਹੋਵੰਦਾ ਲਹਿ ਨ ਸਕੰਦਾ ਸੁਆਉ ਨ ਜਾਣੈ ਮੂੜਾ ॥
Naal Hovandhaa Lehi N Sakandhaa Suaao N Jaanai Moorraa ||
नालि होवंदा लहि न सकंदा सुआउ न जाणै मूड़ा ॥
He is with all, but he cannot be found; the fool does not know His taste.

ਮਾਇਆ ਮਦਿ ਮਾਤਾ ਹੋਛੀ ਬਾਤਾ ਮਿਲਣੁ ਨ ਜਾਈ ਭਰਮ ਧੜਾ ॥
Maaeiaa Madh Maathaa Hoshhee Baathaa Milan N Jaaee Bharam Dhharraa ||
माइआ मदि माता होछी बाता मिलणु न जाई भरम धड़ा ॥
Intoxicated with the wine of Maya, the mortal babbles on about trivial affairs; giving in to the illusion, he cannot meet the Lord.

ਕਹੁ ਨਾਨਕ ਗੁਰ ਬਿਨੁ ਨਾਹੀ ਸੂਝੈ ਹਰਿ ਸਾਜਨੁ ਸਭ ਕੈ ਨਿਕਟਿ ਖੜਾ ॥੧॥
Kahu Naanak Gur Bin Naahee Soojhai Har Saajan Sabh Kai Nikatt Kharraa ||1||
कहु नानक गुर बिनु नाही सूझै हरि साजनु सभ कै निकटि खड़ा ॥१॥
Says Nanak, without the Guru, he cannot understand the Lord, the Friend who is standing near everyone. ||1||

Gurbani Keertan Parampara Virsa

Saajanraa Mera Saajanraa (Panj Taal)

ਕਾਗੜਦੰਗ ਕਾਤੀ ਕਟਾਰੀ ਕੜਾਕੰ ॥
Kaagrhadang Kaatee Kattaaree Karhaakaan ॥
कागड़दंग काती कटारी कड़ाकं ॥
The sounds of the blows of the daggers and swords are being heard.

ਤਾਗੜਦੰਗ ਤੀਰੰ ਤੁੱਪਕੰ ਤੜਾਕੰ ॥
Taagrhadang Teeraan Tu`pakaan Tarhaakaan ॥
तागड़दंग तीरं तुपकं तड़ाकं ॥
The sounds of the shafts and gunshots are being heard.

ਝਾਗੜਦੰਗ ਨਾਗੜਦੰਗ ਬਾਗੜਦੰਗ ਬਾਜੇ ॥
Jhaagrhadang Naagrhadang Baagrhadang Baaje ॥
झागड़दंग नागड़दंग बागड़दंग बाजे ॥
Various sounds of musical instruments are resounding.

ਗਾਗੜਦੰਗ ਗਾਜੀ ਮਹਾਂ ਗੱਜ ਗਾਜੇ ॥੩੫॥੧੧੨॥
Gaagrhadang Gaajee Mahaa Gajja Gaaje ॥35॥112॥
गागड़दंग गाजी महां गज गाजे ॥३५॥११२॥
The warriors are roaring and shouting loudly.35.112.

ਸਾਗੜਦੰਗ ਸੂਰੰ ਕਾਗੜਦੰਗ ਕੋਪੰ ॥
Saagrhadang Sooraan Kaagrhadang Kopan ॥
सागड़दंग सूरं कागड़दंग कोपं ॥
The great heroes have been struck.

ਪਾਗੜਦੰਗ ਪਰਮੰ ਰਣੰ ਪਾਵ ਰੋਪੰ ॥
Paagrhadang Paraman Ranaan Paav Ropan ॥
पागड़दंग परमं रणं पाव रोपं ॥
And the brave fighters are belching.36.113.

ਸਾਗੜਦੰਗ ਸਸਤ੍ਰੰ ਝਾਗੜਦੰਗ ਝਾਰੈਂ ॥
Saagrhadang Sasatraan Jhaagrhadang Jhaariaaŉ ॥
सागड़दंग ससत्रं झागड़दंग झारैं ॥
The worriors seem pleased on shooting sharp arrows on the bodies.

ਬਾਗੜਦੰਗ ਬੀਰੰ ਡਾਗੜਦੰਗ ਡਕਾਰੈਂ ॥੩੬॥੧੧੩॥
Baagrhadang Beeraan Daagrhadang Dakaariaaŉ ॥36॥113॥
बागड़दंग बीरं डागड़दंग डकारैं ॥३६॥११३॥
There are loud shouts with porofound resoundings, and the poets describe them in their verses.37.114.

