Name: Houston We Have a Podcast: Her Passion for STEM by NASA in Women at NASA: Celebrating Women's History Month
Duration: 1 h 7 min 48 s
Description: On Episode 232, Kris Brown and Emily Calandrelli describe the importance of inspiring young women to pursue an interest science, technology, engineering and math.

Astronauts. Thermal Blanket Technicians. Planetary Protection Officers. In our Women’s History Month podcast episode playlist, meet some of the women who are making a difference at NASA.

Women at NASA: Celebrating Women's History Month

Season four launches with Jennifer Trosper in the driver’s seat. As she looks in the rearview mirror at twenty-five years of exploring with NASA’s Mars rovers, she reveals how their progression has kept pace with milestones in her life.

On a Mission: Season 4, Episode 1: Driven To Mars

Climate change is one of the most important issues facing our planet, and NASA has lots of space missions and programs in the works to monitor and understand its drivers and effects. Kate Calvin, NASA’s new chief scientist, is also the agency’s senior climate advisor. In this episode, Kate previews  upcoming Earth science missions and discusses cutting-edge research endeavors to explore climate change.

Gravity Assist: Meet NASA’s New Chief Scientist and Senior Climate Advisor, with Kate Calvin

On Episode 232, Kris Brown and Emily Calandrelli describe the importance of inspiring young women to pursue an interest science, technology, engineering and math.

Houston We Have a Podcast: Her Passion for STEM

~ LAAPS 020 ~ [SEQ.03 - LP20]

artist : Taylor Deupree
 album : Harbor
duration : 41.38 mn
 date : May 30th, 2022

edition :
-  vinyl : limited to 300 copies / black LP / hand numbered 
- cd : limited to 200 copies / hand numbered + handcrafted, sealed

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pre-order : May 06th, 2022 / official release : May 30th, 2022
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sounds and arrangements by Taylor Deupree
mixed and mastered at 12k
published by 12k Music (ASCAP)

Artwork by Herbert Pfostl
Design by Sprflxgrfzm

"thank you to Corey Fuller, Stephen Vitiello, Ryuichi Sakamoto, and Mathias Van Eecloo."

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Links :
https://laaps-records.com/
https://taylordeupree.bandcamp.com/

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℗ & © 2 0 2 2 - L A A P S - L A A P S 0 20

Harbor

Taylor Deupree - Harbor

From dusty deserts to icy mountain tops, NASA experts visit incredible places along their career path. But what about our explorers who take their work off the Earth?  Join astronaut Shannon Walker on a look back at her excursions into space.

NASA's Curious Universe: Field Notes: Astronaut Shannon Walker

Measurements collected by the Waves instrument aboard NASA’s Juno spacecraft during its close flyby of Jupiter’s moon Europa on Sept. 29, 2022 have been converted to an audible frequency. The variation of frequency of the plasma waves observed near Europa can be heard as the plasma density varies.
For more information about NASA’s Juno mission, visit: http://nasa.gov/juno and https://missionjuno.com 
Details about the Europa flyby can be found at: https://www.nasa.gov/feature/jpl/nasa-s-juno-will-perform-close-flyby-of-jupiter-s-icy-moon-europa
Credit: NASA/JPL-Caltech/SwRI/Univ of Iowa

Audio from NASA’s Juno Mission: Europa Flyby

NASA Deputy Administrator Pam Melroy discusses NASA's positive impact on humanity—and the people who make it happen.

Small Steps, Giant Leaps Podcast

Small Steps, Giant Leaps: Episode 100: NASA’s Extraordinary Workforce

NASA Human Spaceflight Historian Jennifer Ross-Nazzal discusses how careers for women have changed over the past 50 years as the workforce has become more diverse.

Small Steps, Giant Leaps: Episode 103: Legacy of Inspiration

Courtesty of Electric and Magnetic Field Instrument Suite and Integrated Science (EMFISIS)aboard NASA’s Van Allen Probes team at the University of Iowa

Chorus Radio Waves within Earth's Atmosphere

Looming Brittle

From Alva Noto's album Xerrox Vol. 5 
Pre-order: https://noton.info/product/n-062/
Release date: November 29. 2024

https://noton.info/

Xerrox Vol. 5

Alva Noto - Xerrox Kryogen

MSH 15-52 is a cloud of energized particles blown away from a dead, collapsed star. This image includes X-rays from NASA’s Chandra X-ray Observatory (orange, green and blue) as well as the Imaging X-ray Polarimetry Explorer, or IXPE (purple). X-ray data have been combined with infrared data from the Dark Energy Plane Survey 2 (red and blue). In sound, the scan goes from the bottom to the top. The brightness of the Chandra data of the cloud has been converted into rough string-like sounds, while the blast wave is represented by a range of pitches of firework-type noises. The IXPE data are heard as wind-like sounds. The infrared data are mapped to musical pitches of a synthesizer sound. The light curve, or brightness over time, from the dead star’s collapsed core is heard in pulses that occur almost 7 times every second as it does in the original data.

