𝔶𝔬𝔲 𝔥𝔞𝔳𝔢 𝔞 𝔫𝔢𝔴 𝔥𝔶𝔭𝔢𝔯-𝔪𝔢𝔪𝔬𝔯𝔶 is about hyperreality manifest in the form of digital memory, and the ways in which memory is distributed, transformed, and modified through virtual space. It seeks to imagine the sounds of a cybernetically mutated digital fragment of the past that has taken on a ghost-like life of its own. ‘I’ll Never Smile Again’ (1940) by Ruth Lowe is a song about memory itself. It functions in this piece as a sort of metaphor for the way the past shapeshifts through different electronic media and is deconstructed, decontextualized and distributed through virtual spheres.

Ilana Waniuk - violin
Michael Jones - percussions
Robbie Bui - cello 
Matthew Henson - double bass 
Nikolas Vudu - mastering engineer

𝔥𝔶𝔭𝔢𝔯-𝔪𝔢𝔪𝔬𝔯𝔶 for amplified ensemble and electronics

Brutally intense and emotional new mix by underground prodigy @bloodofaza

SF.MIX.39 Tracklist

Nathaniel Haering - to facilitate friction
Richie Culver, Blackhaine - DID U CUM YET
Blood of Aza - CUSP DEMO
Ship Sket - Far Away
Result - Pilot
SOPHIE - HARD
Nero - Crush on You (Silva Flip)
detah trash - merzbow
Skrillex, 12th Planet, Kill The Noise - Right On Time
KAVARI - Hymns
Arca - Mutant
Ivorian Doll - Body Bag
SOPHIE - Infatuation (Lichtbogen Dreamin’ Remix)
Ice Spice - BB (S280F Remix)
Phinka, Unknown T - Badooms
Alparr - NIGHTRACERR
Blood of Aza - ID
Jakob Böttcher - seziertisch
jhl - ID
Astrosuka - Nudos (S280F Remix)
Burial - Endorphin
Frank Ocean - Chanel
TTristana - Reboot (Interlude)
Yves Tumor - Limerence
Citytronix - WAP
yuurusu - it won’t be long, i’ll see you soon.
nninety - petty
MEGA PRAS ELAS SENTAR A MIL = DJ'S LEO LG, RAY LAIS, YAN DO FLAMENGO TDG
Thys, Two Fingers - Hodo (Little Snake Edit)
Neir - ID
JPEGMAFIA, Danny Brown - Kingdom Hearts Key (ft. redveil)
münki - WAR (ft. Blood of Aza)
Blood of Aza - ID
death’s dynamic shroud.wmv - DO U LIKE ME
LUCKI - Unlimited
Martin Stig Andersen - Gravity Jump
Hav Lyfe - 05 she started off bashful
Leon Vynehall - From The Sea/It Looms (Chapter I & II)
KOAN Sound & Asa - Fuego
KOPI O - AR1A
Ted Moore - triangle
Blood of Aza - ID
Alparr, Blood of Aza, jhl, SUB ENCODER, Ghozt - YEARNN
Blood of Aza - ID (Acapella)

SF.MIX.39 – Blood of Aza

Cannibal (Vampire Mix)

Live Recording
Ensemble Kollektiv @ MaerzMusik, March 2024.

Teeth

ORIGINAL MAD NUTTAH

A GIRL WITH A WHOLE LOTTA BAGGAGE

THANK YOU FOR A BEAUTIFUL YEAR
SEE U SOON

TRACKLIST:

