BLAZE is a balanced percussion septet pitting the keyboards versus the battery instruments. It draws inspiration from the following Ralph Waldo Emerson quote, as in “trail-blaze” or a blaze on a trail:

“Do not go where the path may lead, go instead where there is no path and leave a trail.”

The piece was commissioned by the departing Sydney Grammar School (Australia) 2021 Percussion Ensemble students Remy Alonso, Lars Hofflin, Luke Levison, Edward Meade, Daniel Sirmai, and Elliot Soh, on behalf of, and dedicated to, their conductor and teacher, Mr. Iain Scotland. 

INSTRUMENTATION
Bells/Xylophone
Vibraphone/Temple Blocks
Marimba 1/Medium Tom
Marimba 2/Kick Drum [laid flat]
4 Timpani/China Cymbal
Percussion 1: Snare Drum, Bongos, Hi-Hat
Percussion 2: 4 Concert Toms, Suspended Cymbal

Blaze (percussion septet) - Nathan Daughtrey

Commissioned by the current and former members of the Boise Philharmonic Percussion Section, Sunward/Onward is a keyboard percussion sextet dedicated to Dr. John Baldwin on the occasion of his retirement from Boise State University after 50 years of teaching. The piece draws inspiration from the poem “My Triumph” by John Greenleaf Whittier, which truly captures the essence of passing the torch.

Sunward/Onward (keyboard  percussion sextet) - Nathan Daughtrey

INSTRUMENTATION
Bells 1 / Crotales (2 octaves)
Bells 2 / Xylophone
Bells 3 (optional)
Vibraphone 1
Vibraphone 2
Vibraphone 3 (optional)
Chimes
Marimba 1 [4-octave]
Marimba 2 [4.3-octave]
Marimba 3 [5-octave]
Marimba 4 [5-octave]
Marimba 5 [5 or 4.3-octave] (optional)

Timpani
Percussion 1:
Percussion 2:
Percussion 3:
Percussion 4:
Percussion 5:
Percussion 6 & 7 [2 players] (optional):
Percussion 8 (optional):

DrakenVuur (large percussion ensemble) - Nathan Daughtrey

"Be That of the Wind" is a piece for woodwind quintet and 8 percussionists that draws inspiration from the four tenets outlined in Sun Tzu’s The Art of War: "Let your rapidity be that of the wind, your gentleness that of the forest. In raiding and plundering be like ﬁre, be immovable like a mountain."

Be That of the Wind (Woodwind Quintet + 8 Percussion) - Nathan Daughtrey

Commissioned by the FIM Flint School of Performing Arts in Memory of Delaina Oberman, "Multiple Musings" is a collection of five graduated solos for the developing multi-percussionist, ranging from medium easy to medium advanced.

1. Cool Blue (from "Multiple Musings") - Nathan Daughtrey

2. Heart of Gold ("from "Multiple Musings") - Nathan Daughtrey

3. What's In A Name (from "Multiple Musings") - Nathan Daughtrey

4. A Keen Eye For Tie-Dye (from "Multiple Musings") - Nathan Daughtrey

5. Exclamation! (from "Multiple Musings") - Nathan Daughtrey

Percussion 1 (bells, xylophone, chimes)
Percussion 2 (vibraphone)
Percussion 3 (4-octave marimba)
Percussion 4 (4.3-octave marimba)
Percussion 5 (4 timpani, wind chimes)
Percussion 6 (snare drum, 4 toms, triangle)
Percussion 7 (kick bass drum, tam-tam)
Percussion 8 (splash cymbal, suspended cymbal, China cymbal, hi-hat, woodblock)

Fidget (percussion octet) - Nathan Daughtrey

Performed by the Dripping Springs High School Percussion Ensemble, directed by Matt Ehlers, at the 2025 TCU Percussion Festival

Commissioned for performance at the 2024 Percussive Arts Society International Convention, "LUNA, LUNA" was inspired by the poem Ballad of the Moon by Federico García Lorca. It is a dark poem filled with colorful mystical imagery of youthful innocence, a lunar temptress, and mournful gypsies. The piece is a cousin to my piece "The Cry," which is also based on a Lorca poem set in Spain.

