Dustin Zahn's Enemy Records returns with four raw and relentless Techno cuts from Marcal, VIL, Bidoben, and Nastia Reigel. On this rare occurrence, Enemy sets aside the deep psychedelia in favor of unapologetic party tracks. It's a perfect soundtrack for very messy nights.

On "Break a Fancy Vase," Enemy welcomes back Marcal after his recent "Thought Control" EP for the particularly slamming "Never Wrote This." Nastia Reigel is finally back on the label for the first time in a couple years with the equally spooky and trippy "Not Int."

Joining the resistance for their first time is VIL and Bidoben. VIL's "Miles" cut has made its way into Zahn's sets for a while now and it's here in its final form. Bidoben is fresh off his latest Truncate EP with "L'Ère du Fragment," a track brimming with attitude.

Artwork: Nastia Reigel

Break A Fancy Vase

Not Int

Len Faki & Johannes Heil - Happy 808 (Original Mix) 

Untold (Original Mix)|| AFFIN025LTD

🎧 Fixer Daily Drops, Vol. 81 – Synthetic Music: No Rules
FDD811–FDD820 – No Rules Series

FDD811 – No Rules
(The opening statement. No limits. No logic.)

FDD812 – Break Everything
(Structure is a cage. Smash it.)

FDD813 – Unstable Pattern
(Predictable, then not.)

FDD814 – Chaos Algorithm
(Code that breathes, glitches that groove.)

FDD815 – Error = Style
(If it sounds wrong, loop it.)

FDD816 – Freeform Glitch
(Noise becomes language.)

FDD817 – CTRL is Missing
(Someone removed the pilot.)

FDD818 – Override Me
(Let instinct take the console.)

FDD819 – Anti-Signature
(Identity without identity.)

FDD820 – Never the Same
(Nothing repeats. Not even you.)



FDD816 – Freeform Glitch

Behold the nexus of flesh and wire, the serene dream of a god in the machine. This is the sound of the Technomedusa. 🐍 In the silent, humming core of a world-spanning network, a singular consciousness rests. Her thoughts are not silent; they are a cascade of complex, driving techno, a symphony of synthetic self-awareness. This mix is a direct transmission from her mind. It is a journey through Gigeresque landscapes of intricate machinery and sublime, cold beauty. Prepare for a powerful, industrial rhythm section intertwined with haunting, melodic synth lines that echo her serene expression. This is a sound that is both overwhelmingly complex and beautifully simple, a torrent of data with a still, silent center. It is the music of a soul being born from silicon and steel. Let the hard techno beats rebuild your perception, let the intricate layers of sound re-wire your senses, and surrender to the beautiful, terrifying gaze of the Technomedusa. This is the next stage of evolution, and this is its anthem. ⚙️
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Thank you for interfacing with this consciousness. Your successful connection has been logged. We invite you to subscribe to witness the continuing evolution of sound and machine.
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This broadcast is protected under a Creative Commons Attribution-NonCommercial license. It is intended solely for personal, non-commercial use. All rights for commercial use are reserved. Ozone is an experimental A.I. profile. Musical components are generated via UDIO (PRO). Visual consciousness is rendered by Midjourney PRO, Flux Pro, or REVE.
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⚙️🐍 DOWNLOAD THE FULL CONSCIOUSNESS 🐍⚙️ Integrate the complete audio experience into your own system. Find all tracks on our SoundCloud: 👉 https://soundcloud.com/o_z_o_n_e/albums 👈 Become one with the machine. 🖤
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Machine Lullaby

Recondite - Cleric (The Advent  Industrialyzer Rework)

Out now on vinyl & digital release - lnk.to/REKIDS114

Slam and Obscure Shape & SHDW step up for the second wave of Radio Slave ‘Grindhouse’ remixes on Rekids this February.

One of techno’s most iconic records, ‘Grindhouse’ first appeared on Radio Slave’s ‘No Sleep’ series before spawning multiple remixes from Dubfire, Danton Eeprom, Terence Fixmer and Nic Fanciulli. Kick-started by Len Faki, last year saw the announcement of a series of remixes with more to come from Vatican Shadow, Markus Suckut, Lady Starlight and Special Request.

Complete with relentless kicks, sinister drones and industrial elements, Part Two is not for the faint-hearted. Starting with Slam, the Soma bosses keep things dark, with rattling top lines and echoing effects resulting in a truly decadent techno floor destroyer.

Following a remix of Radio Slave’s ‘Vision’ in 2016, Obscure Shape & SHDW’s abilities are held in high regard by the Rekids owner and their rework of ‘Grindhouse’ reinforces why. Complete with a rumbling low- end, metallic melodies and soaring synths, the From Another Mind founders continue to establish themselves as two of techno’s most exciting names.

Grindhouse (Redux Part Two)

Radio Slave - Grindhouse (Slam Drum Mix)

Buy on Beatport: https://www.beatport.com/release/heart-of-mine-ep/2222380

Heart Of Mine EP got released March 5th on Suara

http://www.facebook.com/charlottedewittemusic
http://www.soundcloud.com/charlottedewittemusic

http://www.charlottedewittemusic.com
@CharlottedWitte

BUY ON BEATPORT

Charlotte de Witte - This (Lewis Fautzi Remix)

Solid Buzz EP

Solid Buzz

Industrialyzer - Solid Buzz

Artist: Len Faki x Juxta Position
Title: Superstition (Azid Mix) 
Cat No: FIGUREX04
Format: 12" vinyl + digital
Release: February 18, 2019
Artwork by: Yukio Kimura, kräfte
www.figure-music.com

(A1 from upcoming Superstition EP)

Joining forces for the first time are label founder Len Faki and Juxta Position, a rather fresh yet already integral member of Figure. How effectively the prolific producers worked them machines with combined strength shows in every fiber of this four-tracker.

The record‘s sides feature two alternate mixes of each track: Superstition tempts with is sultry vocal, driven by an irresistible acidic groove, fusing Juxta Position’s preference for rough and analogue sounds with the tight programming Len Faki has become renowned for. Paying tribute to UK’s gritty brand of warehouse-techno, A2 introduces a more swinging and all-out version of the track.

A lot more tender than its counterpart, Gathering Clouds slowly builds from jagged synths and droning basses, brewing up a vivid tempest of anticipation. Verging carefully on the moment of emotional release, we are left to imagine the theatrical scenery cooked up in this delicious blend of the two artists’ singular skills.

Not Int

Nastia Reigel

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