Doin' It has entered the @re-ex Pop/Rock chart at no.3! Loving the classic house edge to this ... Really uplifting, with a super tight groove! Great work 😎

Super Cool. Amazing Vocals as Usual. Keep Pumping out hits like this

Full Support lady bosss, keep it up and never ever stop 👸👸👸❤️❤️🔥🔥🙏🫶☝️☝️☝️

Wow, such beautiful voice and energy in this song!! I truly love it! 😍

Please don’t ever stop. Can’t get enough of your voice

Cool song and awesome production. But most of all: your voice!

Future Track Twenty

A big bawdy beat sets off this tale of modern courtship between this reluctant man and this all-in female. The song is a tour de force from the heavy bass/harmonica riff, gigantic vocal stacks  of lead singer Bob Dannewitz to the haunting slide guitar work of guitarist Hank Rusch. It's that great song you want to hear over and over.

Desiree

She's Got My Number

Even the worst of times can get better...with time. Featuring the wonderful vocals of Sabrina Miele, ("Sabrina Miele" on SoundCloud) and Shaels gorgeous, weeping steel guitar, "The Worst is Over" is a remake of our first recorded song, produced by Shael Wrinch at Stone Hill studios on beautiful Bowen Island. Lyrics:
The worst is over. I can tend to see the forest and the trees.
The worst is over. I can forget the days that had me on my knees
and I can see the shattered pieces of my broken heart
surrounding me
or I can see my friends with open arms and open hearts
to lead me home to a calming sea.
The worst is over.
Perspective is a lost and new-found friend.
The worst is over.
I can ask this day to pause but not to end
and I can see the future as a landscape dark and cold
an empty shell
or I can see the place to find the pieces of my soul
and kindred souls who wish me well.
The worst is over...
And I can see, if a single tear could save another soul
from such despair
then you and I could fill the streams and oceans of the world
and fill our hearts
with room to spare.
The worst is over...

Tequila Monday

The Worst is Over

The Worst Is Over (featuring Sabrina Miele)

Under The Stars

Girls Night

Hello everybody,

this is my new song She Wasn't There. It took me some time to get courage to upload this one, because it's very personal (Story of my life) but I felt it is the right time to go out with it ..If the real art comes from the pain than this is it hahahahah Let me know in the comments how did you enjoy this one and don't hesitate to contact me :-p 

Have a nice day 
Your Darcis

She Wasn't There

PARIS (Where it all went wrong)

(R Murphy, F Lynch)

Never wanted to be loved by anyone else but you, it seemed so strange
I was locked inside this room, in a room that never changed
Like a silent shroud, a morning you breezed into my life
When you held me in your arms, I felt your love and tender charms take me to ground

Like a great umbrella stretching right over my world, you knew no bounds
I remember Paris, in the Metro, reading Jean-Paul Sartre, Je ne t'ai pas
Each little piece fell. It all fell to pieces

Never wished to hide a while, or look at you with that golden smile, uncool
I was always feeling flat, feeling left out like a fool
And from your summer morning window, you looked down on my life
When we dance till twilight hour, I watch the worlds that you devour and regurgitate
When you summon demons from the darkest hole within to incinerate

I remember Paris in the Metro, where it all went wrong
Each little piece fell. It all fell to pieces

Je me souviens de notre premier baiser, ça goûtait si adorable
C'était juste une faible lueur, dans cet hiver de notre vie actuelle

I remember Paris in the Metro, where it all went wrong

Hi, it's me, I'm out of town until Monday, just leave a message
Look, if you're there, just pick up, I'm sorry about the way I acted last night, I was such a fool
Such a fool

Each little piece fell. It all fell to pieces

Copyright PizarroMusic 2024

(With special thanks to Anne Finlay for the French intermission section... TRE BIEN!)

"Paris" (In The Metro, where It All Went Wrong).  Fiona Lynch.

When we were working on the production for ‘Doin' It,’ I wanted to create something that was both modern and timeless. So, we went for a clean, tight beat right from the start. You can hear how the drums are crisp and set the foundation, but they don’t overpower the rest of the track. They allow space for the vocals to really shine.

The verses have this laidback feel, with subtle synths and warm chords that support the vocals without distracting from them. It’s minimal but intentional, giving the listener room to focus on the lyrics. In the verses, I’m really telling a story about taking control, moving with confidence, and staying true to yourself, no matter what. There’s this almost conversational tone in the way I sing it, like I’m talking directly to you.

When we get to the chorus, the energy lifts, and that’s when you feel the anthem side of it. The instrumentation fills out more, and the backing vocals come in to add richness. The bass starts hitting a little harder, and it’s almost like the song is saying, ‘Yeah, this is it, this is your moment.’ I wanted it to feel empowering, like the music is wrapping around you, supporting you.

Then, as the song moves into the bridge, things strip back a little again. I always love that moment in a song where it pulls back before building back up. It’s like a breath of fresh air before you push forward again. In this part, there’s a bit more focus on harmonies and vocal layering, giving it this reflective, almost introspective vibe. It’s a chance to pause and take in the message before we bring it all home.

The outro leaves you on a high, like you’re ready to take on the world, which is exactly what I wanted. You should feel like you can conquer anything after hearing this track.

26/10/2024

Tasha - Doin'  It

Oh Well

Now you’re pacing by my street
Reminiscing feverishly
The past returns in flashes
And you go weak in the knees

Who’d you blame it on?
Did you really think there’d be no consequences?

