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SLWD -   SIDHU MOOSE WALA  NEW SONG (LEAKED)(MP3 320K) 1

CHAMBER - Sidhu Moose Wala

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Program Notes:

"... Sondern nach dem Geist" is inspired by Johann Sebastian Bach’s motet “Jesu, meine Freude,” BWV 227, specifically the profound message at the end of its second movement. This piece of music holds a special place in my heart as it was the first of Bach’s Chorales I discovered when I was first introduced to Western Classical music around the age of thirteen or fourteen.

Original text in German:
"Es ist nun nichts Verdammliches an denen, die in Christo Jesu sind, die nicht nach dem Fleische wandeln, sondern nach dem Geist."

English translation:
"There is now no condemnation in them who are in Christ and who walk not according to the flesh but according to the spirit."

This passage echoes Romans 8:1 from the Bible: "There is therefore now no condemnation to them which are in Christ Jesus, who walk not after the flesh, but after the Spirit." To me, this quote evokes Matthew 26:41, "The spirit is willing, but the flesh is weak."

The phrase “sondern nach dem Geist,” when isolated, translates to “separate according to the soul”—thus, my title recontextualizes this evocative phrase.

"... Sondern nach dem Geist" is dedicated to Jonas Aumiller. I am immensely grateful for his friendship and inspiration, as well as for his role in premiering this piece.

🔗 Connect with me for the latest updates and exclusive content:

Website: https://samiseif.com/
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Sami SEIF — ... Sondern nach dem Geist (2024) | After Bach's "Jesu, meine Freude" (Jonas Aumiller)

BEES

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Tethys part III

Chamber Musik

SUB:DOMAIN - Chamber Musik

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BY THE POWER OF NATURE
BY THE IMMORTAL POWER OF MUSIC
I ASK TO THE FOREST SPIRIT FOR ABOUNDANCE 

I'M NOW ABLE TO FEEL THE INVISIBLE
THE MOVING WATER
THE INFINIT FIRE 
THE TEMPERATURE OF THE WIND 
THE VIOLET RAGE OF STORM
THE BLOOD THAT FLOWS IN MY VEINS
AND OVERALL THE DEPTH OF THE UNIVERSE

PLEASE GIVE ME ENOUGH ENERGY TO SPRAY LOVE, 
PLEASE GIVE ME THE LIGHT OF YOUR HEART AND PLEASE LET ME USE MY INNER POWER 
I'M HERE ON EARTH TO HEAL PEOPLE SOUL AS IF SOMETIME I USE THE DARKNESS LORE OF DESTINY TO SURVIVE IN HELL

#RAREGEMS

TICPIMES (THEREISCONSTANTPAININMYEMPTYSTOMACH)

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In response to recent global events, I've decided to create a nine-piece album that reflects my experiences amid the ongoing turmoil and uncertainty. As narratives shift with each passing moment and the currents of consciousness evolve, I've found a way to express my perspective and contribute a legacy of unity and love through the language of music. Collaborating with my favorite musicians – Shayan Fathi, Ivan Ruiz Machado and Antonio Moreno Glazkov – has transformed what might seem like a simple concept into a realization with both personal and global significance.

I’'ve titled this album "Between Hope and Despair" to encapsulate the spectrum of these two emotions, allowing me to delve into the very essence of creativity and explore the origins of my ideas. Through their exceptional musicianship, sensitivity, and maturity, my chosen collaborators have elevated this project, emphasizing the profound connection that music can foster in a world yearning for compassion and understanding. In essence, it's an exploration of the human experience set to a soundtrack that aims to resonate with a hungry world seeking solace.

Avishai Darash - Piano/Rhodes/Composition
Antonio Moreno Glazkov - Trumpet
Ivan Ruiz Machado - Bass
Shayan Fathi - Drums

Recorded, mixed, and mastered by Shayan Fathi at Camaleon Music Studio (Madrid, Spain). 
Video created by Noah Shaye for Shaye Audio Visuals.

Produced by ConCreate Productions (2024)

Avishai Darash Quartet - Echo chamber

Raíces, meaning "roots" in Spanish, uses soundscapes, atmospheric elements, and nostalgic harmonies to take a listener through the growth of a tree. Similar material opens and closes the piece. Wind sounds, aeolian sounds, and flute harmonics make up the atmosphere. A group of soloists play the overarching theme, which is always repeated up a fourth, signifying growth and development of our growing tree. As others join in, the tree grows both towards the sky and into the ground. The apex of the work brings the listener to a magical arrival as we musically paint of a picture of the fractals of leaves, and branches flowing beautifully in the wind. The piece comes to a close with the aforementioned atmospheric soundscapes - this time, with the image of a blossoming tree in our mind's eye.

Metaphorically speaking, this tree represents the community that commissioned it: The Rio Grande Valley Flute Fiesta Flute Choir. This piece was commissioned for their performance at the 2024 National Flute Convention in San Antonio, Texas. The RGV Flute Fiesta Flute Choir will combine over 200 students of all ages and teachers from across the Rio Grande Valley in celebration of communal music-making.

Thanks go to Dulce Rodríguez for coming up with and organizing this collaboration and to Alberto Robledo for his generosity in supporting this commission.

