Commissioned by the current and former members of the Boise Philharmonic Percussion Section, Sunward/Onward is a keyboard percussion sextet dedicated to Dr. John Baldwin on the occasion of his retirement from Boise State University after 50 years of teaching. The piece draws inspiration from the poem “My Triumph” by John Greenleaf Whittier, which truly captures the essence of passing the torch.

Sunward/Onward (keyboard  percussion sextet) - Nathan Daughtrey

"This Dance With You" takes inspiration from jazz and minimalism. It is a fragile and intimate duet for piano and marimba, where the instruments alternate roles like partners in a dance.

Purchase Sheet Music

This Dance With You (duet for marimba & piano) - Jane K

Celebrating the legacy of Marcellus Brown’s tenure as director of bands at Boise State University, "Through an Open Door" is a lush setting of Dvorák’s "Goin’ Home" that cleverly marries the chromatic spelling of “MARCELLUS” with the original spiritual. The arrangement stays true to the original while adding new countermelodies, re-harmonization, and fresh colors and textures.

INSTRUMENTATION
Piccolo
Flute 1 & 2
Oboe
Bassoon 1 & 2
B-flat Clarinet 1, 2, 3
Bass Clarinet
Soprano Saxophone
Alto Saxophone
Tenor Saxophone
Baritone Saxophone

B-flat Trumpet 1, 2, 3
F Horn 1, 2, 3, 4
Trombone 1 & 2
Bass Trombone
Euphonium 1 & 2
Tuba 1 & 2

Piano
Timpani
Percussion 1: Chimes [shared], Glockenspiel
Percussion 2: Vibraphone, Crotales, Chimes [shared]
Percussion 3: Ocean Drum [shared], Bell Tree, Triangle, Suspended Cymbal
Percussion 4: Suspended Cymbal, Concert Bass Drum, Ocean Drum [shared]

Through An Open Door: A Setting of "Goin' Home" (Band Gr. 4.5) - Nathan Daughtrey

"The Cruel Waters"
Composed by Adam Silverman, 2015
Performed by Troy University Percussion (T. Adam Blackstock, director)
Justis Davis, Andrew Patzig and Tyler Whitehead, marimbas
Recorded 2016 by Garnet House Productions
John W. Parks IV, engineer

The Cruel Waters

This is a small binary piece, which offers many opportunities to showcase various piano techniques. Tiny Monsters is a set of small character pieces, I composed, for the intermediate pianist. The melody is based off of a hymn I stumbled across titled, "The Bells of Hell Go ting-a-ling-a-ling." It was originally this horrible jaunty G-major melody that was just begging to be turned into the grotesque melody the title of the hymn suggests. I hope you enjoy!

Tiny Monsters - Hatchet the Clown

Score and more: http://www.stevenbryant.com/music/catalog/nothing-gold-can-stay

Nothing Gold Can Stay was commissioned as a surprise gift for Kevin Sedatole in honor of his first ten years at Michigan State University. His conducting students spanning that decade, led by Jamal Duncan and Armand Hall, banded together and approached me at the 2015 College Band Directors National Convention in Nashville about writing the work, and I knew immediately that I couldn’t refuse this special project, made all the more appropriate because my wife, Verena, was one of Kevin’s very first students at MSU.

The music is my deliberate attempt to write a chorale – something simple, beautiful, and familiar. The deceptive surface simplicity of Robert Frost’s poem seems to coincide with this music, particularly the paradoxical descending of dawn to day, all embodying the concept of felix culpa, or “lucky fall” – the idea that loss can bring greater good, and is in fact necessary.

Nothing Gold Can Stay (MSU World Premiere)

WANT IT. NEED IT. HAVE IT.
Composed by Adam Silverman (2015)
Performed by the RoseWind Duo: Clifford Leaman (alto saxophone) and Scott Herring (marimba)
From the 2016 CD "Devils Garden/Angels Landing" on Equilibrium records (EQ161). Used with permission.

www.equilibri.com
www.adambsilverman.com

WANT IT. NEED IT. HAVE IT.

ANTIQUE VIOLENCES : Concerto for Trumpet
Movement 1
by John Mackey

MIDI Demo
Commissioned by Michigan State University and The American Bandmasters Association
To premiere March 2017, CBDNA convention, Kansas City. Justin Emerich, trumpet.

Four movements in total, each depicting a type of violence. This movement (movement 1), portrays military violence, and imagines if the Revolutionary War had been fought against... I don't know. Where is the music modal and in 13/8? Macedonia?

Score available here: ostimusic.com/pdf/Mvt1-SCORE.pdf

John Mackey: Antique Violences - Mvt 1 demo

PAPER COVERS ROCK
Composed 2016 by Adam Silverman
Live world premiere performance by the Quey Percussion Duo at Weber Music Hall, University of Minnesota-Duluth on Nov. 21, 2016.

