There & Back Again II

A simple little bluesy jam. Strawberry jam.

Strawberry Blues

Something different for the holidays.

A lot of synths, keyboard, guitars, bass, bassoon, sleigh bells, shakers, tambourine in a mix of beats from hip hop to pop at 85 bpm. Migrating geese in flight recorded live October and November 2023.

So I had recorded geese calls to use in music. What developed was a surprise to me, Wild Geese music that came pouring out in one eight-hour period on the day before winter solstice. Don’t know if it’s good — just what happened when the geese took me on the journey with them, flying high to their good weather hideaways or on a trip home.

Wild Geese

Ambi Zen 2 ☁️

Music composed by Exagon in February 2024

- Picture by Voxel -

Beach FM

Recorded by TPMB in Sheffield September 2018.
Terry Todd - bass
Andy Peake - keyboards
Nigel Manning - flute/sax
Paul Bray - Percussion

REBOUND (TPMB demo)

1980's inspired nostalgia. 
Co produced with my wife, Olivia Grant, as she recommended for me to change the original lead guitar part so it is more melodic and not loads of notes played in your face. I think it worked for the better.
Hope you all enjoy listening 🎧

Guitars used:
Yamaha Revstar Standard, loaded with P90 pickups
Fender Precision Bass 
Guitar and bass sounds created using Line 6 Helix Native Plugin. 

Plugins used:
Spitfire Audio Labs - Pads
Toontrack - EZ keys Synthwave 
Arturia - Analog Lab Play

Drums: 
Toontrack - EZ Drummer 3 - Dream Pop expansion 



Summer Romance

COSMOS IX

First Contact

backtrack is my own work, solos were planned to be EWI solos,
but, the good old REAL sax sounds best ! ... enjoy my humble in-one-go solo !
........... photo: Martin Denuell

just blues

Piotr Karpiuk - double bass
Jakub Zamojski - ney flute, handpan + tabla
Piotr Makaruk - sitar, kalimba, mix

broken quantizers - wandering bird exploring an underwater temple (feat. Piotr Karpiuk)

transcend

1904, March 27, Genoa.
It is said that by studying well and taking advantage by the direction and strength of the wind, Étienne Bugnion that day, at Ponte Carrega, had scored Juventus a goal from the middle of the field.
Will it be true?
It matters little. It was the only goal in the final of the italian national football championship (senior category). The Genoa Cricket and Foot-ball Club was taking its third consecutive title, winning therefore also (and definitely) a silver cup put up for grabs by its president, George Fawcus, and to the same entitled. Very nice - you can see the remembrance photo (a bit touched up, you can tell); the gentlemen posing are footballers and are holding on to it, but to be honest there was little risk of that the cup would end up in different hands.
Of seven national trophies awarded until then, only one did not show itself in the Genoa's FC trophy museum; twelve games at all since 1899, six titles won. How many clubs in the world can boast such an average?
At its dawn in Italy, it was skimpy football, a game that few could really play.

The song was composed and performed by Manuel (2021). I slightly arranged and mixed it, and wrote the related story.
Posted on SoundCloud: 2024, April 30.

Sulle ali del vento (with Manuel Davide Pietra) *

Picture is from Pietro Corrao

------

Composed by Michele Ansani (2016).
Posted on SoundCloud: 2024, May 3.

When you should wake up but want to continue dreaming your recurring dream

..someone say that May is a crucial month in the year.
 it has always brought strange suggestions to me, difficult to describe.
 clear skies, oppression, promises.
 a sense of latency, something imminent that never comes to an end.
It's the second version, i find new parts for a more rich harmonic, melodic and rythmic structure. now need to work on the dinamic of notes and the legatos with the pedal.

The title refers to the magnificent poem of the same name 
by Arthur Rimabud, written in May 1872.

