Sikhi

Raag Kirtan

Keertan

Gurbani

Kirtan

Classical shabad of Shri Guru Gobind Singh Ji beautifully sung by Bhai Balbir Singh Ji Hazoori Ragi Shri Harmandir Sahib. 
From the album - Maate Matang Jare Jar Sang

Sada Jai Bhagauti - Bhai Balbir Singh

Uplifting Mool Mantar track by Snatam Kaur. Was played in the Langar Hall during BOSS Sikhi Camp 2013

SC13 Langar Hall Track - Snatam Kaur Mool Mantar

Jhagardang Nagardang (Dasam Granth)

A playlist from Basics of Sikhi to allow people to experience the gift of Raag Kirtan.
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Raag Dhanasari, Bhai Balbir Singh, Jap Man Sat Nam Sada Sat Nam

Melodious Simran
Jatha: GurSevak Jatha & The Orphans of Haiti
Album: Jujharu Khalsa (Immortal Productions)

To get the full album - http://bit.ly/1ApF7hb

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Waheguru Simran - GurSevak Jatha

Kirtan - Raag Mishar Bhairavi - Taal Kehrava "Main Bauree Mera Raam Bhataar"

Gur Arjun Vitton Kurbani - Bhai Dharam Singh Zakhmi

Sukhwinder Singh Pinky Ji (age 11) with Bhai Baljeet Singh singing at Darbar Sahib 1974

Bhai Avtar Singh and Bhai Gurcharan Singh are considered a live-wire between the music of the era of the great ten gurus and the modern day Sikh community and the World. Bhai Avtar Singh and Bhai Gurcharan Singh have been asserting that the original “Gurmat Sangeet” prevalent during the times of the “Ten Sikh Great Gurus was “Dhrupad” based “Gurmat Sangeet” and the “Kirtan Chowkis” during the times of the gurus were invariably performed in “Dhrupad” and “Dhamar” styles.

Har Jas Gaavaho Bhagavaan

The Indian Sanskrit name for this raga is Kalyan and the Persian is Yuman. In the Ragmala, Kalian is the son of Dipak while today it is the head of the Kalian thata. It is performed during the first part of the night and is considered a blessing bringing all good into one's life. Guru Ram Das and Guru Arjan composed 23 hymns to this raga. The texts exalt the far-reaching and all-pervading power of the Lord. In the Holy Book the only raga variant given is Bhopali (Bhupali).

Live Recordings- Bhai Gurpratap Singh Hazur Sahib

Bang Ke Bangali - Hazoori Raagi Bhai Gurpartap Singh (Hazoor Sahib)

O mind, meditate on the Lord, the Lord of the World.

The Lord is the Jewel, the Diamond, the Ruby.

The Lord fashions the Gurmukhs in His Mint.

O Lord, please, please, be Merciful to me. ||1||Pause||

Your Glorious Virtues are inaccessible and unfathomable; how can my one poor tongue describe them? O my Beloved Lord, Raam, Raam, Raam, Raam.

O Dear Lord, You, You, You alone know Your Unspoken Speech. I have become enraptured, enraptured, enraptured, meditating on the Lord. ||1||

The Lord, my Lord and Master, is my Companion and my Breath of Life; the Lord is my Best Friend. My mind, body and tongue are attuned to the Lord, Har, Haray, Haray. The Lord is my Wealth and Property.

She alone obtains her Husband Lord, who is so pre-destined. Through the Guru's Teachings, she sings the Glorious Praises of the Lord Har. am a sacrifice, a sacrifice to the Lord, O servant Nanak. Meditating on the Lord, I have become enraptured.

Man Japo Raam Gopal (Partaal)

ਸਾਜਨੜਾ ਮੇਰਾ ਸਾਜਨੜਾ ਨਿਕਟਿ ਖਲੋਇਅੜਾ ਮੇਰਾ ਸਾਜਨੜਾ ॥
Saajanarraa Maeraa Saajanarraa Nikatt Khaloeiarraa Maeraa Saajanarraa ||
साजनड़ा मेरा साजनड़ा निकटि खलोइअड़ा मेरा साजनड़ा ॥
Friend, my Friend - standing so near to me is my Friend!