Jagardang Nagardang Bagardang Baaje

Bin Gur Seve Bohut Dukh Paie

ਸੇ ਸੰਜੋਗ ਕਰਹੁ ਮੇਰੇ ਪਿਆਰੇ ॥
Sae Sanjog Karahu Maerae Piaarae ||
से संजोग करहु मेरे पिआरे ॥
May there be such an auspicious time, O my Beloved,

ਜਿਤੁ ਰਸਨਾ ਹਰਿ ਨਾਮੁ ਉਚਾਰੇ ॥੧॥
Jith Rasanaa Har Naam Ouchaarae ||1||
जितु रसना हरि नामु उचारे ॥१॥
When, with my tongue, I may chant the Lord's Name||1||

ਸੁਣਿ ਬੇਨਤੀ ਪ੍ਰਭ ਦੀਨ ਦਇਆਲਾ ॥
Sun Baenathee Prabh Dheen Dhaeiaalaa ||
सुणि बेनती प्रभ दीन दइआला ॥
Hear my prayer, O God, O Merciful to the meek.

ਸਾਧ ਗਾਵਹਿ ਗੁਣ ਸਦਾ ਰਸਾਲਾ ॥੧॥ ਰਹਾਉ ॥
Saadhh Gaavehi Gun Sadhaa Rasaalaa ||1|| Rehaao ||
साध गावहि गुण सदा रसाला ॥१॥ रहाउ ॥
The Holy Saints ever sing the Glorious Praises of the Lord, the Source of Nectar. ||1||Pause||

ਜੀਵਨ ਰੂਪੁ ਸਿਮਰਣੁ ਪ੍ਰਭ ਤੇਰਾ ॥
Jeevan Roop Simaran Prabh Thaeraa ||
जीवन रूपु सिमरणु प्रभ तेरा ॥
Your meditation and remembrance is life-giving, God.

ਜਿਸੁ ਕ੍ਰਿਪਾ ਕਰਹਿ ਬਸਹਿ ਤਿਸੁ ਨੇਰਾ ॥੨॥
Jis Kirapaa Karehi Basehi This Naeraa ||2||
जिसु क्रिपा करहि बसहि तिसु नेरा ॥२॥
You dwell near those upon whom You show mercy. ||2||

ਜਨ ਕੀ ਭੂਖ ਤੇਰਾ ਨਾਮੁ ਅਹਾਰੁ ॥
Jan Kee Bhookh Thaeraa Naam Ahaar ||
जन की भूख तेरा नामु अहारु ॥
Your Name is the food to satisfy the hunger of Your humble servants.

ਤੂੰ ਦਾਤਾ ਪ੍ਰਭ ਦੇਵਣਹਾਰੁ ॥੩॥
Thoon Dhaathaa Prabh Dhaevanehaar ||3||
तूं दाता प्रभ देवणहारु ॥३॥
You are the Great Giver, O Lord God. ||3||

ਰਾਮ ਰਮਤ ਸੰਤਨ ਸੁਖੁ ਮਾਨਾ ॥
Raam Ramath Santhan Sukh Maanaa ||
राम रमत संतन सुखु माना ॥
The Saints take pleasure in repeating the Lord's Name.

ਨਾਨਕ ਦੇਵਨਹਾਰ ਸੁਜਾਨਾ ॥੪॥੨੬॥੩੨॥
Naanak Dhaevanehaar Sujaanaa ||4||26||32||
नानक देवनहार सुजाना ॥४॥२६॥३२॥
O Nanak, the Lord, the Great Giver, is All-knowing. ||4||26||32||

Se Sanjog Karo Mere Pyarey

ਸੁਪਨੈ ਊਭੀ ਭਈ ਗਹਿਓ ਕੀ ਨ ਅੰਚਲਾ ॥
Supanai Oobhee Bhee Gehiou Kee N Anchalaa ||
सुपनै ऊभी भई गहिओ की न अंचला ॥
In a dream, I was lifted up; why didn't I grasp the hem of His Robe?

ਸੁੰਦਰ ਪੁਰਖ ਬਿਰਾਜਿਤ ਪੇਖਿ ਮਨੁ ਬੰਚਲਾ ॥
Sundhar Purakh Biraajith Paekh Man Banchalaa ||
सुंदर पुरख बिराजित पेखि मनु बंचला ॥
Gazing upon the Beautiful Lord relaxing there, my mind was charmed and fascinated.

ਖੋਜਉ ਤਾ ਕੇ ਚਰਣ ਕਹਹੁ ਕਤ ਪਾਈਐ ॥
Khojo Thaa Kae Charan Kehahu Kath Paaeeai ||
खोजउ ता के चरण कहहु कत पाईऐ ॥
I am searching for His Feet - tell me, where can I find Him?

