Music Video: https://youtu.be/SWv_UJCizBk

Presenting my HYPERGLITCH series EP - Multiverse! 

I am beyond excited to share this with you, as it has been in the works for quite a while now! A huge thanks and a shoutout to Woulg for curating the HYPERGLITCH series and giving us this opportunity. I am honored to be a part of it! As well as a huge thanks to Detroit Underground for taking the series further!

Album description by @woulgmusic:

"Melancholy isn't just a feeling in this album, it's a taste, it's a texture, a shroud that encompasses you while you listen. Abroxis has an incredible talent of pulverizing you with heavy, lumbering beats and basses and somehow pulling you out of your body and letting you float over top of it all with his synth lines. This album is really a synthesis of the brutal and the beautiful. It's a sort of emulsion of the two in a way that seems almost impossible. It reminds me of that type of silence; the type you only hear in the worst situations. When time slows down. When the driver loses control of the car on the highway. Swerving from left to right as he overcorrects. There isn't enough time to really think anything, you know he's going too fast. There's that moment where you feel frozen. It's the moment where you know what is about to happen, but it hasn't happened yet, and you're trapped just waiting for it. That's when time slows to a stop for a moment. That's when the silence really settles in. Abroxis has somehow crystallized that feeling into the sound of an entire album. 

I think a core aspect of everything that I tend to think of as "hyperglitch" has a taste of this melancholy, but with Abroxis, it's really on full display. There's something unique about the way that really elaborate, intricate and at the same time brutalizing sound design can describe the sort of helpless violence that can accompany a deep sadness. And the sadness, despondency and apathy can be depicted so accurately with exactly the types of textural, hyper-detailed synth manipulation that is on display in Multiverse."

Composition, production & mastering by: @Abroxis
Released by: @detroitunderground
Artwork by: ANTIREAL (@n2-music)

Bandcamp

Silver Sun

Music Video: https://youtu.be/6fssmedUiG8

Presenting my HYPERGLITCH series EP - Multiverse! 

I am beyond excited to share this with you, as it has been in the works for quite a while now! A huge thanks and a shoutout to Woulg for curating the HYPERGLITCH series and giving us this opportunity. I am honored to be a part of it! As well as a huge thanks to Detroit Underground for taking the series further!

Album description by @woulgmusic:

"Melancholy isn't just a feeling in this album, it's a taste, it's a texture, a shroud that encompasses you while you listen. Abroxis has an incredible talent of pulverizing you with heavy, lumbering beats and basses and somehow pulling you out of your body and letting you float over top of it all with his synth lines. This album is really a synthesis of the brutal and the beautiful. It's a sort of emulsion of the two in a way that seems almost impossible. It reminds me of that type of silence; the type you only hear in the worst situations. When time slows down. When the driver loses control of the car on the highway. Swerving from left to right as he overcorrects. There isn't enough time to really think anything, you know he's going too fast. There's that moment where you feel frozen. It's the moment where you know what is about to happen, but it hasn't happened yet, and you're trapped just waiting for it. That's when time slows to a stop for a moment. That's when the silence really settles in. Abroxis has somehow crystallized that feeling into the sound of an entire album. 

I think a core aspect of everything that I tend to think of as "hyperglitch" has a taste of this melancholy, but with Abroxis, it's really on full display. There's something unique about the way that really elaborate, intricate and at the same time brutalizing sound design can describe the sort of helpless violence that can accompany a deep sadness. And the sadness, despondency and apathy can be depicted so accurately with exactly the types of textural, hyper-detailed synth manipulation that is on display in Multiverse."

Composition, production & mastering by: @Abroxis
Released by: @detroitunderground
Artwork by: ANTIREAL (@n2-music)

Eternal

Collaboration with my friends from https://soundcloud.com/rawtekk

Hallumakken

Pianoman (ft. Rawtekk)

Self Creates Self

co-founder of hyperglitch pioneers @glitch-dot-cool | @soup_lab is a producer based in Detroit. soup’s work has been coterminous with the development of hyperglitch, over a pair of EPs, live sets, and a number of singles and remixes, continually delineating and redrawing the possibilities of the genre. Across upwards of a decade of production, soup’s music has been persistently cutting-edge and persistent in its articulation of a sublimity readily available when computational tools become simultaneous with the shattered mouthing of experience.

One of the most beautiful things about soup’s Realist mix is its demarcation of hyperglitch as a glisteringly intertextual music. With glitch as a basis - and its tenets of emotive centrality and crystallisation via the systemic glitch - flickerings of all else become tinged with poetic importance. Touches of dubstep, future garage, caged tones reminiscent of French house. When glitch occurs it intimates alterity, some secretive crackling in perceived perfectibility. The fissure shoulders a humanity when it enters into cooperation with expression. The expression does not enter our world only as disruption, but a reformulation of the significance of what is broken apart and what is after broken. So when these other musics flicker, they do so not with nostalgia nor a parodic wink, but as composites of an overarching articulation of selfhood within the disrupt.

Many of these writings seem weekly to refer to potentialities, half-stoppered yet unstoppered voices - dubieties of hauntology and its unimaginative ahistoricity. soup’s mix is immediate. It does not disguise its urgency. Where it reappropriates, it colours with an exigency of feeling. It is heavenly straightaway and that itself is an adjuration to the radicality of beauty in the breakability of the at-hand.

tracklist:
0:00  soup - ID
0:27  soup - wind channels
2:07  soup x azura - ID
3:22  soup x azura - ID
4:48  soup - Diamond Eater
6:30  soup x azura - ID
8:00  Grape Milk - Sing in the Bathroom (soup remix)
10:30 soup - memorycore
13:33 Ghost Factory - It Will Be Okay. We Can Walk Through This Forest Together.
15:00 soup - 11111
17:30 soup - self creates self
19:30 soup - gasoline flipper
22:45 soup - ID
24:00 soup - ID
25:10 soup - ID
28:00 soup - 6666

art by https://www.instagram.com/grinnallll/

Realist Alive Radio 022: soup

Genre: Cyberchrome
BPM: 132

Art by Cenketsu on IG

cut (solemn lament) | #Etern1tycorp @prodbyarto + @xtatus

@outtallectuals
Artwork by https://erikartoon.tumblr.com
0:00 Jubjub's Sunset Resort
3:30 Squid Kid's Ragtime Caboose
7:51 Yooka Laylee's Vorpal Sword
12:56 Fluorescent Bartleby’s Doily Vest
18:00 Opaque Ogilvie's Whirligig Chute

Free Download

Frabjous Day (Full Extended Play)

Mieux

The one and only record deal I had for Native Cell project. 

Shapes One (TRUCD045) 2003
Tru-Thoughts recordings
http://www.tru-thoughts.co.uk/releases/Various/TRU045

Ding Dong Fairy Queen (2003)Tru-Thoughts compilation "Shapes One"

So after 2 crashes and 6 hours of work down the drain, I've finally finished this one. The second crash almost made me give up, but then as a bit of a 'fuck you' to ultra unstable adobe audition 3, I took the corrupted recovery file and mashed some of it into the track...which made me feel loads better.
Anyway it's probably one of my longest tracks to date (in both track length and time to make) so let's just hope it's been worth it....
If you want the full binaural effect, listen on headphones.

Released in the Libet Tones EP on Detund: 
http://detroitunderground.net/blog/2012/05/03/vaetxh-libet-tones-du17/

Buy the EP

Vaetxh - List of Lists [Libet Tones EP, more info in description]

Thanks for listening!

I don’t have any future releases planned for this project, but I still have some archived demos and unreleased tracks that I may share from time to time. 

Simon