Luna, Luna (13-15 Percussionists) - Nathan Daughtrey

Celebrating the legacy of Marcellus Brown’s tenure as director of bands at Boise State University, Through an Open Door is a lush setting of the spiritual Goin’ Home (Dvorák) that cleverly marries the chromatic spelling of “MARCELLUS” with the original spiritual. The arrangement stays true to the original while adding new countermelodies, re-harmonization, and fresh colors and textures.

Through an Open Door: A Setting of "Goin' Home" - arr. Nathan Daughtrey

At the time of writing this solo, my daughter Penelope was almost 9 years old. She was a newborn when I wrote the ﬁrst vibraphone solo for her, so it was a lullaby. This one captures her current interests of dance, running, and musical theater. Pedaling, mallet dampening, and stickings are provided throughout.

Twinkle Toes (from Songs of Venus, 2nd Edition for Solo Vibraphone) - Nathan Daughtrey

A World in Us (Percussion Ensemble 14-16) - Nathan Daughtrey

Firefly (percussion ensemble 12) - Nathan Daughtrey

Originally composed for string orchestra, Nathan Daughtrey has scored Gillingham's powerful work for percussion ensemble. Inspired by the hymn 'O For A Thousands Tongues to Sing', this work begins quite frantically with sporadic motives from the hymn. Alternating passages of lyric beauty and rhythmic confusion follow with several dramatic presentations of the hymn tune.

Point Of Reckoning (percussion ensemble) - David Gillingham/N. Daughtrey

The Yuletide Marimbist, Book 2 was created to continue filling the void in Christmas literature for 4-mallet solo marimba. Like the first book, these arrangements span a wide range of styles and are suitable for diverse performance venues – both sacred and secular. Only a 4.3-octave (low A) marimba is necessary, but you are welcome to play some bass notes down one octave if you have an extended range instrument. A bonus companion book is included, giving you the option to turn each arrangement into a duet, trio, or even a quartet. Use your imagination! All of the arrangements are flexible in that they may be repeated one or more times by utilizing “D.S. /D.C.” indications. Suggested stickings can be found throughout, but they are merely recommendations based on my own technique and musical sensitivities. Below you will find performance notes for each solo. Have fun and continue spreading the holiday cheer!

O Come All Ye Faithful (from 'The Yuletide Marimbist, Book 2) - Nathan Daughtrey

Spiraling Light was inspired by an event that took place in Norway in December of 2009, when a blue mysterious beam of light with a grayish spiral emanating from it appeared in the night sky. Initial speculations suggested it was a fireball meteor, a rare never-before-seen Northern Lights variant, or even a wormhole opening up. Unfortunately, it turned out to be much less exciting than any of those things – a failed Russian missile test.

Spiraling Light (percussion octet) - Nathan Daughtrey

Last fall, I experienced a nasty bout of tonsillitis that landed me in the emergency room, as my tonsils were so swollen they were starting to close off. Leading up to this, the climax of my sickness, I had a seemingly never-ending series of high fevers. With each passing cycle, I would fade in and out of restless sleep, which produced some of the most vivid and bleak dreams I’d ever experienced. These dreams/nightmares created a vision of a post-apocalyptic world filled with crumbling rubble, twisted metal, and sunless skies that I was desperately trying to escape. I attempted to capture one of these fever dream cycles in this, my first battery-only percussion quartet.

I started with the word “fever” and translated each letter into a number using one of my favorite indeterminate tools. The result was the numeric palindrome 5-4-9-4-5. These numbers informed everything in the piece, from basic rhythms to accent patterns to time signatures to phrases to overall form to the aluminum pipe pitches.