Paper Covers Rock

III. Jötenheim: The Land of the Giants - Nathan Daughtrey

Bassoon

Percussion 1: Vibraphone (3-octave), Large Ribbon Crasher, Temple Blocks, Bongos, Splash Cymbal

Percussion 2: Marimba (5-octave), Small Ribbon Crasher, Machine Castanets, Muffled Floor Tom

PROGRAM NOTES
"House of Mirrors" was inspired by the Japanese folk tale “The House of 1,000 Mirrors.” At its simplest, the tale shows us that we get back what we put into the world.

"Long ago in small village, far far away, there was a place known as the House of 1,000 Mirrors. It was a unique house where the walls, the ceilings, the doors, and even the floors were made of mirrors.

One day, a small happy little dog heard about this place and decided to visit. When he arrived, he bounced happily up the stairs to the entrance of the house. He peeked through the doorway with his ears lifted high and his tail wagging as fast as he could. To his great surprise, he found himself staring at 1000 other happy little dogs with their ears lifted high and their tails wagging just as fast as hid! He smiled greatly and greeted his new friends with joyous barks! He was answered with 1,000 great smiles and 1,000 barks that were just as warm and friendly as his. As he left the house, he thought to himself, “ WOW! This is a wonderful place. I will have to come back and visit often!”

In the same village, there was another little dog, who was not as happy as the first one, that decided to visit the House of Mirrors as well. He slowly climbed the stairs leading up to the entrance with his head hung low full of hesitation. As he entered the house, he found himself looking at 1,000 unfriendly, sad little dogs staring back at him. The dog froze in surprise and instinctively bared his teeth and growled at the reflections. He was horrified to witness the 1,000 dogs growl back at him and he scurried away in fear. As he left the house, he thought to himself, “Oh goodness that is a terrifyingly horrible place. I will never go back again!”

These ideas are represented musically in a number of ways. The piece breaks down into three sections – the entrance to the house as an introduction to the tonality and some of the thematic materials, the happy dog, and the unhappy dog. From the first notes of the piece, you can hear the reflections of the mirrors, which manifest themselves in many ways throughout.

"House of Mirrors" was commissioned by Lia Uribe, Matt Brusca, and Fernando Valencia.

House of Mirrors (trio for bassoon & 2 percussion) - Nathan Daughtrey

Percussionist, composer, & educator Nathan Daughtrey (b. 1975) is a musical chameleon who uses his wide-ranging talents to adapt comfortably to a variety of environments. As a performing artist and clinician for Yamaha percussion, Vic Firth sticks & mallets, Zildjian cymbals, and Black Swamp accessories, he has performed and given masterclasses and clinics throughout the United States and across three continents. Nathan has recorded two solo marimba albums to date – "Spiral Passages" and "The Yuletide Marimba" – as well as several chamber music albums, including a recent collaboration with euphoniumist Brian Meixner titled "Praxis."

With over 60 publications for percussion ensemble, concert band, orchestra, chamber ensembles, and soloists as well as an ever-growing number of commissions, Nathan balances his performing with composing, and to great acclaim. He is the only composer in the history of the Percussive Arts Society International Composition Contest to procure both 2nd and 3rd place in the same year with his percussion ensemble works "Limerick Daydreams" and "Adaptation," respectively. Nathan's compositions appear regularly on performances at PASIC, the Midwest Band and Orchestra Clinic, the Bands of America National Percussion Festival, and in concert halls and other performance venues around the world. His works have also been recorded on several albums by respected performers, including the FSU Percussion Ensemble, the Showa Wind Symphony conducted by Ray Cramer, the RoseWind Duo, and Mississippi State University. Additionally, three of his compositions for wind ensemble have been featured in three volumes of "Teaching Music Through Performance in Band."

As an educator, Nathan served as a Visiting Lecturer of Percussion for three years at the University of North Carolina at Greensboro, where he taught applied percussion and conducted the Percussion Ensemble. He also served as a sabbatical replacement at the University of Oklahoma, where he taught undergraduate and graduate percussion students and conducted the world-renowned OU Percussion Orchestra. Dr. Daughtrey is currently a Visiting Lecturer of Percussion and Music Composition at High Point University (NC), where he teaches applied lessons, directs the percussion ensemble and works in collaboration with the School of Communication and Department of Dance.

Nathan remains active within the Percussive Arts Society serving as a member of the Composition Contest Committee, organizing the PASIC Fun Runs on behalf of the Health and Wellness Committee, and editing the keyboard percussion articles for Percussive Notes.

House of Mirrors (trio for bassoon & 2 percussion) - Nathan Daughtrey

Nathan Daughtrey

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