The surface is perfect. But what is it worth?"
If "Sapphire Snow" was the fire in the hearth, "Glass Walls" is the ice on the window.
Marking a shift in the E3B sound, this track strips away the organic warmth of the "Noir Protocol" to reveal a pristine, crystalline engine underneath. Built on FM synthesis, razor-sharp ceramic snares, and a sub-bass that feels like a frozen lake, "Glass Walls" is a study in transparency.
It’s minimal, it’s dangerous, and it moves with the silence of a heist.
Easter Egg: Listen closely to the second verse for a nod to the "Vikings on the shore"—the guardians of the old world sleeping while the new signal slips right past them.
Lyrics:
"Clear as day, but hard to find."
"A diamond cut inside the mind."
"No reflections in the dark."
"The Vikings sleeping on the shore... they don't know what we're looking for."
Produced by Chetty Mo (E3B Studios).
Hashtags:
#LiquidDnB #MinimalDnB #GlassWalls #E3B #ChettyMo #174BPM #IceProtocol #FMSynthesis #IntelligentDnB #FutureSoul #CrystalClear

glass-walls-(remastered).mp3

Anti Gravity

Jio - TFW - Tape Mix Side A

Buy/stream: http://murlo.lnk.to/fb1
Dolos LP: http://murlo.lnk.to/dolos

Introducing 'Dolos: Flashbacks' - a new series of reinterpretations of Murlo's debut album.

Follow Murlo:
http://instagram.com/djmurlo
http://twitter.com/djmurlo
http://facebook.com/djmurlo

http://murlo.tv

Ferment

Ferment (Yamaneko's Flashback)

Buy/stream

A soft knife.

Vocal & Model Chu Wong
Master Yiding Wang

Photography Leslie ZhangJiaCheng
Styling Mongnica 
Hair Bon Zhangfan
Make-up Xinmiao Chen

Poem Op.1

The first single 'Black Trench & Hood To Hide My Face' from APEAK's upcoming 'Grey Skies' EP.

APEAK - Grey Skies

"Nowhere can I find a blank canvas, all places are corrupted by my mere existence."

In the shadows of a bleak urban landscape, a towering and slender figure slithers just out of reach of streetlights. A face obscured by a balaclava, not to intimidate, but to camouflage. Both ahead and behind are stroboscopic moments of blissful inebriation and the inevitable fall from grace. Each night reminiscent of the last, of the next. Each night giving just enough to keep retracing steps, just enough to make up for all that cannot be recalled the next day.

‘Grey Skies’ sees Helsinki-based producer APEAK mesh his signature icy aesthetic with more techno influenced elements, presenting a club-ready escapade of elastic drums ricocheting in the midst of bellowing, hibernate synths and disembodied synthesised voices. The title tracks feature Franco-Serbian artist WTNS, whose serene vocals serve as a requiem for the city's monochrome atmosphere, while on the anthemic centrepiece, Stockholm-based vocalist Deadvoss avoids the dangers of “killer beams” with the aid of mind-altering substances.

The EP sees him continuing to work with Helsinki based photographer Samuli Vienola and features hand-drawn elements by Jonas Rönnberg (Varg2™).

To be released February 21st via Changeless.

@apeak

Grey Skies

Pre-order

APEAK - Black Trench & Hood To Hide My Face

sensaciones, me dejaste

This 1 is 4 the selectas <3

Mixed & Mastered by @lithetrax and DJ Local Support

FREE DOWNLOAD

Gemini

Callisto Mix nº47

Show #02: @ecology141
Musician, founder and curator of the Kiiberborea art platform that was inspired by solarpunk ideas and brought together artists all over the world. There are four releases and 6 mixes in the platform catalog and also online concerts series which is held since 2019.
    
Year 2120. The world is experiencing the effects of climate change. Most of the land is flooded, and huge masses of survivors are concentrated in terrible metropolises where the population has become slaves of corporations that control resources. But there are rumors among people about secret settlements on the newly formed islands. 
    After a long search, you arrive at such an island. According to rumors, the local settlers live in harmony with nature and have high technology combined with unique culture. 
    Walking around the island you meet a man who is one of the settlers. He is glad to see you and agrees to lead. On the way, he says that his main interest is finding experimental music records from the past. He search it in private collections and in the abandoned server rooms around the world. Then he takes out device that looks like a speaker to show you fresh artifacts.

A réécouter sur www.olaradio.fr

One For the Lovers • Soleil Rouge invite ecology141 (02.12.20)

Furtherset returns to -OUS with his album ‘To Live Tenderly Anew’, following his EPs ‘To Alter and Affect’ and ‘Drawings of Desire and Hate’. He notes: “I think of my previous two EPs for -OUS and this album as a trilogy, where this album is the final chapter”. Furtherset is in search of hidden connections beyond harmonies and rhythm. Melodies are repeated until they reach their breaking point. Moments of relief are drowned out in densely packed sound. Intensity is maximized to the nth degree, creating a crest point that threatens to overwhelm pre-existing traces of activity completely.

The opening track ‘To Live Tenderly Anew’ begins with a fragile melody, only to erupt into pulsating synthesizer figures that continuously expand, before pulverizing into sharp, noise-flecked fragments, and finally dissolving into an ambient pad. Midway-through ‘The Logic of a Secret’, the music finally sparks into Furtherset’s signature arpeggio patterns, sprinting over a powerful bassline. The album finally climaxes with ‘Choirs of Deception and Truth’, a beatless rave hymn, before it, too, dissolves into deep space. Using only synthesizers, Furtherset creates metamorphic music, drawing on ambient, modern classical and rave, and building on his individual approach to composition, where long fades and periodic cuts continuously transform the scene.

The album’s title references Amelia Rosselli’s 1956 poem ‘Diario in tre lingue’, in which the experimental writer - who was born in exile in Paris, moved to the UK after the murder of her anti-fascist activist father, was educated in the US and finally settled in Rome - charts relations between the Italian, the French & the English. This poem laid the groundwork for her singular trilingual poetry, a body of work engaged in the research of tradition, and how tradition is passed on in disjointed manifestations. 
credits
releases December 11, 2020

All tracks written and produced by Tommaso Pandolfi
Mixed and mastered by VFBM
Drawings by Tommaso Pandolfi
Graphic design by Sarah Parsons

This is OUS031
www.ous.ooo

Gemini

Nate Swan