Fever Dream was commissioned by the University of Texas at Arlington Percussion Ensemble, directed by Dr. Michael Varner and Dr. Andrew Eldridge.

Fever Dream: Percussion Quartet No. 1 - Nathan Daughtrey

World premiere of "Twitch" for solo clarinet & wind ensemble by the Spring High School Wind Ensemble, conducted by Jason Smith, at the 2016 Midwest Band & Orchestra Clinic in Chicago, with clarinet soloist Sash Potiomkin of the Houston Symphony Orchestra.

Twitch LIVE! (solo clarinet & wind ensemble) - Nathan Daughtrey

My favorite moment every morning comes when my baby daughter, Penelope, wakes up full of smiles and optimism. The title "Such Small Things" comes from a StoryPeople print that hangs in her nursery. Brian Andreas's words perfectly capture the anticipation of her arrival into this world.

SUCH SMALL THINGS by BRIAN ANDREAS
For a long time, there were only your footprints & laughter in our dreams
& even from such small things, we knew we could not wait to love you forever.

Such Small Things LIVE (Band Gr. 2) - Nathan Daughtrey

Shine On! (Concert Band Gr. 5) - Nathan Daughtrey

I. Asgard: The Home of the Gods - Nathan Daughtrey

II. Niflheim: The World of Mist & Ice  - Nathan Daughtrey

III. Jötenheim: The Land of the Giants - Nathan Daughtrey

Originally composed for marimba & piano duo, "Almost Beyond" has now been fleshed out for percussion ensemble.

Instrumentation
Bells & Crotales
Vibraphone 1
Vibraphone 2
Chimes & Xylophone
Marimba 1 (4.3-octave)
Marimba 2 (5-octave)
Timpani (4 drums)
Optional Percussion 1 (suspended cymbal, wind chimes)
Optional Percussion 2 (bass drum, tam-tam)

Almost Beyond (percussion ensemble 7-9)- Nathan Daughtrey

Limerick Daydreams for Percussion Ensemble

Mercury Rising for Percussion Ensemble

Power Struggle for Percussion Ensemble

Shock Factor for Percussion Quintet

Imagining World for Concert Band

Limerick Daydreams for Symphonic Band

Joyful, Joyful, We Adore Thee (electronic realization)

An Extraordinary Correspondence (for flute & marimba)

Music I composed for the short film "Connected," written, directed & filmed by the School of Communication and Department of Theater at High Point University.

End Credits (Alternate Version)

Commissioned by the Monroe Township Middle School Percussion Ensemble, Yale Snyder, Director
and Zachary Morolda, District Supervisor of the Department for the Applied Arts and Career Technology;
Monroe Township School District; Monroe Township, NJ 

INSTRUMENTATION
Bells & Xylophone (shared)
Vibraphone & Marimba (shared with Marimba 2)
Chimes & Xylophone
Marimba 1 (4-octave) & Vibraphone (shared)
Marimba 2 (4.3-octave) & Vibraphone (shared)
Timpani (4 drums)
Percussion 1 (Snare Drum, Triangle, Crash Cymbal)
Percussion 2 (4 Concert Toms, Wind Chimes, Crash Cymbal)
Percussion 3 (Suspended Cymbal, Hi-Hat)
Percussion 4 (Concert Bass Drum, Tam-Tam)
Percussion 5 [optional] (Shaker, Tambourine)
Percussion 6 [optional] (Woodblock, Cowbell)

Luminescence (perc ens 10-12) - Nathan Daughtrey

Movers & Shakers was commissioned by the Mukwonago High School Arts Department (WI) in celebration of their new fine arts building. The title was extracted from a verse from Arthur O’Shaughnessy’s popular poem, “Ode.” The first line of the poem has even found its way into pop culture with a brief quote by the original Willy Wonka, Gene Wilder. I think the essence of the poem perfectly captures the idea of celebrating a a fine arts program such as Mukwonago High School that has been built from the ground up – not just by one person, but by its administration, staff, parents, and students. The piece features three of the school's ensemble coming together as one – the wind ensemble, string orchestra, and choir.

