Name: Jupiter Sounds 2001 by NASA in Spooky Sounds from Across the Solar System
Duration: 1 min 27 s
Description: Hear intriguing radio waves that our Cassini spacecraft collected near Jupiter in January 2001.

The birds makin it with this one 🗣️🗣️🗣️🗣️🗣️🔥🔥🔥🔥🔥

Soaring to the depths of our universe, gallant spacecraft roam the cosmos, snapping images of celestial wonders. Some spacecraft have instruments capable of capturing radio emissions. When scientists convert these to sound waves, the results are eerie to hear.

In time for Halloween, we've put together a compilation of elusive "sounds" of howling planets and whistling helium that is sure to make your skin crawl.

Spooky Sounds from Across the Solar System

This recording was made by the SuperCam instrument on NASA’s Perseverance Mars rover on Feb. 19, 2021, just about 18 hours after landing on the mission’s first sol or Martian day. The rover’s mast, holding the microphone, was still stowed on Perseverance’s deck, and so the sound is muffled, a little like the sound one hears listening to a seashell or having a hand cupped over the ear. Just a little wind can be heard.

Credit: NASA/JPL-Caltech/LANL/CNES/CNRS/ISAE-Supaero

First Audio Recording of Sounds on Mars

Messier 51 (M51) is perhaps better known by its nickname of the Whirlpool Galaxy because its face-on orientation to Earth reveals its wound-up spiral arms. This gives telescopes here a view of another spiral galaxy similar to our Milky Way, whose structure we cannot observe directly from our position within it. The sonification tracks along a line emanating from the galaxy's core to the edge of the image and scanning clockwise. The light encountered by this line has been mapped to the notes of a melodic minor scale. The sequence represents X-ray data from NASA’s Chandra X-ray Observatory.

The bright core, which harbors a supermassive black hole, produces a constant low hum punctuated by short sounds from compact bright sources within the galaxy, including many stellar-sized black holes. 

Credit: X-ray: NASA/CXC/Wesleyan Univ./R.Kilgard et al; Sonification: NASA/CXC/SAO/Kimberly Arcand, SYSTEM Sounds (Matt Russo, Andrew Santaguida)

M51 X-ray Sonification

Despite being essential to life on Earth, the magnetic field isn’t something we can actually see in itself, or ever hear. But, remarkably, scientists at the Technical University of Denmark have taken magnetic signals measured by ESA’s Swarm satellite mission and converted them into sound – and for something that protects us, the result is pretty scary.
Sound design & concept: Klaus Nielsen (https://soundcloud.com/maplepools) and Nikolai Linden-Vörnle (https://soundcloud.com/kamikaze_vildsvin)
Image by Crimson Sound (https://soundcloud.com/crimson-sound-483379629)
Read the full story: https://www.esa.int/Applications/Observing_the_Earth/FutureEO/Swarm/The_scary_sound_of_Earth_s_magnetic_field

The scary sound of Earth’s magnetic field

Akari is the third album from Tokyo duo Illuha. Following 2011’s debut Shizuku (12k1067) and 2013’s Interstices (12k2028), Akari takes the next artistic step for the band. While Shizuku was recorded in the US and completed separately by the artists, Interstices captured the duo creating their exceptionally detailed music together live during a Japaneses tour. Akari, in turn, is the first studio album where Illuha recorded and mixed together, throughout the entire process. The beautiful st-robo studio in Tokyo put a collection of amazing equipment at their fingertips, from vintage mics and outboard gear to a vast collection of instruments, both acoustic and electronic. Their writing sessions were numerous and long with details meticulously obsessed over for nearly a year. The result is the most bewildering music Illuha have created to date. An album swimming with the most delicately tactile sounds and instrumentation that draws the listener in with hushed, motionless attention.

While Illuha’s Corey Fuller and Tomoyoshi Date are often drawn to the most sparse notes of Rhodes and Wurlitzer electric pianos, acoustic grand piano and guitar, the breadth of instrumentation is partially what makes Akari so abosrbing. They have succeeded in creating their own universe of sound, so beautifully recorded, where each element not only has its own space but connects and interacts so fluidly with the other sounds. It is as if they are placed perfectly by nature, the compositions are fluid and organic, a far cry from anything calculated or structured. It is this open space that the music exists in which in turn defines the music itself. There is ample room to breathe within this forest of gentle tines, bubbling analogue synthesizers, clicking percussion and quiet field recordings. This is subtlety at its most refined; hushed without being saccharine, distant without being morose.

Akari is the Japanese word for light. Conceputally the duo used this word as a guide, as if they were searching through the dark, trying to keep the light alive, as if one is cradling a candle doing everything in their power to keep it alight in a storm. It is this almost visceral sense of sheltering, of protection, that gives Akari a very human and personal sound whose intensely deep focus is as impressive as it is arresting.

