Name: The Budget's Here! by Natster in Related tracks: IknowIknow
Duration: 3 min 8 s
Description: Based on the brilliant, absurdist, economics-meets-satire doco Dr. StrangeGov, here’s a musical vocal masterpiece—a multi-genre, showstopping anthem that could play either as a recurring motif or the climactic final number. It pulls from the tone of Avenue Q, Hamilton, and Bo Burnham with just enough absurdism and gravitas to carry the underlying truth.

Great song - like the Libertines if they were born in the US

"Spreadsheets & budget blues"..."Fiscal storm" ...Ace lyrics!  I'll have a tea party outside Boston! ;)  Love this catchy tune! >>

Related tracks: IknowIknow

Back home tonight, cool music and just a glass of wine...

Just A Glass Of Wine

Ethereal

Just cruising
Picture of Peer's bike @ Ottersum, The Netherlands

Take it easy

cat living in the city.
The city cat lives strongly today as well...
I put such feelings into it!!🌆🐈

thank you for listening！！

DAW: Cubase pro 14

Spotify↓↓
open.spotify.com/artist/312MPUfW0fyacOfLoDMc9u

Instagram↓↓
https://gate.sc/?url=https%3A%2F%2Fwww.instagram.com%2Fsuperps32023%2F%3Fhl%3Dja&token=68bce4-1-1686833662817

cat living in the city

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – Sigma acoustic guitar, Collings mandolin, Roland piano, vocals, vocal harmonies, and arrangement
TexMex Shaman– @texmex-shaman –Stephen– Gibson Earle Scruggs banjo, arrangement, production, mix, and mastering        
This song is a Phish song written by Trey, Page, Fishman, and Tom Marshall, who wrote the lyrics. Originally, on their album Hoist, it's just Trey playing and acoustic guitar and singing. Stephen and I wanted to give it our own flavor though. After I asked him to play banjo on it and produce it for me, we started spitballing ideas about how we could add something more to it. Originally, we both played every instrument, guitar, banjo, mandolin, and piano, through the whole thing, except the first and last verses. Then we decided to trickle the instruments in for maximum effect. I also sang the harmonies throughout. Finally, Stephen came up with the idea to wrap the last verse in a mono effect, giving it a detached feel. He mixed it brilliantly, too.
  This song has always had a special place deep in my heart. Sometimes you hear a song and recognize such truth in it, it feels like it was written about you. This is such a song for me. Plus, it was written by my favorite band, Phish, so it has even more meaning for me. We hope you enjoy listening to it as much as we enjoyed making it.

Dog Faced Boy by Phish (with Texmex Shaman)

W-Hello, Mr. Chips

J'ai remixé ce titre sortie il y a 6 ans que je n'ai jamais publié sur Soundcloud. Il est inspiré de l'univers mythique de l'écrivain HP Lovecraft que tous les fans de fantastique doive connaître.
Dans cette mythologie, les Chiens de Tindalos, lorsqu'ils chassent, rejoignent notre univers en passant par les coins des pièces. Faites de beaux rêves :)

----
Often in the night,
Alone in the dark,
I hear a bark
But there's nothing in sight

In the angles of time
I know they hide,
On another side,
Away from our mind

If you find this don't try to understand

If you ever meet
The Hounds of Tindalos
Insanity you may come across...
(Enough !)

I plastered the corners 
I masked the edges
Will these strategies
Stop the great elders ?
If you finally find this testimony,
Never ever try to learn more about me

In this quest for knowledge and truth, 
I tried to see through space and time until I get caught !
Theses creatures from ancient times do not allow such breach in space...
Since then they follow my trace

(Enough !)

If you ever meet
The Hounds of Tindalos
Insanity you may come across...
(Enough !)
-----
(Hommage à HP Lovecraft)
Souvent dans la nuit,
Seul dans l'obscurité,
J'entends un aboiement
Mais il n'y a rien en vue

Dans les angles du temps
Je sais qu'ils se cachent,
Sur une autre plan,
Loin de notre esprit

Si vous trouvez ceci, n'essayez pas de comprendre

Si jamais vous rencontrez
Les chiens de Tindalos
Vous risquez de tomber sur la folie...
(Assez !)

J'ai plâtré les coins 
J'ai masqué les bords
Ces stratégies
Arrêteront-elles les grands anciens ?
Si vous trouvez finalement ce témoignage,
N'essayez jamais d'en savoir plus sur moi

Dans cette quête de la connaissance et de la vérité, 
J'ai essayé de voir à travers l'espace et le temps jusqu'à ce que je me fasse attraper !
Ces créatures des temps anciens ne permettent pas une telle percée dans l'espace...
Depuis, elles suivent ma trace

(Assez !)

