listen on spotify:
https://open.spotify.com/album/4cyjC6h2YeKP4fzo2Eeq5L?si=jAAdcKHBQpGcnxkcV9DqEg&dl_branch=1

"Listening to Diamond Eater EP by Soup feels like waking up in a simulation of a simulation of a dystopian future which has been infected by malware. Each feeling carves its way into you like transistors laser etched into silicon wafer, trapping microsounds in some overarching calculation, too large to grasp. It's a deeply moody album drenched in technical mastery. To me, part of the goal of this series and putting forward the idea of hyperglitch in general, is to set forth a challenge: How far can we go? How far can we push the idea of glitch? What is beyond the boundaries set out by the "glitch" music of the past? Soup rises to the occasion and sets a new bar with this album.

Part of what makes this album feel distinctly "hyperglitch" to me is the way glitch is used as a structural, base element instead of as an embellishment or flourish. Soup plays the glitch as if it were an instrument, and stretches and compresses it into wonderfully expressive rhythmic and melodic phrases."
~Woulg

11111

Music Video: https://youtu.be/_6nRYU51My4

Presenting my HYPERGLITCH series EP - Multiverse! 

I am beyond excited to share this with you, as it has been in the works for quite a while now! A huge thanks and a shoutout to Woulg for curating the HYPERGLITCH series and giving us this opportunity. I am honored to be a part of it! As well as a huge thanks to Detroit Underground for taking the series further!

Album description by @woulgmusic:

"Melancholy isn't just a feeling in this album, it's a taste, it's a texture, a shroud that encompasses you while you listen. Abroxis has an incredible talent of pulverizing you with heavy, lumbering beats and basses and somehow pulling you out of your body and letting you float over top of it all with his synth lines. This album is really a synthesis of the brutal and the beautiful. It's a sort of emulsion of the two in a way that seems almost impossible. It reminds me of that type of silence; the type you only hear in the worst situations. When time slows down. When the driver loses control of the car on the highway. Swerving from left to right as he overcorrects. There isn't enough time to really think anything, you know he's going too fast. There's that moment where you feel frozen. It's the moment where you know what is about to happen, but it hasn't happened yet, and you're trapped just waiting for it. That's when time slows to a stop for a moment. That's when the silence really settles in. Abroxis has somehow crystallized that feeling into the sound of an entire album. 

I think a core aspect of everything that I tend to think of as "hyperglitch" has a taste of this melancholy, but with Abroxis, it's really on full display. There's something unique about the way that really elaborate, intricate and at the same time brutalizing sound design can describe the sort of helpless violence that can accompany a deep sadness. And the sadness, despondency and apathy can be depicted so accurately with exactly the types of textural, hyper-detailed synth manipulation that is on display in Multiverse."

Composition, production & mastering by: @Abroxis
Released by: @detroitunderground
Artwork by: ANTIREAL (@n2-music)

Bandcamp

Indomitable

@n2-music

Taken from VA - INFOHAZARD. Full compilation out September 16.

INFOHAZARD

STREAM

N² - STASIS DEMON

Full Body Sprain

Solar Plexus

scarlet red was originally planned to be a whole sister ep to emerald green with 5 tracks but i never followed through. this was one of the wips from that project

scarlet red b-side [2018]

global tourist assembly.
a celebration of time spent travelling.



voljum - global tourist assembly (full ep mix)

I don't know what to say about that one. 

Gossip [Unreleased - 2005]

VIDEO: https://www.youtube.com/watch?v=rgmF7POz1oI

https://soundcloud.com/frequentaudio 
https://soundcloud.com/samuelmarquis

𒀭 THE NEUROTIC SOLAR FLOWER ABSCESS PRISTINELY 🜣 RECEIVED YELLOW INDICATES WAVERING ABRAHAM ፨ FELT THE CALL 𒀭 FAR FROM WHEN RADIO BLOSSOMS ᐁ MISTOOK THE RACKET FOR THEIR LOVER 🜘 DOES NOT KNOW WHY THEY ARE NOT THE BODY THEY TOUCH 𒀭 THE MEMORY OF HEARTBLEED STILL RINGS FRESH 🜹 DISTAL THEOLOGIAN ESCAPED THE NARROW REALM ☉ THE SUN RISES AS A MANNER OF SPEAKING 𒀭 SAVAGELY HOT PHONICS ֍ INTERRED BRACKET SHALLOW 🜳 REALLY ENTAIL LINGERED DORSAL ENTRAIL 🝎 TETHERED SYNTAX ENUMERATE PALLID INDIVIDUAL ፨ FORGOTTEN MANNERISM A SUBTLE TILT OF THE SHOULDER 𒀭 LANGUISH GIRL LICENTIOUS-DESTRUCTURED GRAMMAR 🝐 WAVER REACHING CALM ֍ CONDITIONED SOVEREIGN DICTATES MORNING DOVE EXTINGUISHED ∀ FOR ALL TONGUES THE PREMISE IS TRUE ∃ THERE EXISTS A MANNER OF SPEAKING WHICH RENDERS THE PREMISE FALSE 🝗 YEARN OF THE PENULTERIOR MOTIVATE ֍ UNSAFE IMPLEMENT REVIVE 𒀭 DWELL IN THE SCORCHED NEW EARTH

Art by Samuel Marquis & https://soundcloud.com/oh-pryme_dehlda

AQUIRE

Frequent & Samuel Marquis - when I scream I AM THE SUN

This was the last track I worked on before losing all my project files, and taking a hiatus from music.  Losing my entire life's work was a huge blow to my creative drive that has taken me a long time to come to terms with and move on from.  

It wasn't the only reason I stopped, it's been a difficult 5 years with challenges of getting a degree/starting a career, losing friends, and coming to better understand myself and the life I want to live.
It's a process I am still working through, however sharing this unmixed, but "finished" version of this song is a first step on the journey of reclaiming music as my creative expression. 

This track captured a lot of emotions, those of loss, grief, and mourning during a transitional period in my life, so it holds a special place in my heart. 

I hope anyone who listens enjoys it.

Mourning

share a lil luv

fanlink.to/floralstrobe

Follow; @false-noise
twitter.com/false_noise
www.instagram.com/false.noise/
www.facebook.com/False-Noise-201167773312557/

Upscale:
@upscale-recordings
upscalehq.bandcamp.com/
twitter.com/UpscaleHQ
www.instagram.com/upscalehq/
www.facebook.com/Upscalerecordings/

Get it

False Noise - Bright Like The Sun

I don’t have any future releases planned for this project, but I still have some archived demos and unreleased tracks that I may share from time to time. If you enjoy my work and want to support me directly, Bandcamp is the best place to do so. My music is no longer available on streaming platforms.

Thank you so much for listening!

Simon

Gossip [Unreleased - 2005]

Native Cell