Still in progress

Bannières de mai:

Aux branches claires des tilleuls
Meurt un maladif hallali.
Mais des chansons spirituelles
Voltigent parmi les groseilles.
Que notre sang rie en nos veines,
Voici s’enchevêtrer les vignes.
Le ciel est joli comme un ange.
L’azur et l’onde communient.
Je sors. Si un rayon me blesse
Je succomberai sur la mousse.
Qu’on patiente et qu’on s’ennuie
C’est trop simple. Fi de mes peines.
Je veux que l’été dramatique
Me lie à son char de fortune.
Que par toi beaucoup, ô Nature,
– Ah moins seul et moins nul! – je meure.
Au lieu que les Bergers, c’est drôle,
Meurent à peu près par le monde.
Je veux bien que les saisons m’usent.
À toi, Nature, je me rends;
Et ma faim et toute ma soif.
Et, s’il te plaît, nourris, abreuve.
Rien de rien ne m’illusionne;
C’est rire aux parents, qu’au soleil,
Mais moi je ne veux rire à rien;
Et libre soit cette infortune.

Mai 1872

Bandiere di maggio:

Tra i rami dei tigli
muore un esangue grido di caccia.
Ma canzoni argute
volteggiano fra l’uva spina.
Il sangue rida nelle nostre vene:
ecco che già s’intrecciano le viti.
Il cielo è leggero come un angelo.
L’azzurro e l’onda si confondono.
Esco. Se un raggio mi ferisce
io morirò sul muschio.
Pazientare ed annoiarsi
è troppo semplice. Al diavolo le mie pene.
Io voglio che la drammatica estate
mi leghi al suo carro della fortuna.
Possa io morire per opera tua, Natura,
ma meno vuoto e meno solo!
Mentre i Pastori, è strano,
muoiono quasi per opera del mondo.
Desidero che le stagioni mi consumino.
A te, Natura, io mi arrendo,
con la mia fame e tutta la mia sete.
E tu, per favore, nutri e disseta.
Niente, più niente mi illude;
ridere al sole, è ridere ai genitori,
ma io non voglio ridere più a nulla;
e libera sia questa sventura.
Maggio 1872

bandiere di maggio *2nd.study

Online session with Mr.Sunahara
Melodion :me
Synth:Mr.snahara https://soundcloud.com/sunahara1976

Beautiful soundscape!!

Enjoy

Lost City In Color -Syncroom session with Mr.Sunahara

.... playing a jaw harp here (a Doromb, made in Hungary) - the track is my own composition,
all instruments by me .... enjoy this chill out jam <3 ..... photo: siebeckdotcom, pixabay

Doromb Jam

access denied

Access Denied

Escape

Recorded in Modesto, Ca. Frans Beelaard. Special Guest, Sergio Parraga Congas (Spain). Featuring Gibson 335 Electric Guitar solo. Trumpet solo. Alto Saxophone solo. Fender Electric Bass. Roland Synthesizer Bass. Fender Rhodes Electric Piano Rhythm. Gibson L5 Electric Guitar Rhythm. Gibson SG Electric Guitar Rhythm. Horn Section, Alto, Tenor Baritone Saxophones. Trap drum full kit. Percussion Ago go Bells, Tambourine, Cowbell, Zildjan 22" ride & Crash cymbal.

Cannery Row

Mushrooming

Huge thanks to my brother LEOPARDYURI for handing me this amazing song to join him in. Original lyrics and music by LEOPARDYURI. Check out his amazing music here:

https://on.soundcloud.com/dB6WJq9naVPYSPpx8

My liver handles what my heart can’t,
heartbroken, 
on a sunset,

My liver handles what my heart can’t,
heartbroken, 
on a sunset,

We will never be good friends,
We will never talk again,
Ecstasy will be my friend,
At least we had some good sex,

yeah,

Ecstasy will be my friend,

yeah,

Ecstasy will be my friend,

My liver handles what my heart can’t,
heartbroken, 
on a sunset,

My liver handles what my heart can’t,
heartbroken, 
on a sunset,

Ecştasy-LEOPARDYURI-ŞolaceŞtreet

Big thanks to my friend Ēla for making this incredible track for me to drop into in my 3rd genre mashing. Adding Darkfolk into trip-hop…killer beats…Check out Ēla’s amazing music here!

Guitar/Lyrics/Atmosphere by ðüşț

Drëamş-Ēla & ðüşț

Home Recordings / Curated Playlists / 

Collaboration / Participation / 

In pursuit of novelty. /

There & Back Again II

Nathaniel Ehrnman