Movers & Shakers (wind ensemble/string orchestra/choir) - Nathan Daughtrey

Commissioned by Josh Cvijanovic & the Cedar Ridge High School Wind Ensemble in celebration of the school's 15th anniversary

Towards Joy (concert band gr. 5) - Nathan Daughtrey

Performed by the University of North Texas Symphonic Band, conducted by Dennis W. Fisher

True Things (concert band gr. 4) - Nathan Daughtrey

Nathan Daughtrey with the James Madison University Percussion Ensemble, Michael Overman, conducting.  Commissioned by Dr. Lisa Rogers (percussion professor at Texas Tech University), the first movement of the Concerto for Vibraphone and Percussion Ensemble received its premiere in November 2009 at the Percussive Arts Society International Convention (PASIC) in Indianapolis by Lisa Rogers and the Brazoswood High School Percussion Ensemble, directed by Eric Harper. It will be premiered in its entirety at the International Society for Music Education (ISME) Conference in Beijing, China in August 2010 by the Texas Tech University Percussion Ensemble, directed by Allan Shin, with Dr. Lisa Rogers as the vibraphone soloist. 
Notes: 
One of my favorite sources of inspiration for my compositions is poetry – especially that of Pablo Neruda. It's so passionate and filled with vivid imagery that it's just a blast to try and portray his words with music. I knew from the outset that Lisa Rogers (the commissioning party) wanted a 2-movement concerto, so I decided to try and find two poems with opposing themes and stumbled upon Neruda's collection "Ode to Opposites." I chose "Ode to Nighttime" and "Ode to Enchanted Light" which pit night against day.  For the first movement, Night’s Song, I tried to depict this mysterious, starry night that gradually turns dark and rainy. The phrases that really spoke to me and shaped the music were “behind daylight,” “you thrash around the sky,” “you run wild over the savage flow of rivers,” and rain and darkness are the blade of a singing sword while stars, or jasmine petals, gaze from blackened heights.” I love how Neruda describes daylight as being born nighttime, so I decided to make the movements attacca so that the second movement, Enchanted Light, bursts forth out of the first movement.  The second movement is much more sparkly and bright, depicting the “light dropping from the top of the sky.” The “cicada sending its sawing song high into the empty air” even makes an appearance when the ensemble vibraphone player places pennies on the bars and then bows those bars with optional help from a sizzle cymbal. Motives and themes from the first movement return in several spots throughout the second movement helping to unify the work. The soloist gets a workout as well in the tour-de-force second movement, unlike the much more introspective first movement.

Concerto for Vibraphone and Percussion Ensemble

Original written for two concert toms in Daughtrey's collection of duets for young percussionists, DUOLOGY, "Drums of Moria" was been expanded to a full percussion ensemble that is playable by as few as 5 players or as many as 9 or more by using the optional parts and/or doubling.

Drums Of Moria [12 players]

Bassoon

Percussion 1: Vibraphone (3-octave), Large Ribbon Crasher, Temple Blocks, Bongos, Splash Cymbal

Percussion 2: Marimba (5-octave), Small Ribbon Crasher, Machine Castanets, Muffled Floor Tom

PROGRAM NOTES
"House of Mirrors" was inspired by the Japanese folk tale “The House of 1,000 Mirrors.” At its simplest, the tale shows us that we get back what we put into the world.

"Long ago in small village, far far away, there was a place known as the House of 1,000 Mirrors. It was a unique house where the walls, the ceilings, the doors, and even the floors were made of mirrors.

One day, a small happy little dog heard about this place and decided to visit. When he arrived, he bounced happily up the stairs to the entrance of the house. He peeked through the doorway with his ears lifted high and his tail wagging as fast as he could. To his great surprise, he found himself staring at 1000 other happy little dogs with their ears lifted high and their tails wagging just as fast as hid! He smiled greatly and greeted his new friends with joyous barks! He was answered with 1,000 great smiles and 1,000 barks that were just as warm and friendly as his. As he left the house, he thought to himself, “ WOW! This is a wonderful place. I will have to come back and visit often!”

