Folktronic

Journey

Autumn

stuff

Middle eastern / world

Chillin

AmbientMusic

Angelic Hoodrat: Supercut

Storm

Fasho

NOCHE DE RONDA

7.- MUNAYKI - Hacia El Corazón Del Universo - Into the Heart of the Universe

Avatar

Sing Me Sweetly

From the Album "A hundred Blessings", Spirit Voyage Music 2010

Ra Ma Da Sa

Talul & Lexer -Tempkte  Sax Version  T - SAX (GIO TSAGARELI )

Song by Joseph Sulla
Singing: Shir Jivani & Shahaf Emaya
Guitar: Eitan Ginzburg
Recorded at Eitan Ginzburg's studio (2014)

Aqui Na Terra

Necromancer

From the album "French Kiwi Juice" OUT NOW 🌿

->>Listen / Buy: https://roche.lnk.to/FrenchKiwiJuice

->>Vinyl Order: http://bit.ly/2lTWo4P

->>CD Order: http://bit.ly/2m8FhNe

FKJ - Joy

I fell in love with the original and with this album and was inspired to make a little edit of this magical track by Toumani Diabaté and his son Sidiki Diabaté.

Listen & buy the original here: https://toumanidiabate.bandcamp.com/album/toumani-sidiki

Toumani & Sidiki - Hamadoun Toure (El Búho Edit)

Noche de ronda

Trio Ternura (Compacto 1973)

Last Tango In Paris

East Orange (New Jersey) February or March 1961
Words and music by Scott Wiseman

The Ghost Of Woody Guthrie - 1961 Recordings

Remember Me

Yann Tiersen - Comptine d'un autre été (Nils Hoffmann Bootleg Remix)

Tadow Ft. FKJ

Z-Sides

Hugging You (Acoustic) [feat. Billie Marten]

Chords, song book pages, and guitar tutorial available via Little Whale @ Patreon

Letra:
Aguila de oro que abre los cielos
Tejiendo un nuevo mundo

Condorcito que toca la cumbre de la  montana
Cuyos ojos invitan a todo

ay, mi taita yage... nai nai nai nai nai

curandero poderoso
 purificando, curando todo
guías amorosas cuidando.
esta restorando el equilibrio

Bri zumbador, pintando la selva con amor
Con colores del universo

ay, mi taita yage... nai nai nai nai nai

Terra

Aguila de Oro

La Música de Agustín Lara

Noche de Ronda

Celebrating its 25th anniversary, Far Out Recordings proudly presents two albums of previously unheard Azymuth demo recordings from 1973-75

Since their debut album release in 1975, Azymuth have risen to rank alongside the world’s greatest jazz, funk and fusion artists. As young men in Rio de Janeiro, they stood out for both their exceptional talent as musicians, and their wild rock ‘n’ roll antics in the predominantly middle-class worlds of bossa nova and jazz. Their signature ‘Samba Doido’ (crazy samba) sound ruptured the tried and tested musical structures of the day, resulting in what can only be described as an electric, psychedelic, samba jazz-funk hybrid.
But before they became Azymuth, Jose Roberto Bertrami (keyboards), Ivan ‘Mamão’ Conti (drums), Alex Malheiros (bass) and Ariovaldo Contesini (percussion) played backing band to just about every major artist in Brazil.

Bertrami was also contracted as an arranger and songwriter at some the biggest labels of the era: Polydor, Philips, Som Livre, and EMI being just a few. Azymuth’s name can be found on record sleeves by the likes of Jorge Ben, Elis Regina, Marcos Valle, Ana Mazzotti and countless others. But at the dawn of the seventies, fascinated by developments in improvisational music - from jazz in the US, to progressive rock in the UK and of course samba, bossa and tropicália on home turf - the energetic young group were inspired and ready to move forward.Any spare moment in which they weren’t in sessions and writing music for other artists, they would be carving out their own sound.

These previously unheard recordings took place between 1973-75 at Bertrami’s home studio in the Laranjeiras district of Rio de Janeiro. At the time of recording, there was nothing in Brazil, less the world that sounded anything like them, so perhaps it’s unsurprising that when Bertrami presented his demos to the record companies he had been working for, he was turned away, and told in effect that the music was ‘wrong’.