Akari

Structures Based on the Plasticity of Sphere Surface Tension

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Structures Based On The Plasticity Of Sphere Surface Tension

Voyager 1's plasma wave instrument detected the vibrations of dense interstellar plasma, or ionized gas, from October to November 2012 and April to May 2013. This sound reproduces the amplitude and frequency of the plasma waves as "heard" by Voyager 1.

Voyager: Interstellar Plasma Sounds

MSH 15-52 is a cloud of energized particles blown away from a dead, collapsed star. This image includes X-rays from NASA’s Chandra X-ray Observatory (orange, green and blue) as well as the Imaging X-ray Polarimetry Explorer, or IXPE (purple). X-ray data have been combined with infrared data from the Dark Energy Plane Survey 2 (red and blue). In sound, the scan goes from the bottom to the top. The brightness of the Chandra data of the cloud has been converted into rough string-like sounds, while the blast wave is represented by a range of pitches of firework-type noises. The IXPE data are heard as wind-like sounds. The infrared data are mapped to musical pitches of a synthesizer sound. The light curve, or brightness over time, from the dead star’s collapsed core is heard in pulses that occur almost 7 times every second as it does in the original data.

Credits: Images: X-ray: NASA/CXC/Stanford Univ./R. Romani et al. (Chandra); NASA/MSFC (IXPE); Infrared: NOIRLab/DECam; Image Processing: NASA/CXC/SAO/J. Schmidt; Sonification: NASA/CXC/SAO/K.Arcand, SYSTEM Sounds (M. Russo, A. Santaguida)


Chandra/IXPE/DEPS2 B1509 (MSH 15-52) Sonification

Live off the board recording of In Threes at Vancouver New Music's Nomadic Streams festival at VIVO, Oct 23, 2015.

In Threes - Live

Juno will improve our understanding of the solar system's beginnings by revealing the origin and evolution of Jupiter.

Juno: Crossing Jupiter's Bow Shock

Substrata 2

Poa Alpina

Hear intriguing radio waves that our Cassini spacecraft collected near Jupiter in January 2001.

Jupiter Sounds 2001

Before settling into orbit around Saturn, Cassini faced a white-knuckle ride through the plane of the planet’s rings. When converted into an audio file, the interstellar cacophony is reminiscent of a hellstorm on Earth.

Cassini Shields Up

These melodious tones are created at a special frequency in a plasma with a magnetic field. The frequency is set by the number of electrons in a given volume (the electron density) and the strength of the magnetic field. Hence, the frequency of these waves, called upper hybrid waves, can provide a very accurate measure of the density of the plasma; a fundamental property of the Jovian environment of interest to scientists. These emissions were acquired by Voyager 2 as it passed through the outer magnetosphere in 1979.

Voyager Plasma Sounds

New research from the up-close Grand Finale orbits of NASA’s Cassini mission shows a surprisingly powerful interaction of plasma waves moving from Saturn to its moon Enceladus. Researchers converted the recording of plasma waves into a “whooshing” audio file that we can hear -- in the same way a radio translates electromagnetic waves into music. Much like air or water, plasma (the fourth state of matter) generates waves to carry energy. The recording was captured by the Radio Plasma Wave Science (RPWS) instrument Sept. 2, 2017, two weeks before Cassini was deliberately plunged into the atmosphere of Saturn. 

For more information, visit: https://saturn.jpl.nasa.gov 

Credit: NASA/JPL-Caltech/University of Iowa

Sounds of Saturn: Hear Radio Emissions of the Planet and Its Moon Enceladus

The Stanford Experimental Physics Lab sonified data from the European Space Agency and NASA's Solar and Heliospheric Observatory (SOHO). This humming sound captures the Sun’s natural vibrations and provides scientists with a concrete representation of its dynamic movements.

For more solar sounds, visit: http://soi.stanford.edu/results/sounds.html

Sun Sonification

Released on Longforms Editions March 2019
The title Stereo'frogi'ic is a play on the word stereophonic – to play with the illusion of multi-directional audible perspective – in this case presenting a quasi-bioacoustic sound piece, crafted from found recordings of frogs, insects, a recording of an animal scattering in the bushes and other 'vocal' animals wavering about in a stereo field. This piece was recorded and edited in the summer of 2019.

I have used slightly modified animals sounds to create aural illusions, morphing the perception of animal and machine generated sounds or raw recordings and digitally effected sounds. I wanted to create a tempo that would mimic something similar to the meditative sense you can experience from the flow or sound of the wind and other elements, when you are sitting in an open field while recording.

Stereo'frog'ic (Longforms Editions 2019)

Hello, we’re NASA. You may have seen our astronauts, rocket launches, or Mars rovers — but have you heard our sounds? From interviews with astronauts and engineers to stories that take you on a tour of the galaxy, NASA’s audio offerings let you experience the thrill of space exploration without ever leaving Earth.

Jupiter Sounds 2001

NASA

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