Website: www.matcampbell.com
Socials: www.solo.to/matcampbell

Raíces, Expandable Flute Choir

text: Charlotte Mew
conductor: Edith Mora Hernandez
soprano soloist: Molly McDonough

recorded live at the Boston Conservatory at Berklee on April 26, 2024

Ken (after Charlotte Mew)

A meditative piece for piano trio, recorded here by the Fidelio Trio.

Belles

Isiolo Mistico



c r e a t e   a n d   r e f l e c t

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I make it for the culture 🎵
Internet Immortal Knight full time ⚔️
I'm real fuck what you think fr 🤮

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After meeting in Goa The Nightingale Experience realised a common desire to create music. Laurie from punk and alternative musical background, Steve from a electronic one. Both have busy lives outside of the band, but still find time to create alternative electronic covers and original work.

composer of vocal and instrument music
based in East London
born in Sheffield
alum of The Boston Conservatory at Berklee

For more information - http://www.avidarash.com 

22 year old composer from Hertfordshire. Currently studying composition at the Royal College of Music under Kenneth Hesketh and Mark-Anthony Turnage.

Video Link Below:
 https://youtube.com/@madbluntrecordings2977?si=sevmy5o_3kMZfENB

MAD BLUNT RECORDINGS presents:

J ROLL / SUB:DOMAIN / DBSX

Supplying the underground with dark soundscapes, low end theories, and broken beats of a range of tempos...

Breakbeat, Dubstep, Drum and Bass/Jungle, Trip Hop and Experimental Tracks...

Thanks for listening, following and sharing!
Spread the vibes!
1.

#MADBLUNT
#BREAKBEATS
#JROLL
#DUBSTEP
#SUB:DOMAIN
#DRUMANDBASS
#DBSX
#TRIPHOP
#ELECTRONIC
#EXPERIMENTAL ....!!
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YouTube Channel for videos:

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History:

"Mad Blunt" was originally launched in the late 90's  to allow the crew to combine the sounds, art  and energy created under one identity. Based in the South West of England we have been involved for over 25 years in dj'ing, promoting, indoor and outdoor events, graphics and music production. We were a featured act on one of the first true underground Internet radio stations ran by Ninjatune, as part of a weekly 5 hour broadcast by "Deep Rinse" on the legendary "Pirate TV" network, first in live streaming audio visual content from various scheduled locations around the globe.
Our music has been played and supported by various Club and Radio DJ's, and used in Film & Television.



Lofi | Chill | Indie ~ Music Maker ~ 

My Work - https://www.internaleyemusic.com

A lot of new material is coming soon... so do follow & connect online to get all the latest updates if you liked my work.

31. Composer. Conductor. Musician. 
Lover of sentence fragments and coffee.

Lebanese composer and music theorist Sami Seif (b. 1998) has been praised as “a distinctive compositional voice” who creates “intoxicating and fascinating soundworld[s]” (Carla Rees, Pan Journal of the British Flute Society). Described as “very tasteful and flavorful” with “beautiful, sensitive writing!” (Webster University Young Composers Competition), his music is inspired by the aesthetics, philosophies, paradigms and poetry of his Middle-Eastern heritage. His latest musical concerns center around the phenomenology of time and of differing degrees of focus.

A passionate and enthusiastic collaborator, Seif has worked with numerous renowned musicians. Previous and upcoming collaborators include Mary Kay Fink and Stanley Konopka of The Cleveland Orchestra, Vinay Parameswaran, Carla Rees, Marcelo Lehninger, the Kalamazoo Symphony Orchestra, the Odin Quartet, Amer Hasan, TEMPO Ensemble, Juan Riveros, Earplay, Ensemble 126, Ensemble Metamorphosis, Drew Hosler, Dustin White, and Lana Stafford, among others. Seif’s music has been recognized internationally by various institutions such  as ASCAP, SOCAN, the RED NOTE New Music Festival, the Metropolitan Youth Orchestra of New York, the New York Composers Circle, the Stamford Music and Arts Academy, the Foundation for Modern Music, the Ohio Federation of Music Clubs, the Cleveland Composer’s Guild, the Arizona Flute Society, Webster University, Abundant Silence, and Warren County Summer Music School, among others. Additionally, he was selected as a finalist for the 2019 Kaleidoscope Chamber Orchestra call for scores from a pool of more than 2200 applicants from more than 90 countries. In 2020, he was selected again from a larger pool of almost 8000 applicants.

Originally from the small town of Ashkout in Mount Lebanon, he was born to a non-musical family in Abu Dhabi and he is fluent in Arabic, French and English. He started out at the age of twelve as a self-taught musician, composing and playing on special, Arabic keyboards designed to accommodate the microtones of Arabic music. Not having had access to formal music education, Seif taught himself how to read and write music by reading theory textbooks. He later formally studied piano, composition, audio engineering, and sound synthesis.

Seif completed his BM, double-majoring in composition and music theory at the Cleveland Institute of Music, where, he was honored with the Donald Erb prize in composition and the Beth Pearce Nelson award in music theory upon graduation. He is currently a doctoral fellow at the CUNY Graduate Center, studying with Jason Eckardt, Bruce Saylor, and David Schober. His former teachers include Julia Victorivna Podsekaeva (composition and piano), Roger Bergs (composition), Alan Reese (music theory), and Gerardo Teissonnière (piano).

New tracks tagged #Chamber