Credits: Images: X-ray: NASA/CXC/Stanford Univ./R. Romani et al. (Chandra); NASA/MSFC (IXPE); Infrared: NOIRLab/DECam; Image Processing: NASA/CXC/SAO/J. Schmidt; Sonification: NASA/CXC/SAO/K.Arcand, SYSTEM Sounds (M. Russo, A. Santaguida)


Chandra/IXPE/DEPS2 B1509 (MSH 15-52) Sonification

This is a sound that was electronically placed onboard the Voyager 1 and 2 spacecraft. 

Golden Record: Life Signs, Pulsar

MIKA VAINIO + RYOJI IKEDA + ALVA NOTO - LIVE 2002 [N-043]

In September 2002 Mika Vainio, Ryoji Ikeda and Alva Noto (Carsten Nicolai) were invited by the Baltic Centre For Contemporary Art for a residency. As a result of this project three live performances followed this research period.

All the tracks on this record were recorded live on September 23, 2002 at the Baltic Centre For Contemporary Art in Newcastle, UK.

All sounds by Mika Vainio, Ryoji Ikeda, Carsten Nicolai.

LIVE 20O2

MOVEMENT 4

MIKA VAINIO + RYOJI IKEDA + ALVA NOTO - MOVEMENT 4

Artist: ASUNA & Jan Jelinek
Album: Signals Bulletin
Label#: Faitiche18
 
Faitiche is delighted to announce the release of a new collaboration between the Japanese sound artist ASUNA and Jan Jelinek: the album Signals Bulletin brings together joint improvisations and compositions made over a period of three years in Berlin, Kyoto and Kanazawa. ASUNA’s meandering organ drones merge with Jelinek’s pulsating synthesizer and field recording loops to create dense superclusters that span broad harmonic arcs.

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Watching the Japanese sound artist ASUNA playing the organ, some people might be surprised. ASUNA is no virtuoso flying over the keyboard in a rage. Instead, with the calm gestures of an office worker, he cuts strips of adhesive tape to the correct length before sticking them onto the keys of his instrument. In this way, large clusters of keys are held down, creating a dense and sustained range of frequencies, while the sound artist continually prepares further sets of keys or removes tape again. I have rarely seen a more convincing performance concept, with such a power to fascinate.

I first met ASUNA when we both gave a concert at the 21st Century Museum of Contemporary Art in Kanazawa, his home city. He performed the organ drones as described above and I immediately knew I wanted to collaborate with him. Six years and five meetings later, we completed Signals Bulletin. The album includes both joint improvisations and compositions, recorded in Berlin, Kanazawa and Kyoto.

Whether using prepared organ, Casio keyboards or mechanical plastic toys, ASUNA creates rich textures of sound that barely change over long stretches of time. It is a music without breaks. For a while, I was unsure how my loops made using modular synthesizers and live sampling fitted here – until I realized the role I had to take in this duet: I would provide the rhythmically pulsating foundation over which his dense continuums could unfold.

The result is harmonically drifting superclusters that put us into a meditation-like state. It can perhaps be compared to Automatic Writing – a mode of creative expression floating somewhere between concentration and distraction. Both the structure of our pieces and our approach to our instruments allow a similar “absence”: we let the machines play and repeat themselves – while we, in a mild form of trance, adopt the role of observers, intervening only occasionally.

It is no coincidence that ASUNA owns a collection of Doodle Art – drawings jotted down during conversations or while talking on the phone. It is said that works made like this point to the unconscious and reveal pet motifs – because a doodler always inadvertently returns to his or her favourite themes. The artwork for Signals Bulletin features pictures from the collection, in this case sheets of paper from the pads provided in stationery shops to test out pens. The special quality of such doodles is that the jumble of drawings is the work of a collective whose individual members do not know each other. Layer by layer is added, by someone different each time – until it becomes a dense cluster of lines and symbols ...
Jan Jelinek, Berlin 2018

ASUNA & Jan Jelinek: Relief, Pt.1

Hello, we’re NASA. You may have seen our astronauts, rocket launches, or Mars rovers — but have you heard our sounds? From interviews with astronauts and engineers to stories that take you on a tour of the galaxy, NASA’s audio offerings let you experience the thrill of space exploration without ever leaving Earth.

Houston We Have a Podcast: Her Passion for STEM

NASA

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