No more elusive days of hope
No more believing I was wrong

Went ahead of yourself
Karma brought you hell
Got no soul to sell

When the days grew dark
I held on to my heart
Now the tables have turned and how

(Spoken)
I found my way through the storm and fire
Every step pulling me higher
You thought I’d fall, I chose to rise
No more shadows, now I've broken the ties
I’ve shed the weight of all your lies
No more pretending, no disguise
The chains are gone, I’ve made it clear
I’m standing strong, with nothing to fear
(Spoken)

Now you worry endlessly
Are your secrets safe with me?
Facing the music hurts
When no one else is near

Will you give it up?
Or are you hoping someone else will take your hand?

Oh no don't you start playing the fool
Oh no won’t let you break my rules

Go ahead of yourself
Karma brings you hell
Time to break your spell

No more days so dark
I am the queen of my heart
The tables have turned and how


Single (C)2024
Music and Lyrics - Boone Walker and Sreyashi Mukherjee
Vocals - Sumi (Sreyashi Mukherjee)
Mixing and Production - Boone Walker

Follow Boone Walker @https://soundcloud.com/mile_high-1

Queen of My Heart (with Boone Walker)

Bonjour! 
This is my first composition in 2025. It's called "Winter/ Hiver". It's first of 4 planned. I hope you'll like it.

Winter / Hiver

This song is really personal to me. It’s about the struggle to trust and let your guard down when you've been hurt before. In the first verse, I talk about ‘fight or flight’ something I learned from my dad. He taught me to protect myself, but over time, I realized that instinct can make it really hard to connect with people, especially in relationships.

There’s this idea in the song that love feels dangerous, like you can’t ever fully relax. That’s what I mean when I say, ‘My love sleeps with one eye open.’ Even when you want to give someone a chance, there’s this voice in the back of your mind saying, ‘Be careful, don’t let them in too much.’

The chorus is kind of the heart of it. Sometimes it feels easier to just walk away before you get too deep, especially when trust doesn’t come naturally anymore. Overthinking everything can feel like a trap, so leaving feels like the safer option. But at the same time, there’s that desire you want to believe in someone, you want to trust, but it’s hard when you’ve been let down before.

In the second verse, there’s a little glimmer of hope, like, ‘Okay, maybe this could work if you prove you’re different.’ But that hope comes with conditions. It’s not easy to rebuild trust when you’ve been through pain before. There’s this frustration, like, ‘I don’t have time to fix something that’s already broken prove to me it’s real from the start.’

For me, this song is about navigating that tension between self-protection and vulnerability. It’s about being honest with yourself about your fears, your walls, and the fact that trusting someone again takes real effort. But there’s also this underlying hope that maybe, just maybe, it’s possible if the right person comes along.

Tasha - How To Trust A Man

Hey everyone! I wanted to take a moment to break down the production of my track, Shame, and let you in on how we crafted the vibe of this song.
We started with the drum tight, punchy kicks and crisp snares that really set the mood. There’s a subtle swing in the hihats, giving it that laidback but still driving groove. The percussion is layered with soft claps and rim shots, adding texture without overpowering the vocal.
The bass is deep but not overwhelming it moves smoothly underneath everything, creating warmth and depth. It’s a mix of an electric bass with some slight saturation for a vintage feel, helping it sit perfectly in the mix.
We laid down some rich, reverb drenched keys to carry the emotional weight of the song. The chords have a bit of a jazzy, R&B influenced progression, making everything feel intimate and nostalgic. There’s also a soft pad in the background, filling out the space and making it feel dreamy.
For the vocals, we went with a clean, upfront mi just a touch of reverb and delay to give it some space. There are subtle harmonies tucked in behind the main vocal, adding warmth without distracting from the raw emotion in the delivery. The background vocals are panned slightly left and right to create a sense of depth.
Throughout the track, there are these little ear candy moment reverse vocal chops, a gentle vinyl crackle for texture, and soft ambient swells that keep the song feeling alive. The outro has a slightly lofi filter sweep, pulling everything into a dreamy fade-out.
Overall, we wanted Shame to feel like a late night confession, intimate, warm, and just a little bit haunting. Hope you guys enjoy this breakdown, and let me know what your favorite part of the song is!

Tasha - Shame

Love at 5:00 PM

Genre: Rock/Ambient Noise Wall Chanson/Metal
Lyrics by Kocho Shinobu 
Vocals Roxy B. 
Cover Art Kocho Shinobu 

The Tide

THE TIDE

Sigh of the sigh oh

Producer and Composer Score Film, Movie Soundtrack, Epic Cinematic TV Games...
Germany Born, Pavia based, Rino is a multi-instrumentalist, composer, songwriter, producer and sound engineer from Italy.
Specialized in hard rock, psychedelic rock, rock blues, pop, ambient guitar.
Experience with years of studio and live work as a musician and songwriter.

"Hey there, I'm all about owning my journey in this crazy music world. It's been a ride, with ups and downs, but that's what makes it real, you know? I pour my heart into my music, sharing my truth and hoping it connects with someone out there. I'm all about storytelling and lifting others up with my voice. I'm a work in progress, always growing, but staying true to me and my music every step of the way."

Tasha - Doin' It

IamTasha

Recent comments

Lucza

Rob Terstall

Rob's Exile

Simon Jaglom

Related tracks