ਜਾਨੀਅੜਾ ਹਰਿ ਜਾਨੀਅੜਾ ਨੈਣ ਅਲੋਇਅੜਾ ਹਰਿ ਜਾਨੀਅੜਾ ॥
Jaaneearraa Har Jaaneearraa Nain Aloeiarraa Har Jaaneearraa ||
जानीअड़ा हरि जानीअड़ा नैण अलोइअड़ा हरि जानीअड़ा ॥
Beloved, the Lord my Beloved - with my eyes, I have seen the Lord, my Beloved!

ਨੈਣ ਅਲੋਇਆ ਘਟਿ ਘਟਿ ਸੋਇਆ ਅਤਿ ਅੰਮ੍ਰਿਤ ਪ੍ਰਿਅ ਗੂੜਾ ॥
Nain Aloeiaa Ghatt Ghatt Soeiaa Ath Anmrith Pria Goorraa ||
नैण अलोइआ घटि घटि सोइआ अति अम्रित प्रिअ गूड़ा ॥
With my eyes I have seen Him, sleeping upon the bed within each and every heart; my Beloved is the sweetest ambrosial nectar.

ਨਾਲਿ ਹੋਵੰਦਾ ਲਹਿ ਨ ਸਕੰਦਾ ਸੁਆਉ ਨ ਜਾਣੈ ਮੂੜਾ ॥
Naal Hovandhaa Lehi N Sakandhaa Suaao N Jaanai Moorraa ||
नालि होवंदा लहि न सकंदा सुआउ न जाणै मूड़ा ॥
He is with all, but he cannot be found; the fool does not know His taste.

ਮਾਇਆ ਮਦਿ ਮਾਤਾ ਹੋਛੀ ਬਾਤਾ ਮਿਲਣੁ ਨ ਜਾਈ ਭਰਮ ਧੜਾ ॥
Maaeiaa Madh Maathaa Hoshhee Baathaa Milan N Jaaee Bharam Dhharraa ||
माइआ मदि माता होछी बाता मिलणु न जाई भरम धड़ा ॥
Intoxicated with the wine of Maya, the mortal babbles on about trivial affairs; giving in to the illusion, he cannot meet the Lord.

ਕਹੁ ਨਾਨਕ ਗੁਰ ਬਿਨੁ ਨਾਹੀ ਸੂਝੈ ਹਰਿ ਸਾਜਨੁ ਸਭ ਕੈ ਨਿਕਟਿ ਖੜਾ ॥੧॥
Kahu Naanak Gur Bin Naahee Soojhai Har Saajan Sabh Kai Nikatt Kharraa ||1||
कहु नानक गुर बिनु नाही सूझै हरि साजनु सभ कै निकटि खड़ा ॥१॥
Says Nanak, without the Guru, he cannot understand the Lord, the Friend who is standing near everyone. ||1||

Gurbani Keertan Parampara Virsa

Saajanraa Mera Saajanraa (Panj Taal)

ਕਾਗੜਦੰਗ ਕਾਤੀ ਕਟਾਰੀ ਕੜਾਕੰ ॥
Kaagrhadang Kaatee Kattaaree Karhaakaan ॥
कागड़दंग काती कटारी कड़ाकं ॥
The sounds of the blows of the daggers and swords are being heard.

ਤਾਗੜਦੰਗ ਤੀਰੰ ਤੁੱਪਕੰ ਤੜਾਕੰ ॥
Taagrhadang Teeraan Tu`pakaan Tarhaakaan ॥
तागड़दंग तीरं तुपकं तड़ाकं ॥
The sounds of the shafts and gunshots are being heard.

ਝਾਗੜਦੰਗ ਨਾਗੜਦੰਗ ਬਾਗੜਦੰਗ ਬਾਜੇ ॥
Jhaagrhadang Naagrhadang Baagrhadang Baaje ॥
झागड़दंग नागड़दंग बागड़दंग बाजे ॥
Various sounds of musical instruments are resounding.

