https://linktr.ee/aartijadu
bookings: i@aartijadu.com
Thank yu.

hypha-e - a visual score / performance project by Tina Douglas with responses by invited musicians, sound artists.

Hasnizam Abdul Wahid, His main interest is in music technology, particularly electronic, computer music and electroacoustic music. He has been a first-prize winner in the residency category in the Bourges 2001 Electroacoustic Music Competition, was awarded a Mention during the L’espace du Son 2002 Competition in Brussels, and received a Pre-Selection of Jury for his work Ra'hah in the Electroacoustic Sonic Art Works category in Bourges 2003 and a Pre- Selection of Jury in Bourges 2005 for his piece Interplay and awarded 3rd Prize Winner for his piece ‘Mikro II’ in Musicacoustica – Beijing 2012 Electronic Music Composition Competition. 

Most of his works, represent his interest in exploring the domain of sounds, and his interest on science of sounds through creative works. He is also a "novice" programmer, on C++ , Supercollider, Max, Pure Data (Pd), and MAYA.

As a scholar and among early electroacoustic composers in Malaysia, he plays a key role in introducing electroacoustics in Malaysia. He has participated in various national and international festivals as well as competitions such as Bourges (France), Emphirical Soundings (Australia), Musicacoustica (China), Asea(r)n (Thailand) as well as Spectre (Malaysia).

He was the Dean at the Faculty of Applied and Creative Arts, and now currently residing as the Director at the Institute of Creative Arts & Technology (iCreaTe), Universiti Malaysia Sarawak, Sarawak, East Malaysia (also known as Borneo), Malaysia. His other works include exploring telemusic, through ‘Asian Telemusic Concert’, a collaborative online real- time performance with collaborators from Beijing in 2011.

He is also a member of, International Computer Music Association (ICMA), Spectromorphology interest group, exploring notation and representation in sound domain, and was appointed as Malaysian representative for Southeast Asia Directors of Music (SEADOM) society, and also a member of Electroacoustic Music Studies (EMS) and Electroacoustic Music Studies Asia Network (EMSAN).

His other research interest include  studies on different species of frog sounds, swiftlets (birds), and since 1994 he has recorded various sounds in Borneo , including sound from the Borneo highland, as well as research on Gamelan instruments from local Malaysia as well as neighbouring country. Most of his works can be describe as acousmatic, exploring bioacoustics, anthrophony, geophony and biophony.

During his studying years in the Europe, he visited and attended various conferences, festivals as well as visits include Musique and Recherches (Ohain, Belgium), Birmingham ElectroAcoustic Sound Theatre (BEAST), Birmingham, England, Beijing Conservatory of Music, Beijing, China, and his latest was a seminar at the Museum of Siam, Bangkok.

He was also the pioneering team for the production of Rainforest World Music Festival 1998. As well as session musician for local artist. 

Listed as one of the artist in 2017 edition of The Cambridge Companion  to Electronic Music (2nd Ed), it manifest his consistent interest and focus in  Electroacoustic Music.

His recent works include "Sape and Sampo", a live electronics performance in Auch, France (26-30 July 2023). His brief residency and masterclass program on Sampo instruments includes, mixed music techniques, real-time processing, live electronics, augmented instruments and improvisation with supervision of Jean-Christophe Revel (organist, improviser , and composer, Regional Conservatory of Paris, France) and Alexander Mihalic (composer, Musinfo, France). 

He attended  Aqtushetii  Residency Programme the Caucasus All Frequency Music Residency, August 2024, organised and led by Ben Wheeler and Giorgi Koberidze in Omalo, Caucasus mountain range, Georgia.  Exploring folk music with music technology.

SensARTS Sensibilization of youth ARts, science and digital TechnologieS a collaborative project between the artist, technologist and scientist from Universiti Malaysia Sarawak (UNIMAS) with comissioned project by Ambassade De France En Malaise, Alliance Francaise Kuala Lumpur. (Please refer to the playlists SensARTS Sensibilization of youth ARts, science and digital TechnologieS for the works).

He is also the member of SPECTRE Collective, a group of composer/performer exploring sound domain composition.

He received "Special Mention" in Music/Sound Design category during the Art Beats Festival, 14-20 August 2023, organised by Lancaster University and Sunway University.

Vocal Soundscapes *  improvised choral * noises and larynx based mutterings

Also co-founder of noizechoir 
https://soundcloud.com/noizechoir

A cumulative composition project. For more info see:

http://momentumproject.blogspot.com

Sound Tectonics is an educational platform focused on the research between the fields of sound art and architecture aiming to provoke debates about the impact of sonic environments on cultural practices, to address acoustical, structural and spacial connections and to theoretically and practically contextualize their cross-field connections through hybrid creations. 

Sound Tectonics series of workshops, symposiums and collaborative projects are organised by the art platform Space Under.

email: rusdiana.robi@gmail.com
tlp. +6285659828666

Community Radio Show
3MDR 97.1FM or Stream Live @ 3mdr.com 
Thurs 8pm - 9pm (AEDT)
See website link to stream live, listen back on-demand, playlists & show details

Momentum Project is following