ਹਰਿਹਾਂ ਸੋਈ ਜਤੰਨੁ ਬਤਾਇ ਸਖੀ ਪ੍ਰਿਉ ਪਾਈਐ ॥੧੩॥
Harihaan Soee Jathann Bathaae Sakhee Prio Paaeeai ||13||
हरिहां सोई जतंनु बताइ सखी प्रिउ पाईऐ ॥१३॥
O Lord! Tell me how I can find my Beloved, O my companion. ||13||

Supanai Oobhee Bhee Gehiou Kee N Anchalaa

ਹਮਾਰੀ ਪਿਆਰੀ ਅੰਮ੍ਰਿਤ ਧਾਰੀ ਗੁਰਿ ਨਿਮਖ ਨ ਮਨ ਤੇ ਟਾਰੀ ਰੇ ॥੧॥ ਰਹਾਉ ॥
Hamaaree Piaaree Anmrith Dhhaaree Gur Nimakh N Man Thae Ttaaree Rae ||1|| Rehaao ||
हमारी पिआरी अम्रित धारी गुरि निमख न मन ते टारी रे ॥१॥ रहाउ ॥
My Beloved has brought forth a river of nectar. The Guru has not held it back from my mind, even for an instant. ||1||Pause||

ਦਰਸਨ ਪਰਸਨ ਸਰਸਨ ਹਰਸਨ ਰੰਗਿ ਰੰਗੀ ਕਰਤਾਰੀ ਰੇ ॥੧॥
Dharasan Parasan Sarasan Harasan Rang Rangee Karathaaree Rae ||1||
दरसन परसन सरसन हरसन रंगि रंगी करतारी रे ॥१॥
Beholding it, and touching it, I am sweetened and delighted. It is imbued with the Creator's Love. ||1||

ਖਿਨੁ ਰਮ ਗੁਰ ਗਮ ਹਰਿ ਦਮ ਨਹ ਜਮ ਹਰਿ ਕੰਠਿ ਨਾਨਕ ਉਰਿ ਹਾਰੀ ਰੇ ॥੨॥੫॥੧੩੪॥
Khin Ram Gur Gam Har Dham Neh Jam Har Kanth Naanak Our Haaree Rae ||2||5||134||
खिनु रम गुर गम हरि दम नह जम हरि कंठि नानक उरि हारी रे ॥२॥५॥१३४॥
Chanting it even for a moment, I rise to the Guru; meditating on it, one is not trapped by the Messenger of Death. The Lord has placed it as a garland around Nanak's neck, and within his heart. ||2||5||134||

Hamaaree Piaaree Anmrith Dhhaaree Gur Nimakh N Man Thae Ttaaree Rae ||1|| Rehaao ||

The Sarbloh Granth (Punjabi: ਸਰਬਲੋਹ ਗ੍ਰੰਥ, sarabalŝha grantha) also called Manglacharan Puran. Sarbloh Granth literally means "the Granth or Scripture of all-steel or iron".

In the age of Satyug, a Sanyasi lived in the area near modern-day Hajur Sahib, his name was Brahm-anand. This Sanyasi’s family all had ‘Anand’ at the end of their name and it was from their famous family that the town where Hajur Sahib is was called Nander. Brahm-Anand had nine students (chele) who all asked him one day to bless them with liberation (mukti) from the birth and death cycle. Brahm-anand told them that does not possess this power to give liberation but told them to wait till the age of Kalyug where Paramataa himself will come in a form to give them liberation. Brahm-anand told his students, “When He comes you must go and pay him homage. He himself will recognize you and call you over and ask for the granth. The nine students were puzzled and asked Brahm-anand how they will live until Kalyug. Brahm-anand told them under his blessings they would not feel hunger and they will not die. Brahm-anand then gave his students a scripture (pothi) which was in Sanskrit. Brahm-anand told his disciples that when Paramatmaa’s very form appears to you in Kalyug He will ask for this scripture, so keep it with you. The students obeyed their Guru’s command and proceeded to the jungles where they became hidden and did their worship until the age of Kalyug. 

Several ages past before Guru Gobind Singh Ji, Paramatmaa’s very form, traveled south to Nander. The nine disciples of Brahm-anand all became aware of a very special being in their vicinity so they ventured to get a glimpse if Narayana had finally arrived. When they arrived at the Guru’s Court, Guru Ji greeted them and asked them if they have the scripture that he wanted. Guru Ji told them he knew they were waiting for him. The disciples of Brahm-anand were in the highest stage of bliss, how many long years had they waited for this moment. After Guru Gobind Singh Ji received the scripture (pothi) He gave the students of Brahm-anand liberation (mukhti). 

The scripture that was given to Guru Gobind Singh Ji was the story of the Sarbloh avatar (manifestation of God). Dusht-Daman (the previous avatar of Guru Gobind Singh Ji) had written what he had seen in Satyug between the war of Sarbloh and various demons (Bheemnaad and his brother Beerjnaad). The scripture (pothi) was in Sanskrit but Guru Gobind Singh Ji rewrote some/many parts of it in various contemporary languages. The various languages of the Sarbloh Granth include Arabic, Persian, Brij Bhasha, Sanskrit, Sadhu Bhasha and various other dialects. Guru Gobind Singh Ji completed and formalized the Sarbloh Granth at present day Gurdrawa Baba Nidhan Singh Ji infront of Takht Hazur Sahib. Previously this Gurdrawa was a Nihang Singh Chauni (encampment) but the property was given to Baba Nidhan Singh to set up a spot dedicated to langar (free community kitchen). The Chauni was previously called Bunga Sarbloh Ji.

Maei Gur Charni Chet Laeiah

Narsingh Bornlion