ਗਾਗੜਦੰਗ ਗਾਜੀ ਮਹਾਂ ਗੱਜ ਗਾਜੇ ॥੩੫॥੧੧੨॥
Gaagrhadang Gaajee Mahaa Gajja Gaaje ॥35॥112॥
गागड़दंग गाजी महां गज गाजे ॥३५॥११२॥
The warriors are roaring and shouting loudly.35.112.

ਸਾਗੜਦੰਗ ਸੂਰੰ ਕਾਗੜਦੰਗ ਕੋਪੰ ॥
Saagrhadang Sooraan Kaagrhadang Kopan ॥
सागड़दंग सूरं कागड़दंग कोपं ॥
The great heroes have been struck.

ਪਾਗੜਦੰਗ ਪਰਮੰ ਰਣੰ ਪਾਵ ਰੋਪੰ ॥
Paagrhadang Paraman Ranaan Paav Ropan ॥
पागड़दंग परमं रणं पाव रोपं ॥
And the brave fighters are belching.36.113.

ਸਾਗੜਦੰਗ ਸਸਤ੍ਰੰ ਝਾਗੜਦੰਗ ਝਾਰੈਂ ॥
Saagrhadang Sasatraan Jhaagrhadang Jhaariaaŉ ॥
सागड़दंग ससत्रं झागड़दंग झारैं ॥
The worriors seem pleased on shooting sharp arrows on the bodies.

ਬਾਗੜਦੰਗ ਬੀਰੰ ਡਾਗੜਦੰਗ ਡਕਾਰੈਂ ॥੩੬॥੧੧੩॥
Baagrhadang Beeraan Daagrhadang Dakaariaaŉ ॥36॥113॥
बागड़दंग बीरं डागड़दंग डकारैं ॥३६॥११३॥
There are loud shouts with porofound resoundings, and the poets describe them in their verses.37.114.

Jagardang Nagardang Bagardang Baaje

Bin Gur Seve Bohut Dukh Paie

ਸੇ ਸੰਜੋਗ ਕਰਹੁ ਮੇਰੇ ਪਿਆਰੇ ॥
Sae Sanjog Karahu Maerae Piaarae ||
से संजोग करहु मेरे पिआरे ॥
May there be such an auspicious time, O my Beloved,

ਜਿਤੁ ਰਸਨਾ ਹਰਿ ਨਾਮੁ ਉਚਾਰੇ ॥੧॥
Jith Rasanaa Har Naam Ouchaarae ||1||
जितु रसना हरि नामु उचारे ॥१॥
When, with my tongue, I may chant the Lord's Name||1||

ਸੁਣਿ ਬੇਨਤੀ ਪ੍ਰਭ ਦੀਨ ਦਇਆਲਾ ॥
Sun Baenathee Prabh Dheen Dhaeiaalaa ||
सुणि बेनती प्रभ दीन दइआला ॥
Hear my prayer, O God, O Merciful to the meek.

ਸਾਧ ਗਾਵਹਿ ਗੁਣ ਸਦਾ ਰਸਾਲਾ ॥੧॥ ਰਹਾਉ ॥
Saadhh Gaavehi Gun Sadhaa Rasaalaa ||1|| Rehaao ||
साध गावहि गुण सदा रसाला ॥१॥ रहाउ ॥
The Holy Saints ever sing the Glorious Praises of the Lord, the Source of Nectar. ||1||Pause||

ਜੀਵਨ ਰੂਪੁ ਸਿਮਰਣੁ ਪ੍ਰਭ ਤੇਰਾ ॥
Jeevan Roop Simaran Prabh Thaeraa ||
जीवन रूपु सिमरणु प्रभ तेरा ॥
Your meditation and remembrance is life-giving, God.

ਜਿਸੁ ਕ੍ਰਿਪਾ ਕਰਹਿ ਬਸਹਿ ਤਿਸੁ ਨੇਰਾ ॥੨॥
Jis Kirapaa Karehi Basehi This Naeraa ||2||
जिसु क्रिपा करहि बसहि तिसु नेरा ॥२॥
You dwell near those upon whom You show mercy. ||2||

ਜਨ ਕੀ ਭੂਖ ਤੇਰਾ ਨਾਮੁ ਅਹਾਰੁ ॥
Jan Kee Bhookh Thaeraa Naam Ahaar ||
जन की भूख तेरा नामु अहारु ॥
Your Name is the food to satisfy the hunger of Your humble servants.