In the same village, there was another little dog, who was not as happy as the first one, that decided to visit the House of Mirrors as well. He slowly climbed the stairs leading up to the entrance with his head hung low full of hesitation. As he entered the house, he found himself looking at 1,000 unfriendly, sad little dogs staring back at him. The dog froze in surprise and instinctively bared his teeth and growled at the reflections. He was horrified to witness the 1,000 dogs growl back at him and he scurried away in fear. As he left the house, he thought to himself, “Oh goodness that is a terrifyingly horrible place. I will never go back again!”

These ideas are represented musically in a number of ways. The piece breaks down into three sections – the entrance to the house as an introduction to the tonality and some of the thematic materials, the happy dog, and the unhappy dog. From the first notes of the piece, you can hear the reflections of the mirrors, which manifest themselves in many ways throughout.

"House of Mirrors" was commissioned by Lia Uribe, Matt Brusca, and Fernando Valencia.

House of Mirrors (trio for bassoon & 2 percussion) - Nathan Daughtrey

Commissioned by Across the Grain (Susan Nelson, bassoon & Jeff Barudin, percussion)

Triple Moon (duet for bassoon & marimba) - Nathan Daughtrey

Written for and dedicated to the Moreau/VanTuinen Duo in the time of COVID-19.

Adapted from "Triple Moon" for bassoon & marimba by Nathan Daughtrey.

10. Moon Dancer (from DIMINUTIVES for Euphonium + Marimba) - Nathan Daughtrey

Percussionist, composer, & educator Nathan Daughtrey (b. 1975) is a musical chameleon who uses his wide-ranging talents to adapt comfortably to a variety of environments. As a performing artist and clinician for Yamaha percussion, Vic Firth sticks & mallets, Zildjian cymbals, and Black Swamp accessories, he has performed and given masterclasses and clinics throughout the United States and across three continents. Nathan has recorded two solo marimba albums to date – "Spiral Passages" and "The Yuletide Marimba" – as well as several chamber music albums, including a recent collaboration with euphoniumist Brian Meixner titled "Praxis."

With over 60 publications for percussion ensemble, concert band, orchestra, chamber ensembles, and soloists as well as an ever-growing number of commissions, Nathan balances his performing with composing, and to great acclaim. He is the only composer in the history of the Percussive Arts Society International Composition Contest to procure both 2nd and 3rd place in the same year with his percussion ensemble works "Limerick Daydreams" and "Adaptation," respectively. Nathan's compositions appear regularly on performances at PASIC, the Midwest Band and Orchestra Clinic, the Bands of America National Percussion Festival, and in concert halls and other performance venues around the world. His works have also been recorded on several albums by respected performers, including the FSU Percussion Ensemble, the Showa Wind Symphony conducted by Ray Cramer, the RoseWind Duo, and Mississippi State University. Additionally, three of his compositions for wind ensemble have been featured in three volumes of "Teaching Music Through Performance in Band."

As an educator, Nathan served as a Visiting Lecturer of Percussion for three years at the University of North Carolina at Greensboro, where he taught applied percussion and conducted the Percussion Ensemble. He also served as a sabbatical replacement at the University of Oklahoma, where he taught undergraduate and graduate percussion students and conducted the world-renowned OU Percussion Orchestra. Dr. Daughtrey is currently a Visiting Lecturer of Percussion and Music Composition at High Point University (NC), where he teaches applied lessons, directs the percussion ensemble and works in collaboration with the School of Communication and Department of Dance.

Nathan remains active within the Percussive Arts Society serving as a member of the Composition Contest Committee, organizing the PASIC Fun Runs on behalf of the Health and Wellness Committee, and editing the keyboard percussion articles for Percussive Notes.

Nathan Daughtrey

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