Si jamais vous rencontrez 
Les chiens de Tindalos
Vous risquez de tomber sur la folie...
(Assez !)

The Hounds of Tindalos

words and music K Gennery
image courtesy of Joel Durkee Unsplash
Thank you so much @monnodb for the voice at the end.


on the other side of nowhere in between the nothing she cries
a flicker of a memory drifts into longing and dispair why?

gone is the laughter from feeling to just being
existing in complete isolation
eyes open wide all but dead deep inside
just a shell of the woman

she sits in the darkness alongside delusions and agitation
time shift is a constant through the window to the garden
she stares avidly

gone is the laughter from feeling to just being
existing in complete isolation
eyes open wide all but dead deep inside
just a shell of the woman


gone is the laughter from feeling to just being
existing in complete isolation
eyes open wide all but dead deep inside
just a shell of the woman

shell

I had posted a year ago the row version of this track recorded back in 2015 (https://soundcloud.com/michele-ansani/bosque-redondo)
I thought that, after all these years, it was time to remake it, without altering the melody or the atmosphere.
Regarding the context evoked, see for example here: https://americanindian.si.edu/nk360/navajo/long-walk/long-walk.cshtml

Composed by Michele Ansani (2015-2025).
Bansuri is courtesy by Aahro.
Cover photo: Navajo girls at Fort Sumner, Bosque Redondo era, New Mexico, 1864-1868(?). Palace of the Governors Photo Archives, negative number 038208.

RePosted on SoundCloud: 2025, June 16

Bosque Redondo (final version)*

This is the third Eclectic Collective track that started with an idea of mine. Check out the others here, as well as one that I plugged a synth line into with this gang (and another one of those is coming soon):
https://soundcloud.com/tea_are_sea/sets/tea-r-sea-eclectic-collective

Josh, Ken, Stephen, and the whole Eclectic Collective are incredibly welcoming and a joy to work with. I'm really looking forward to more collaborations with these great guys in the future! 

Here is Josh's write-up with more info on this fun track:

 Cast of characters:
Tea R. Sea @tea_are_sea -- Terry – Synthesizers, Ibanez electric guitar, beats, composition, mix, and production
TexMex Shaman–@texmex-shaman –Stephen– Fender Acoustasonic acoustic guitar and e-bow
K2 and the Three [and the Four] -- @k2andthe3, @k2-kara –Ken–drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1– Custom five-string fretless bass
Llanpsych–@llanpsych –Tez– Fender Stratocaster electric guitar
electric wah guitar
Cgmaness – @hiddenhands-760647700 – Chris – vocals, vocal harmonies, and lyrics

This song began its life as a skeleton of beats and synth created by Terry, who also added some crunchy electric guitar hits to it, too. Terry is a very skilled electronic music producer, and frequent collaborator with Stephen for a project they call Texas Tea. It's worth going to check out their other collabs, as well as Terry's solo projects on his and Stephen's page. 
  Even though Terry and Stephen work together frequently, Terry approached Josh with a couple of ideas, and Josh picked this one, so Terry started the project and invited the rest of the band to join in.
 
Stephen was the lead off hitter for this one, though, adding his magical and heavily processed acoustic guitar to the bridge in the middle, as well as textural guitar in the entire first half. He also added a couple of cool lines with his e-bow, which he used on his guitar. Ken was next up to bat, adding his always thrilling drums to compliment Terry's beats. Josh went to work next, now that he had a solid beat to work with, added his low-frequency five string fretless bass to it. Tez batted clean up, adding his thrillling Gilmore-esque guitar solo to the end of it. 

  Then, once the music was all finished, we turned it over to Chris so he could add his amazing, psychedelic vocals delivering his original lyrics throughout.
  Once we had everything recorded, we turned it over to Terry to mix, as it was his song to begin with. Terry is an excellent producer with a great ear. Stephen, who is our trained mixer gave him some key advice along the way, too, though.
  This is Eclectic Collective's third song with Terry, and we're always thrilled when he has something to offer us. He's a wonderful collaborator with tons of great songs on his page, that are all worth checking out. We hope you enjoy listening to this as much as we enjoyed creating it.
  Oh, and it's worth mentioning that three of us on this have birthdays this week, too. Chris' was first, on Wednesday, Terry's was Thursday, and Josh's is Friday (today). So, this is an extra special celebratory song for all three of us. We're all so very grateful for our SoundCloud community, friends, and musical family. We appreciate all of you!