ਤੂੰ ਦਾਤਾ ਪ੍ਰਭ ਦੇਵਣਹਾਰੁ ॥੩॥
Thoon Dhaathaa Prabh Dhaevanehaar ||3||
तूं दाता प्रभ देवणहारु ॥३॥
You are the Great Giver, O Lord God. ||3||

ਰਾਮ ਰਮਤ ਸੰਤਨ ਸੁਖੁ ਮਾਨਾ ॥
Raam Ramath Santhan Sukh Maanaa ||
राम रमत संतन सुखु माना ॥
The Saints take pleasure in repeating the Lord's Name.

ਨਾਨਕ ਦੇਵਨਹਾਰ ਸੁਜਾਨਾ ॥੪॥੨੬॥੩੨॥
Naanak Dhaevanehaar Sujaanaa ||4||26||32||
नानक देवनहार सुजाना ॥४॥२६॥३२॥
O Nanak, the Lord, the Great Giver, is All-knowing. ||4||26||32||

Se Sanjog Karo Mere Pyarey

ਸੁਪਨੈ ਊਭੀ ਭਈ ਗਹਿਓ ਕੀ ਨ ਅੰਚਲਾ ॥
Supanai Oobhee Bhee Gehiou Kee N Anchalaa ||
सुपनै ऊभी भई गहिओ की न अंचला ॥
In a dream, I was lifted up; why didn't I grasp the hem of His Robe?

ਸੁੰਦਰ ਪੁਰਖ ਬਿਰਾਜਿਤ ਪੇਖਿ ਮਨੁ ਬੰਚਲਾ ॥
Sundhar Purakh Biraajith Paekh Man Banchalaa ||
सुंदर पुरख बिराजित पेखि मनु बंचला ॥
Gazing upon the Beautiful Lord relaxing there, my mind was charmed and fascinated.

ਖੋਜਉ ਤਾ ਕੇ ਚਰਣ ਕਹਹੁ ਕਤ ਪਾਈਐ ॥
Khojo Thaa Kae Charan Kehahu Kath Paaeeai ||
खोजउ ता के चरण कहहु कत पाईऐ ॥
I am searching for His Feet - tell me, where can I find Him?

ਹਰਿਹਾਂ ਸੋਈ ਜਤੰਨੁ ਬਤਾਇ ਸਖੀ ਪ੍ਰਿਉ ਪਾਈਐ ॥੧੩॥
Harihaan Soee Jathann Bathaae Sakhee Prio Paaeeai ||13||
हरिहां सोई जतंनु बताइ सखी प्रिउ पाईऐ ॥१३॥
O Lord! Tell me how I can find my Beloved, O my companion. ||13||

Supanai Oobhee Bhee Gehiou Kee N Anchalaa

ਹਮਾਰੀ ਪਿਆਰੀ ਅੰਮ੍ਰਿਤ ਧਾਰੀ ਗੁਰਿ ਨਿਮਖ ਨ ਮਨ ਤੇ ਟਾਰੀ ਰੇ ॥੧॥ ਰਹਾਉ ॥
Hamaaree Piaaree Anmrith Dhhaaree Gur Nimakh N Man Thae Ttaaree Rae ||1|| Rehaao ||
हमारी पिआरी अम्रित धारी गुरि निमख न मन ते टारी रे ॥१॥ रहाउ ॥
My Beloved has brought forth a river of nectar. The Guru has not held it back from my mind, even for an instant. ||1||Pause||

ਦਰਸਨ ਪਰਸਨ ਸਰਸਨ ਹਰਸਨ ਰੰਗਿ ਰੰਗੀ ਕਰਤਾਰੀ ਰੇ ॥੧॥
Dharasan Parasan Sarasan Harasan Rang Rangee Karathaaree Rae ||1||
दरसन परसन सरसन हरसन रंगि रंगी करतारी रे ॥१॥
Beholding it, and touching it, I am sweetened and delighted. It is imbued with the Creator's Love. ||1||