One of the demos ‘Manhã’ would be picked up by Som Livre and Azymuth released their seminal debut album in 1975. Throughout the late seventies and eighties, the group released a series of now classic albums for Milestone Records, before taking an indefinite hiatus to pursue their individual careers.
When English producers Joe Davis and Roc Hunter arrived in Brazil in 1994 to record the first Azymuth album in over a decade, Bertrami dug out the demos which had sat virtually untouched for over twenty years. Joe recalls how he was “blown away by the freedom and intensity of the music, as well as the genius of the ideas musically.” Beginning a long and fruitful relationship, ‘Prefacio’ would be the first track Azymuth recorded for Far Out Recordings and was released on the Carnival album (1996).

Along with ‘Manhã’ and ‘Prefacio’, only a handful of these demos were ever professionally recorded and released, making this the first opportunity to hear many of these early Azymuth compositions in their raw, original form.

On every track the frenetic energy in the studio is palpable, giving the recordings a beautifully personal feel and a sense of the phenomenally creative vision Bertrami, Malheiros and Conti were realising at the time. Fifty years on, Azymuth’s earliest recorded music retains an ineffable, futuristic quality, standing amongst their most captivating and moving work.

Vinyl / CD / Digi

Azymuth - Manha

Azymuth - Morning (Manha)

Patreon: https://www.patreon.com/aljoshakonstanty

Stream / Download: https://distrokid.com/hyperfollow/sublab/fatal-temper-ak-remix

Music Video: https://youtu.be/SkG4KQ4CU7M

License: josh@aljoshakonstanty.com

I really loved the original, so I just had make a remix of this one :)

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Stream / Download

Sublab - Fatal Temper (AK Remix)

Natural Wonders Of The World

Great Barrier Reef

Issam Hajali might be most known for being the singer and main composer of the Lebanese band Ferkat Al Ard. While they recorded 3 albums only their classic „Oghneya“ release saw a vinyl release and is probably the most in demand record in the Lebanese record collector scene (A copy changed hands in Beirut this year for 5000$). Before the band came together Issam recorded a debut album under his own name called "Mouasalat Ila Jacad El Ard" in 1977 in exile in Paris. It was originally released in a run of less than 100 copies.

Issam Hajali - Ana Damir El Motakallim

HAPPY VILLAGE ORCHESTRA -Turkish Coffee-

Pampa is a Quechua word (the language of the Incas) which refers to the fertile plains and lowlands of the Río de la Plata, which extend through the central zone of Argentina and Uruguay.
The arrival of slaves in the 1500’s transformed the Pampa into a sonorous territory of rhythms mixed between African percussion and the native song of the Gauchos. However, in the mid-nineteenth century, revolution and war silenced the Pampa.
A silence which led Silvio Astier to look deeply into his own Argentinian roots.

With the Pampa EP, Silvio Astier presents a musical exploration of the ancestral Latin American landscape of the Pampa.
The journey is led by Slivio’s own Pampean style guitar playing, flutes and hand percussion, set beautifully against the warmth of sub bass, mystical dub FX, vocals, and soundscapes.

El Coraquenque Ciego (El Búho Remix)

Las Llamadas Del Tambor (Gulls Dub Version)

Las Llamadas Del Tambor

Nación Candombe

El Coraquenque Ciego

Angelic Hoodrat

Once Again

download full album here:
http://bachan.bandcamp.com/album/magdalena-mariposa

A song from the Yoruba people of Nigeria, dedicated to Oshun, the Goddess of Love. 
It speaks of a necklace as a symbol of initiation into love.

Melody written by Praful and performed by Deva Premal
http://www.prafulmusic.com/ 

lyrics:
Idé weré weré nita Oshun 
Idé weré weré 
Idé weré weré nita Oshun 
Idé weré weré nita ya 
Ocha kiniba nita Oshun 
Checké checké checké 
Nita ya
Idé weré were

learn to play it and all of these medicine songs in the great book!
www.ayahuasca-wasi.com/medicine-songs/

Bachan - Idé weré weré

Claudia, Wilhelm R And Me