BLOOD OF AZA - REACH (NIGHTCORE)
RIHANNA - SOS
ZEAN - PAC (JAIJIU REMIX)
ARCA - EN
DJ WEED - ACID DROPPER
SOPHIE - PONYBOY
JAY VERSACE - DONT WANT IT
PORTWAY - MARBLES
DJ RASHAD - ON THAT NAG 13 SNIP
ATOSIGADO - AMULETO
NE-YO - CLOSER (ASTRAL BANDIT SHINING STAR MIX)
DESKULLING - REPLAY POLYPHONY
CYNTHESZR - FOLLOW ME
CHARLI XCX - CLUB CLASSICS (SATISFACTION REMIX) [ZEPHYR EXTENDED EDIT]
CEP2 - CEP2PLET
TEEZANDOS FT. FIZZLER - PHONE CALL X KAVARI - AYA GARDEN *** (BLEED MIX) [J999DE MASHUP]
BEYONCÉ - FORMATION (LOTIC ELECTION ANXIETY / AMERICA IS OVER EDIT)
YVES TUMOR - SERPENT I
WENCH - SEXORCIST
ZULI - TRIGGER FINGER
NATHANIEL HAERING - TO FACILITATE FRICTION
ARCA - RISUEÑO
CHE BUFORD - TENDERNESS & ROT
BLOOD OF AZA - 恢复 (DON’T TALK) TALK TO ME
TAU CONTRIB - CMYL
RIHANNA - SOS (ROBIN PFEIFFER BOOTLEG)
SKRILLEX & HABSTRAKT - CHICKEN SOUP
OLIVER HELDENS X BECKY HILL - GECKO (OVERDRIVE)
TCHAMI - PROMESSES
KAVARI - GLASS COMB (PRESSURE MIX)
KILL THE NOISE & FEED ME - I DO COKE (EPHWURD REMIX)
VALENTINO KHAN - DEEP DOWN LOW (MOSKI REMIX)
RYDER - SKEPTACORE PT. 3
MOODY GOOD FT. KNYTRO - HOTPLATE
SOLO ANDATA - HER FACE AS SOFT AS SLEEP
ORJ - BUBBLING K
NICKI MINAJ - HIGH SCHOOL
LOTIC - CELEBRATE
BRIAN PETUCH - THE PEQUOD
AUTECHRE - DEKDRE SCAP B
JOAO LAGRIMA DE OURO - SEQUENCIA DA XOTA
JUAREZ 97 - 140 BPM
CRRDR - SOBA QUE SOBA
DIRTYLOUD - SCHOOL OF FUNK
EISEBELLE - FUCK UP THE FUN
103110 - SUNSH1NE
DJ SABRINA THE TEENAGE DJ - BEING ALONE
SAKANACTION - MUSIC
KINDER RECORDS - DIVINE FEMININE HEALING AFFIRMATIONS
ULLA STRAUS - BILLOW (AGAIN)
EVILGIANE - POKER W/ CLAMS CASINO
RENARD - YOU GOT CURVES, SHE GOT CURVES
SELEKTA - RED LIGHT
DEAN BLUNT - LOVE & BASKETBALL 2 (FT. ARCA)
SLENDERMAN (VOICE) & [ORIGINAL SONG] SLENDER [MIKU, RIN, LEN, AND LUKA] - DEATH AMBIENT - KISSYCAT
DJ SS - THE LIGHTER
NIKO SCHEME - EKKA
GADE SYSTEM - ABJECT PERMANENCE (KAVARI BOOTLEG)
S280F - 6M (JOHN OBJECT) (FITNESSS)
BLOOD OF AZA - ORIGINAL MAD NUTTAH
SHIP SKET - FROST CAKE
NERVE TOWER - SIGH
KOPI O - LIPSTICK
SEXYY RED - SKEEYEE (DJ ESS CYBERSPEED MIX)
ALPARR - SHEDDINGG
NEIR - HOLLOW POINT (W/ BLOOD OF AZA)
SEXYY RED & CHIEF - BOW BOW BOW (F MY BABY MAMA) [BLOOD OF AZA REMIX]
EPROM - REMORSE
ATOSIGADO - FILERO
SOPHIE - ELEGANCE (FT. POPSTAR)
ARCA - KNOT
EXODIA - 825 HP
DIRTYWIFI - CRANK DAT EARTHEATER (DIRTY EDIT)
RIHANNA - RUSSIAN ROULETTE
SOPHIE - WHOLE NEW WORLD / PRETEND WORLD
SOPHIE - INFATUATION
SOPHIE - HARD
SOPHIE - I (GETTING NEAR)
CLARA LA SAN - SOLO (CHOPNOTSLOP REMIX)
AIROD - BINARY GROOVE
RAFFERTIE - TWITCH (IT GROWS & GROWS)
NNINETY - PETTY
CHARLI XCX - 365 (EASYFUN REMIX) [ZEPHYR EXTENDED EDIT]
RAFFERTIE - THE SUBSTANCE
DEADMAU5 - DEUS EX MACHINA
FLYING LOTUS - RECOILED
MVNTANA - BARBIE TINGZ JERSEY MIX
MEITEI - CURIO
PTU - BLACK SMOKERS
RÉELLE - LILITH
DRONE & SNOWY - ALL I KNOW (S280F EDIT)
SLIKBACK - VOIDOUT
AKIRA YAMAOKA - NOT TOMORROW 2
SITOI - HÄN
THE FUTURE SOUND OF LONDON - HERD KILLING
MÜNKI - R1 FT. S280F, FALSE PRPHT
BLOOD OF AZA - RUIN (NIGHTCORE)
KAVARI - ATTACHMENT STYLE (NIGHTCORE) X BUUNSHIN - ALL ABOUT THIS (NIGHTCORE)
BJ​Ö​RK, WOKEUPS, ARCA - ARISEN MY SENSES, FRAGGED AHT, LITTLE NOW A LOT (BLOOD OF AZA 'HARD TO SAY' MIX) [SLOWED & REVERB]
LEON VYNEHALL - FROM THE SEA / IT LOOMS (CHAPTERS I / II)

THANK YOU TO KASH, WARREN, LAIN, KARLIE, TAMIA, FREYJA, AYA, APU NANU, XIXI, MARKUS, JHL, ALICE, MEELO, JEROME, MAYA, LIDIA, ZOW & XAFYA FOR YOUR MESSAGES <3

BOA LOVES YOU [MIX]

What might seem like a minimal setup—a mic’d thunder tube, EH Canyon Pedal, Korg Minilogue, and Ableton—feels absolutely limitless when I’m working with it.