ਖਿਨੁ ਰਮ ਗੁਰ ਗਮ ਹਰਿ ਦਮ ਨਹ ਜਮ ਹਰਿ ਕੰਠਿ ਨਾਨਕ ਉਰਿ ਹਾਰੀ ਰੇ ॥੨॥੫॥੧੩੪॥
Khin Ram Gur Gam Har Dham Neh Jam Har Kanth Naanak Our Haaree Rae ||2||5||134||
खिनु रम गुर गम हरि दम नह जम हरि कंठि नानक उरि हारी रे ॥२॥५॥१३४॥
Chanting it even for a moment, I rise to the Guru; meditating on it, one is not trapped by the Messenger of Death. The Lord has placed it as a garland around Nanak's neck, and within his heart. ||2||5||134||

Hamaaree Piaaree Anmrith Dhhaaree Gur Nimakh N Man Thae Ttaaree Rae ||1|| Rehaao ||

The Sarbloh Granth (Punjabi: ਸਰਬਲੋਹ ਗ੍ਰੰਥ, sarabalŝha grantha) also called Manglacharan Puran. Sarbloh Granth literally means "the Granth or Scripture of all-steel or iron".

In the age of Satyug, a Sanyasi lived in the area near modern-day Hajur Sahib, his name was Brahm-anand. This Sanyasi’s family all had ‘Anand’ at the end of their name and it was from their famous family that the town where Hajur Sahib is was called Nander. Brahm-Anand had nine students (chele) who all asked him one day to bless them with liberation (mukti) from the birth and death cycle. Brahm-anand told them that does not possess this power to give liberation but told them to wait till the age of Kalyug where Paramataa himself will come in a form to give them liberation. Brahm-anand told his students, “When He comes you must go and pay him homage. He himself will recognize you and call you over and ask for the granth. The nine students were puzzled and asked Brahm-anand how they will live until Kalyug. Brahm-anand told them under his blessings they would not feel hunger and they will not die. Brahm-anand then gave his students a scripture (pothi) which was in Sanskrit. Brahm-anand told his disciples that when Paramatmaa’s very form appears to you in Kalyug He will ask for this scripture, so keep it with you. The students obeyed their Guru’s command and proceeded to the jungles where they became hidden and did their worship until the age of Kalyug. 

Several ages past before Guru Gobind Singh Ji, Paramatmaa’s very form, traveled south to Nander. The nine disciples of Brahm-anand all became aware of a very special being in their vicinity so they ventured to get a glimpse if Narayana had finally arrived. When they arrived at the Guru’s Court, Guru Ji greeted them and asked them if they have the scripture that he wanted. Guru Ji told them he knew they were waiting for him. The disciples of Brahm-anand were in the highest stage of bliss, how many long years had they waited for this moment. After Guru Gobind Singh Ji received the scripture (pothi) He gave the students of Brahm-anand liberation (mukhti). 

The scripture that was given to Guru Gobind Singh Ji was the story of the Sarbloh avatar (manifestation of God). Dusht-Daman (the previous avatar of Guru Gobind Singh Ji) had written what he had seen in Satyug between the war of Sarbloh and various demons (Bheemnaad and his brother Beerjnaad). The scripture (pothi) was in Sanskrit but Guru Gobind Singh Ji rewrote some/many parts of it in various contemporary languages. The various languages of the Sarbloh Granth include Arabic, Persian, Brij Bhasha, Sanskrit, Sadhu Bhasha and various other dialects. Guru Gobind Singh Ji completed and formalized the Sarbloh Granth at present day Gurdrawa Baba Nidhan Singh Ji infront of Takht Hazur Sahib. Previously this Gurdrawa was a Nihang Singh Chauni (encampment) but the property was given to Baba Nidhan Singh to set up a spot dedicated to langar (free community kitchen). The Chauni was previously called Bunga Sarbloh Ji.

Bhai Avtar Singh 1

Das Gobind Fateh Satguru Ki - Ragi Bhai Avtar Singh Ji

Bhai Sahib was the younger brother of the noted Bhai Dharam Singh Zakhmi Ji. Both used to sing together as a Jatha for several decades. Following Bhai Dharam Singh’s passing away in the late 70′s/early 80′s, Bhai Shamsher Singh formed a new Jatha and continued singing their family’s reets.
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ਰਾਮੁ ਸਿਮਰਿ ਰਾਮੁ ਸਿਮਰਿ ਇਹੈ ਤੇਰੈ ਕਾਜਿ ਹੈ ॥
Raam Simar Raam Simar Eihai Thaerai Kaaj Hai ||
Meditate in remembrance on the Lord - meditate on the Lord; this alone shall be of use to you.

