📍Detroit, MI 🎶 House + Dub 💃
😈 Known for bringing the slow & sultry sexy mixes 💎 but love the weird & unpredictable for those hanging in the sky.  I refuse to pick a genre, vibes are everywhere & they deserve to be explored. 🚀 If you like what you hear, drop a like ⭐

INTERNATIONALHOUSMUSIK - inspiring and energizing unity through sound--

Producer of www.soundcloud.com/departedtogether Philadelphia's premier immersive house music experience.

& www.soundcloud.com/worldtown 
"Every once in a while, an outfit comes along and redefines how we think about music and music appreciation, and for Philadelphians, that group is Worldtown SoundSystem" -The Philadelphia Weekly


Contact > > > ben@benarsenal.com 

www.benarsenal.com
www.world.town

Celebrating Global Culture Through Music, Art & Connection

Home of Worldtown DJs @benarsenal and @olwfm and live house music band, Worldtown Soundsystem

Started as a party in 2011, Worldtown has evolved into a live seven piece house music touring band, label, apparel line, record pool, and community service network. The Worldtown SoundSystem  is a high-voltage live house music band fusing electronic dance music culture with global rhythms and a heart of Philly soul. The multi-national celebration of music and art continues to inspire peace, love and fun, everywhere for everyone.

Hit us up! MGMT@world.town

Record Pool >>> www.world.town/pool 

Submissions >>> RecordPool@World.town

<a href="http://www.world.town/" rel="nofollow" target="_blank">http://www.world.town/</a>

A groove based DJ/Producer that enjoys the journey more than the genre.

That’s how Brittpop describes himself as a DJ.  Never afraid to go across genres if needed to create the perfect journey, his selections are more about what he finds interesting rather than what is new on Beatport. 

Having grown up on his father’s eclectic combination of Progressive Rock (Genesis, Yes, Pink Floyd), synth-based 80s music (Depeche Mode, Human League, Pet shop boys), Disco (Bee Gees, ELO), and Motown (Aretha Franklin, Stevie Wonder), all which became infused with his own love for both video game music & 90’s house, garage and techno, Brittpop ended up with quite a mixed spectrum of musical influence. 

Today, this translates into sets where he picks apart and infuses together all the pieces of this music that he loves best: beautiful synth work, funky bass-lines, and catchy vocals… all on top of a varying house, break and dub beats.

Though he loves playing in nightclubs, patios and special events, his love for music goes beyond the spectrum of just mixing tunes. Living in a house full of musicians he gets to exercise his ability to create with some of his favorite people. He also has a weekly radio show focused on the EDM scene that he produces with his son, @ginbeemusic. The show goes out on a Thursday in the north of England and gives both him and @ginbeemusic a chance to really dig into what the scene has to offer and bring it to an appreciative audience.

“For me it’s about the journey. Playing the tracks that make you want to dance and forget everything around you, regardless of genre, tempo, style, or timeframe is what it is all about”

Todd Edwards created an innovative blend of rhythmic, cut-and-paste vocal samples, rubbery baselines and slapping percussion that helped propel Britain's Sunday club scene into the genuine phenomenon of Speed Garage.

Management: Micky@CircleEightMGMT.com

Booking (UK/Europe): mike.robinson@arcade-talent.com

Bookings: dan@xmixproductions.com
PR: masha@xmixproductions.com
Grammy Award nominated DJ/Producer Todd Terry has been engulfed in dance music since he first started listening to European dance music records while growing up in Brooklyn. Already devoted to turntables, he heard something different in those tracks, and he “went for the difference. I never got a break in New York, but England happened right away, so I catered to them.” In any event, the Todd Terry sound was born.

By 1988, Todd Terry hit big in England and Europe, and his notoriety was making its way back to the U.S. In addition to DJ appearances, Todd was cutting his classic underground tracks A Day In The Life, Weekend, and Can You Party, released under monikers such as the Todd Terry Project, House Of Gypsies, and Royal House, all considered essential and ground breaking.

In the mid 90’s, the Ministry of Sound’s eponymous UK label released A Day In The Life, a collection of Todd Terry tracks that had been causing dance floor panic. That then led the way to a deal with Mercury Records allowing him to set up a context in which to work with his favourite singers and performers. The first release, Keep On Jumpin’ on featured a vocal workout from super-divas Martha Wash and Jocelyn Brown, together for the first time ever. The song became a top 10 UK crossover pop hit and worldwide smash. Todd followed with the anthem ‘Somethin Going On’, a top 5 UK crossover pop hit.