Thank you so much for the invite, @ianpoweromg! It was an amazing experience and a pleasure to share the evening with you and the fantastic @ledahfinck and her evocative Hardanger fiddle.

Recorded by René Pierre Allain at Scholes Street Studio.
Mixed and mastered by @murat-colak-1

Live Set at Scholes Street Studio

untitled is a work for amplified septet and live electronics and represents the first time I have ever felt that untitled was a compelling and fitting name for one of my works. Written for the 79th Annual Composers Conference for the 2023 Conference Ensemble with music director and conductor Vimbayi Kaziboni as part of being a 2023 Fromm Foundation Composer Fellow, this piece features a number of new approaches that I have not yet been able to fully name, label, or identify, and intentionally explores and interrogates nascent compositional strategies while simultaneously pushing more familiar techniques to their extremes. I am excited for listeners to engage with the work as it unfolds without the preconceptions imparted by a programmatic title.

79th Annual Composers Conference Avaloch Farm Music Institute, Boscawen NH 
Avaloch Concert Barn, Wednesday, July 26, 2023

Composed by Nathaniel Haering as a 2023 Fromm Foundation Composer Fellow

Performed by the 2023 Conference Ensemble, with Music Director Vimbayi Kaziboni (conductor) 

Sharon Harms, soprano 

Benjamin Fingland, bass clarinet 

Adrian Morejon, contrabassoon 

Leander Star, horn

Sam Jones, trumpet

Mike Lormand, trombone 

Greg Chudzik, contrabass 

Nathaniel Haering, live electronics 

Made possible with the generous support from the Fromm Foundation of Harvard University

untitled (2023) - for amplified septet and live electronics

Rage Thormbones (Matt Barbier + Weston Olencki): modified euphoniums, reclining trombones, motorized mute, electronics

Live recording: December 12, 2018 at Arete Venue and Gallery, Brooklyn, NY.

(stay for the end...)

Hexa

Spate II (2019) by Nathaniel Haering - chamber ensemble and electronics -
Live premiere recording 10/31/2019 UC San Diego Conrad Prebys Concert Hall

Steven Schick, conductor
Teresa Diaz de Cossio, bass flute
Juliana Gaona Villamizar, oboe
David Aguila, trumpet
Berk Schneider, trombone
Michael Jones, percussion
Rebecca Lloyd-Jones, percussion
Ilana Waniuk, violin
Kathryn Schulmeister, contrabass

Program Notes: While seeking to expand on the concepts and material found in the original iteration of Spate I was immersed in its erratic, panicked atmosphere. I became obsessed with the idea of frantic, futile solos lashing out violently from silence with such constant intensity and fervor that they resulted in a kind of horrified stasis, a unit of grotesque and vicious sustain, striving endlessly but going nowhere, grasping desperately at nothing in the pursuit of a distant unseen hope.

Spate II: Amplified Chamber Ensemble and Electronics - Live Premiere

Nathaniel Haering is deeply interested in the use of live electronics to expand the artistic capabilities of traditional instruments and augment their timbral horizons while enriching their expressive and improvisational possibilities. This perspective is also highly influential and represented in the gestural power and extended sound worlds of his purely acoustic work. He has collaborated with and had works performed by Grammy® Award-winning Vietnamese performer and composer Vân Ánh Võ, Trio Accanto, Ensemble Mise-En, Mivos Quartet, Wild Up, and members of WasteLAnd, Ensemble Ipse, Ensemble Dal Niente, the International Contemporary Ensemble, and the LA Phil. Winner of the 2019 ASCAP/SEAMUS Student Award, the 2019 PRIX CIME Residency Prize, and the Mixed Media Award of Distinction from MA/IN festival in Matera, Italy, Nathaniel’s work can be found on flux, vol. 33 as well as multiple volumes of Music from SEAMUS. His pieces have recently been featured at the International Computer Music Conference in Shanghai, Seoul, and NYC; the Toronto International Electroacoustic Symposium in Toronto; Noisefloor Festival at Staffordshire University, UK; VIPA in Valencia, Spain; WOCMAT in HsinChu City, Taiwan; SONIC MATTER in Zürich, Switzerland; and at numerous other international venues. Nathaniel completed a Ph.D. in Music Composition at the University of California San Diego and is a Lecturer in Composition & Technology and Theory at the University of Wisconsin - Milwaukee.