La traccia "Once Upon a Time" di Native Sound è un brano di musica elettronica appartenente al genere Deep House. Il pezzo ha una durata di cinque minuti. Il sound è caratterizzato da atmosfere rilassanti e profonde, tipiche del genere Deep House, perfette per accompagnare momenti di relax o di concentrazione.

Il brano sembra essere stato prodotto con cura, con un'attenzione particolare alla creazione di un'atmosfera sonora immersiva. La musica è ideale per chi cerca un sound rilassante e profondo, perfetto per una serata tranquilla o per un momento di studio.

In generale, "Once Upon a Time" di Native Sound è un brano di musica elettronica di alta qualità, che sicuramente piacerà ai fan del genere Deep House. Se ti piace la musica elettronica rilassante e profonda, potresti apprezzare questa traccia.

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The track "Once Upon a Time" by Native Sound is an electronic music track belonging to the Deep House genre. The song is five minutes. The sound is characterized by the relaxing and deep atmospheres typical of the Deep House genre, perfect for moments of relaxation or concentration.

The track seems to have been carefully produced, with particular attention to creating an immersive soundscape. The music is ideal for those seeking a relaxing and deep sound, perfect for a quiet evening or a study session.

Overall, "Once Upon a Time" by Native Sound is a high-quality electronic music track that will surely appeal to fans of the Deep House genre. If you enjoy relaxing and deep electronic music, you might enjoy this track.

Once Upon a Time

One Step Away from The Abyss

Producer of electronic, ambient and experimental music from the North coast of Italy. Subscribe to the channel, like, share. Thank you. 

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Rosario Marcianò (Native Sound), in addition to being an author of essays, a documentary filmmaker and an independent investigator, especially expert in the field of clandestine geoengineering and geopolitics, is also a musical composer. Self-taught, since adolescence he has cultivated, among other things, a passion for art whose inspiring goddess is Euterpe. This passion, over time, has given rise to a style and inspiration transfused into instrumental productions of considerable emotional impact. 

His compositions, which tend to go beyond the boundaries of more or less codified genres or subgenres, tend to combine a tense, sometimes hammering sense of rhythm with melodic lines not devoid of a refined dissonance. Generally speaking, these creations can be traced back to the field of soundtracks accompanying dramatic films, thrillers, action films.

It is symptomatic that the motifs created are exclusively instrumental, we would say orchestral, so as to focus the enjoyment on the essence inherent to the art of sounds, without the intervention of the text which, although it can enrich the score, sometimes distracts from the heart of the inspiration. However, the titles, almost always coinciding with a single word or a syntagm of strong texture, introduce the forms and functions of verbal language to recover, so to speak, the eclipse of words.

The tracks are precisely fixed by incisive and pregnant titles, not only in relation to the phonic and melodic structure, but also foreshadowing abysmal themes: life, death, destiny, freedom, hope, nature, love, memory, meaning, power... They are the same contents that dot the section dedicated to the maxims: for this reason it seemed appropriate, indeed natural to us to match some pieces with precise aphorisms, as a harmonic complement. A music therefore to listen to, but also to read with a multisensory approach that involves soul and intellect, aesthetic pleasure and reflection.

One Step Away from The Abyss

Native Sound

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