ਮਾਇਆ ਕੋ ਸੰਗੁ ਤਿਆਗੁ ਪ੍ਰਭ ਜੂ ਕੀ ਸਰਨਿ ਲਾਗੁ ॥
Maaeiaa Ko Sang Thiaag Prabh Joo Kee Saran Laag ||
Abandon your association with Maya, and take shelter in the Sanctuary of God.

ਜਗਤ ਸੁਖ ਮਾਨੁ ਮਿਥਿਆ ਝੂਠੋ ਸਭ ਸਾਜੁ ਹੈ ॥੧॥ ਰਹਾਉ ॥
Jagath Sukh Maan Mithhiaa Jhootho Sabh Saaj Hai ||1|| Rehaao ||
Remember that the pleasures of the world are false; this whole show is just an illusion. ||1||Pause||

ਸੁਪਨੇ ਜਿਉ ਧਨੁ ਪਛਾਨੁ ਕਾਹੇ ਪਰਿ ਕਰਤ ਮਾਨੁ ॥
Supanae Jio Dhhan Pashhaan Kaahae Par Karath Maan ||
You must understand that this wealth is just a dream. Why are you so proud?

ਬਾਰੂ ਕੀ ਭੀਤਿ ਜੈਸੇ ਬਸੁਧਾ ਕੋ ਰਾਜੁ ਹੈ ॥੧॥
Baaroo Kee Bheeth Jaisae Basudhhaa Ko Raaj Hai ||1||
The empires of the earth are like walls of sand. ||1||

ਨਾਨਕੁ ਜਨੁ ਕਹਤੁ ਬਾਤ ਬਿਨਸਿ ਜੈਹੈ ਤੇਰੋ ਗਾਤੁ ॥
Naanak Jan Kehath Baath Binas Jaihai Thaero Gaath ||
Servant Nanak speaks the Truth: your body shall perish and pass away.

Raam Simar Raam Simar - Bhai Shamsher Singh Zakhmi

ਹਲਤਿ ਸੁਖੁ ਪਲਤਿ ਸੁਖੁ ਨਿਤ ਸੁਖੁ ਸਿਮਰਨੋ ਨਾਮੁ ਗੋਬਿੰਦ ਕਾ ਸਦਾ ਲੀਜੈ ॥
Peace in this world, peace in the next world and peace forever, remembering Him in meditation. Chant forever the Name of the Lord of the Universe.

ਮਿਟਹਿ ਕਮਾਣੇ ਪਾਪ ਚਿਰਾਣੇ ਸਾਧਸੰਗਤਿ ਮਿਲਿ ਮੁਆ ਜੀਜੈ ॥੧॥ ਰਹਾਉ ॥
The sins of past lives are erased, by joining the Saadh Sangat, the Company of the Holy; new life is infused into the dead. ||1||Pause||

ਰਾਜ ਜੋਬਨ ਬਿਸਰੰਤ ਹਰਿ ਮਾਇਆ ਮਹਾ ਦੁਖੁ ਏਹੁ ਮਹਾਂਤ ਕਹੈ ॥
In power, youth and Maya, the Lord is forgotten; this is the greatest tragedy - so say the spiritual sages.

ਆਸ ਪਿਆਸ ਰਮਣ ਹਰਿ ਕੀਰਤਨ ਏਹੁ ਪਦਾਰਥੁ ਭਾਗਵੰਤੁ ਲਹੈ ॥੧॥
Hope and desire to sing the Kirtan of the Lord's Praises - this is the treasure of the most fortunate devotees. ||1||

ਸਰਣਿ ਸਮਰਥ ਅਕਥ ਅਗੋਚਰਾ ਪਤਿਤ ਉਧਾਰਣ ਨਾਮੁ ਤੇਰਾ ॥
O Lord of Sanctuary, all-powerful, imperceptible and unfathomable - Your Name is the Purifier of sinners.