All the while, Todd continued to break new ground as a Producer/Remixer. From SNAP to Annie Lennox to George Michael to Bjork, Todd’s mixes bridge the ground between club cool and commercial accessibility. In 1995, his remix for Everything But The Girl’s Missing became a worldwide smash, giving the British duo their first ever hit. He then rode the charts with mixes for Garbage (Stupid Girl), The Cardigans (Love Fool), Everything But The Girl (Wrong), 10,000 Maniacs (More Than This), Jamiroquai (Alright), The Cardigans (Been It), and The Lightning Seeds (You Showed Me),.among others. He also produced a Robin S track (Givin’ You All That I’ve Got) for the multi-platinum Space Jam soundtrack.

INK/Distinctive Records 2005 release The Todd Terry Trilogy: Past, Present & Future on 3 x CD & 10 x 12” vinyl has inspired Todd fans both old and new with over 30 Todd classics and 10 new Todd songs. Todd is also releasing a barrage of new singles on Blanco y Negro, Elementary Group, and Manifesto/Mercury (who are also re-releasing the ‘Keep On Jumpin’ and ‘Somethin Going On’ in 2006). Ministry of Sound has licensed Philippe B Vs. Todd Terry ‘Can You Feel It (Can You Party)’ for a major 2006 release, a new version of the Todd classic Royal House ‘Can You Party’.

Todd Terry All Stars feat. Kenny Dope, DJ Sneak, Terry Hunter, & Tara McDonald’s ‘Get Down’ will be released in 2007 on Strictly Rhythm. This red hot single is the first proper original release on the re-launched legendary label.

‘Strictly Todd Terry’ compilation mixed by Todd Terry will be released in 2007 on Strictly Rhythm. Todd’s mix follows installments by Masters at Work and Tiefschwarz in this newly launched series.

Todd is one of the world’s most celebrated figures in dance music. With almost two decades of dance floor domination under Todd’s belt the quality of his productions goes from strength to strength. Welcome to the church of house music presided over by Todd the God. Are you a believer?

DJ Bookings > ali@warmagency.com

Initially established in 2003 at The Eagle in London’s Vauxhall, Horse Meat Disco has evolved into a powerful force in queer and club culture as a whole, while staying local to its original home, each and every Sunday. Co-founded by James Hillard and Jim Stanton, and encompassing residents Severino and Luke Howard, the crew continue to maintain not only the weekly Sunday party, but a number of residencies in cities across the world, alongside a kaleidoscope of club appearances, festival dates and specially curated mixes.

Taking inspiration from a diverse, counter-cultural history of clubs and DJs, as well as from the sprawling, ever-expanding musical collections of it's resident crew, the sound of HMD is impossible to place. Nonetheless their style is undeniable, as is a popper-scented air of sheer authenticity. Rooted in hedonism, rhythm, freedom and emotion, a Horse Meat Disco set reinforces everything invigorating about disco, as comfortable as shattering old-school mirror ball cliches as basking in their light.

A typical HMD set blends classics, italo disco, house, oddities and punk funk, to conjure their initial spirit of “a queer party for everyone”, including, but not limited to, “Homos and Heteros, club kids, bears, fashionistas, naturists, guerilla drag queens and ladies who munch.” They have made appearances on every notable club scene in the modern world, as well as those beyond, and have long been a key fixture at festivals including Glastonbury, Bestival and Festival No.6.

Outside of the club, the Horse Meat Disco train rolls across the airwaves on Rinse FM, where the crew hold down a weekly residency every Sunday afternoon, serving as a pre and post-club Sunday lunch accompaniment, often delving into the more soulful shades of their sublime taste, often encompassing rave groove, gospel and whatever they can’t get away with on the dancefloor (which, as the years have proven, isn’t much). A series of expertly curated and acclaimed compilations for reissue label Strut helped further cement HMD’s formidable but communal reputation as disco masterminds, spreading their sound and many enviable obscurities into front rooms and record bags across the world. Their latest, ‘Meat Me Down the Disco’, was released on Z Records in 2017.

After decades of crate digging, globetrotting and partying, the HMD story continues apace. 2017 also saw the crew record their long-awaited contribution to BBC Radio 1’s ‘Essential Mix’, as well as their first joint foray into production, ‘Waiting For You To Call’, featuring Roy Inc., and released on their own, self-titled imprint. They are currently working on new music to be released with Glitterbox, with the new single ‘Let’s Go Dancing’ released in December 2018.

Nasty Nate is following