Alex Banks is a DJ, producer and multi-instrumentalist from Brighton, UK. Praised by the likes of BBC Radio 6, Mixmag, Clash and Uncut, he makes music aimed at the dancefloor that thrills with its sonic intricacy and warm human feeling.
His prismatic sound design decorates rhythms influenced by jungle, broken beat and dubstep, while techno effects hiss and clank, and off-world IDM melodies snake around the arrangements. Bank’s sound carries instantly recognisable motifs and an impressive quality. All the while he consistently pushes the envelope with an adept technical skill and sound design which commands repeated listens.
‘Projections’ is the title of Banks’ third studio album that is set for release on Max Cooper’s Mesh in summer 2022. Characterised by his passion for analogue gear and experimentation, the work is a pure distillation of his production expertise and love for emotive synth sounds. The project includes visual collaborations with award-winning motion graphic designer Matthew Clugston and Tosh Fieldsend from renowned VFX house The Mill.
His other work includes critically acclaimed releases on Modeselektor’s Monkeytown, Ninja Tune and Hunter/Game’s Just This. Remix credits have seen brilliant re-works of Bonobo, RY-X and Raven Bush. On the collaborative front Banks is just as selective, linking with Max Cooper and Sasha respectively, the latter set for an April release on LNOE as part of the ‘TEN’ compilation. 
A musical polymath, when not immersed in the electronic world, Banks works as a sound designer, composing for film, TV and advertising campaigns. Notable achievements include projects for Global brands such as Nike, Heineken and Honda. 
Alex Banks is entering a fresh and exciting chapter in 2022. A master craftsman in the studio pushing his sound into inspiring new directions, he'll augment the eclectic  'Projections' project on Mesh with a new live AV set up, taking his creative output to a new level.

• Booking: christian@vdhaardt.com
• Management: seb@iwaad.de

I make bass music. 140 / 90 BPM
MGMT: jared@mammothmusicgroup.com

Label, booking agency & online record shop

Demo submission: 
We receive a lot of demos every day. Please understand that we are unable to listen to everything. Send your private soundcloud link to: label@kompakt.fm.

All Links: https://linktr.ee/fejka
General: officialfejka@gmail.com 
Booking: christian@vdhaardt.com
Tour/Merch: https://www.fejka.net

* Telegram Channel: t.me/mudramusic

Welcome to the dreamy audio space of atmospheric electronic label Mudra Music.

Right here and now we are sharing with you music mixes, unreleased tracks, live acts recordings and DJ's & musicians' experiments from the artists of our art community and more..

"Music - the universal language of mankind."

Events | Podcast | Los Angeles 🌴
Inquiries: info@sirens.la

Jun 14: Metrika (live), Soul Of Hex @ Los Angeles, CA
Jul 12: Theus Mago @ Tijuana, MX


Can you hear the Sirens call? 🧜‍♀️

Founder of Thievery Corporation.

In a time where much of the world is confined and fearful comes Thievery Corporation co-founder Eric Hilton’s first solo record “Infinite Everywhere”, an elegant exploration of inner space that will leave listeners feeling replenished and centered. While Thievery painted with a broad musical brush, genre hopping across (and sometimes within) over 20 plus years of albums and live work, Hilton’s solo debut is distilled, focused, and more personal.  "I’m kind of the drum & bass guy in Thievery – I’ve never been much of a player of melodic instruments. “Infinite Everywhere” is me challenging myself to play more. I started work on a laptop and cheap midi controller; when my engineer Igor Garnier heard the rough tracks, he encouraged me to play more,” says Hilton. “I’ve always been a bit of studio rat, but I've found I really enjoy making music on my own, late night with just me and a keyboard – I’m kind of hooked on that. On this record I played nearly every instrument, which I’ve never done before.”

“Infinite Everywhere” was recorded at The Winter Palace in Washington, DC from September 2019 through March 2020. The album title and concept predate the current global crisis, but are remarkably prescient, conveying feelings of melancholia and optimism in equal measure. And while Hilton has incorporated exotic musical ingredients from diverse cultures on his previous work with Thievery Corporation, “Infinite Everywhere” is decidedly more European in feel. This influence came from an unexpected place, Hilton explains: “I took a tongue in cheek influence from prog rock – the best elements of it anyway. Prog too often goes off in a direction I don’t like. But some more mellow progsongs aren’t necessarily “rock” – at their best they’re explorations of space, organic, with truly gifted playing. That part of the genre appeals to me.” 

The meditative title track and first single, “Infinite Everywhere”, personifies Hilton’s humanistic and exploratory ethos. “Infinite Everywhere” is so simple, but it always gets me into my chakra mode – there’s a realignment that comes when listening to it,” he says. The song isn’t just a doorway to the album, but a potent rhythmical mantra for willing ears. “When I meditate, I become vapor, flowing free around the earth or the atmosphere – I let myself explore in my mind, pop up on a Tokyo Street, then in Prague, or on the Ganges in India. My mind decides on the time and space. “Infinite Everywhere" represents that experience of doing that."

But don’t make the mistake of thinking that descriptors like “exploratory” and “meditative” are code for a sleepy record. As an album, “Infinite Everywhere” is the ne plus ultra of elegant groove, which Hilton has been distilling for over two decades. It kicks, and it sounds amazing. “In Thievery, we always wanted to make music that was electronic but sounded real, -that’s what I’m into. I love making real sounding things with an unusual process.”  We are living in strange times – perhaps the strangest in our lifetimes. The album’s second single, “This Strange Daze” featuring Puma Ptah, is something of an outlier, being the only song on the record with vocals, and more of a Jamaican feel. “Strange Daze” was a strong instrumental sketch, but something in me said it would be more powerful
with a vocal. I’ve been working with the incredible Puma Ptah for many years, he’s done some tracks and toured with Thievery and is the main singer for The Archives. He’s such a great writer, so I hit him up to collaborate on the track. He wrote the song about week one of this current crisis, riffing off the title, powerful lyrics about anxiety and worry eating at you, how to deal with it and cope. It occupies a very special place on the record, another point of connection.”

Nathan Murray is following