ਅੰਤਰਜਾਮੀ ਨਾਨਕ ਕੇ ਸੁਆਮੀ ਸਰਬਤ ਪੂਰਨ ਠਾਕੁਰੁ ਮੇਰਾ ॥੨॥੨॥੫੪॥
The Inner-knower, the Lord and Master of Nanak is totally pervading and permeating everywhere; He is my Lord and Master. ||2||2||54||

KDP 14

Bhai Kirit Singh - Halat Sukh Palat Sukh | ਹਲਤਿ ਸੁਖੁ ਪਲਤਿ ਸੁਖੁ - Raag Dhanaasaree, Dhrupad, Partaal

Mere Lalan Ki Sobha - Sang in Hameer Kalyan by the legendary Bhai Avtar Singh Bhai Gurcharan Singh Ji Delhi Wale with Bhai Swaran Singh Ji on Jorri (Shabad Sang in Chartaal and then in Choti-Teentaal)

ਕਲਿਆਨ ਮਹਲਾ ੫ ॥
Kalyaan, Fifth Mehla:
ਮੇਰੇ ਲਾਲਨ ਕੀ ਸੋਭਾ ॥
O, the Wondrous Glory of my Beloved!
ਸਦ ਨਵਤਨ ਮਨ ਰੰਗੀ ਸੋਭਾ ॥੧॥ ਰਹਾਉ ॥
My mind is rejuvenated forever by His Wondrous Love. ||1||Pause||
ਬ੍ਰਹਮ ਮਹੇਸ ਸਿਧ ਮੁਨਿ ਇੰਦ੍ਰਾ ਭਗਤਿ ਦਾਨੁ ਜਸੁ ਮੰਗੀ ॥੧॥
Brahma, Shiva, the Siddhas, the silent sages and Indra beg for the charity of His Praise and devotion to Him. ||1||
ਜੋਗ ਗਿਆਨ ਧਿਆਨ ਸੇਖਨਾਗੈ ਸਗਲ ਜਪਹਿ ਤਰੰਗੀ ॥
Yogis, spiritual teachers, meditators and the thousand-headed serpent all meditate on the Waves of God.
ਕਹੁ ਨਾਨਕ ਸੰਤਨ ਬਲਿਹਾਰੈ ਜੋ ਪ੍ਰਭ ਕੇ ਸਦ ਸੰਗੀ ॥੨॥੩॥
Says Nanak, I am a sacrifice to the Saints, who are the Eternal Companions of God. ||2||3||

Bhai Avtar Singh Bhai Gurcharan Singh Ji - Mere Laalan Ki Sobha - Dhrupad Chartaal/Choti Teentaal

Sikh Touch
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Japji Sahib - By Sikh Touch

Harmeet Singh Virdee – Sitar
Bhupinder Singh Chaggar – Tabla

Harmeet opens a three-day music fiesta with gentle morning ragas on
sitar displaying serenity, vibrancy and beautifully composed improvisations. Bhupinder comes from the Benares style of playing this ever-versatile instrument.

Darbar Festival 2009 Harmeet Virdee | sitar

Pandit Kumar Bose – Tabla solo 
Pandit Ramesh Mishra – Sarangi

Pandit Kumar Bose makes a welcome return to the Darbar Festival in a tribute
concert to the legendary Pandit Kishen Maharaj who passed away last year. For those of you who missed his outstanding performance in the first Darbar Festival in 2006, this is one not to be missed.

Darbar Festival 2009 Pt Kumar Bose | Tabla Solo

Latest recording for my tabla solo blog, 52 Kaidas. Info on this recording, plus 3 other recordings in the same post here: http://52kaidas.blogspot.com/2010/08/farukhabad-chalan-kaida-punjab-kaida.html

main blog page: http://52kaidas.blogspot.com/

George Koller on dilruba and brain-meltingly funky fretless bass.... :)

Lucknow Rela, à la funk

Raag Bhimpalasi by Ramesh Mishra
Album: Melodious Sarangi

Supanai Oobhee Bhee Gehiou Kee N Anchalaa

Narsingh Bornlion