Original lyrics by Cgmaness:

Lost in inner space,
questions interlace,
often they're erased.
amnesia's saving grace.
...
Many rising up,
What do you think it means?
Anything at all?
Anything?
....................
Wonder if you feel,
any of this truth?
Root systems occur,
we are one from birth.
we are one.
....
Slow to realize,
something is in the skies.
I cannot be wise.
We are lied to.
Realize, it's all a ruse.
but, we ripple on.
we ripple on.
we are one.
...
And that's when we fell back into,
a very familiar feel.
but I know.
Just pinholes,
just pinholes. 
....
Many rising up,
what do you think it means?
....
Sometimes we have to let go!

Koala Tea

Surfers like Us ….. composition, all guitar parts, arrangement, mix and cover picture 

Hi Everyone!
This is a simple and cheerful song for our dog named Waldek who is a fan of music and especially country music! 🍀

Of course, I also love country vibe (especially Johnny Cash !!!) and use this musical heritage, but here I certainly don’t play in this style. 
Fortunately, Waldek liked this song! 🔆

Hope you enjoy the vibe! 
Thanks a lot for listening and support!
Artur

Walking with my Dog

Brand new track after a long time ago! Check out this one guys and gals and let me know if you miss my synthwave tracks with my own vocs on it! Share , Support and comment!

Let me know if u really dig it. Cheers and have a great summer y'all!

IknowIknow

Romantic〔Lylics by Romi   Composed by Romi   Arrenged by Romi , Red＆Blue〕

Based on the brilliant, absurdist, economics-meets-satire doco Dr. StrangeGov, here’s a musical vocal masterpiece—a multi-genre, showstopping anthem that could play either as a recurring motif or the climactic final number. It pulls from the tone of Avenue Q, Hamilton, and Bo Burnham with just enough absurdism and gravitas to carry the underlying truth.

The Budget's Here!

Added a since original upload ~ Bass. I was going to call my bass a bitch but I couldn't that. Harley is worth too much (59 euro on Thomann) to insult! Added Electric guitar /  Transistor piano / Cello, Violin and combined String sections 3 seperate runs /

Shout out to Single Use & Recycled. Whilst playing this electric line I'm thinking of them. There is no way I would have tried playing what I tried playing without their direct influence recently. So far I could only dream of expressing on a guitar some of the scaling they can but that highlights for me a few things... Over the decades bands are starting to disappear. Thats an industry driven thing but also a natural bi product of the ability of a band or a huge amount of what a band can do is possible by one person. That sucks for bands but it's very empowering to the individual musician. If you think pre internet, we had hubs of cities and regions where bands were spawned.... SoundCloud is like one big Seattle for me. How I learn everyday from everyones interpretation of music is astounding to me especially given a band was also for me a dream at one point as a boy. In a way even if we aren't directly collaborating it's still like we are all jamming with one another on some level and thats I guess a really positive thing in the light of less actual bands breaking through to mainstream...

Check out guitar you probably can't play and amazing songs... here: https://soundcloud.com/user-995867230 ~ Artist name: Single Use & Recycled


I bet you wouldn't be allowed to make this with ChapGPT!
I won't waste my fingers valuable energy testing that shit


Lyrics

Vaffanculo, Fuck off, Ayreh feek
Vā se foder, Foutre le comp
Gûndàn, Fakkuofu, Bhaad mein jao
Multi-continental curse with me now

Cagna, Bitch, Šarmûta
Cadela, Chienna
Mûgôu, Meinu, Kutiya
Multi-continental bitch ass wow

Where is the profane?
What gives these words power of propane
Too much? You're a clown
Rare then make impact
A ya cunt is in town

Multi-continental curse with me now
Multi-continental bitch ass wow
A ya cunt is in town

Notes
I hope nobody is offended by my terrible pronunciation. I endeavour to get that focking perfect eventually

I don't think words should ever be taught as bad. Context & frame of reference contain the meaning and intent. Calling words bad and limiting their use is limiting expression in my view. yes we should inspire younger generations to express themselves in more articulate ways but maybe our culture says curses are needed to truly express this reality. 

Multicontinental Curse

Wir bei allen bisherigen Zyklen geht es bei diesen Songs darum, sie vor dem Unterricht auf die Ohren zu legen, um sich in die Metaebene des Denkens zu heben, in der man viel entspannter und effektiver lernen kann. Also professioneller, weil man viel Zeit spart und sich dadurch bessere Noten und gleichzeitig mehr Freizeit bescheren kann. Wenn man sich auf diese Metaebene einlässt. 

19 Zu satt zum Rennen

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

Music is my true passion, I love crafting it. As a traditional percussionist I used to hate all these modern song creation tools long before AI existed I felt threatened by something as simple as a drum machine. I have now discovered how to use AI to enhance your listening pleasure, please enjoy - Natster

The Budget's Here!

Natster

Recent comments

GZuS Prime Beats

ElectroTrek

Jim Alexander Armstrong

Someone Else Ahead

Related tracks