Djent - 3

Bad Seed - 5

Noise for ears - 12

ProggRockKL🎭

prog frog - 9

metal hardcore heavy shit stay away  - 10

Smokeing the kasha

ear food

Native Construct

Contes Cruels

L'oiseau mort

Nomad's Land

Plumes

Artiste

Fleurs de cerisiers

Mauvaise graine

Illuminator

Cease Fire (Interlude)

Blind Faith

The Prospect

Empire: Disarray

For more info on Dethroned & Uncrowned visit: http://www.kscopemusic.com/katatonia/
Pre-order the 2CD Digibook version from the Kscope Store: https://www.burningshed.com/store/kscope/product/272/4885/
or the Double LP HERE: https://www.burningshed.com/store/kscope/product/272/4886/

'The One You Are Looking For is Not Here' (lyric video) (from Dethroned & Uncrowned)
Guest vocals by Silje Wergeland courtesy of The Gathering.

In August 2012 Katatonia released Dead End Kings, their ninth studio album. The album was the band's most successful to date and cemented the Swede's position as masters of sorrowful metal.

Dead End Kings was released on the Peaceville label, the band's home for the past 14 years. In September 2013 the band return with Dethroned and Uncrowned, their first release on Kscope, Peaceville's sister label.

Many of the ecstatic reviews the Dead End Kings received commented on the fact that the album marked another step in the band's journey towards a more progressive sound. Dethroned and Uncrowned allows them to explore these elements of the record further as they have reworked the album, creating new moods and textures while still staying truthful to the core of the songs.

The album will be available on double LP, download and as 2 disc (CD & DVD-AV) digibook set, which also features a 5.1 surround mix of the album.

Tracklist
1.The Parting 
2.The One You Are Looking For Is Not Here (download: http://bit.ly/18zMCWq)
3.Hypnone 
4.The Racing Heart 
5.Buildings 
6.Leech 
7.Ambitions 
8.Undo You 
9.Lethean 
10.First Prayer 
11.Dead Letters

For more info on Dethroned & Uncrowned visit: http://www.kscopemusic.com/katatonia/
Pre-order the 2CD Digibook version from the Kscope Store: https://www.burningshed.com/store/kscope/product/272/4885/
or the Double LP HERE: https://www.burningshed.com/store/kscope/product/272/4886/

Kscope - Volume 5

The One You Are Looking For Is Not Here

Kscope Store

Katatonia - The One You Are Looking For is Not Here (from Dethroned & Uncrowned)

https://itunes.apple.com/us/album/all-that-single/id948871236

New Single off my upcoming mixtape! 
Twitter: https://twitter.com/TrayJack 
Facebook: http://www.facebook.com/trayjackmusic

Tray Jack - All That [Free Download]

State Faults - Wildfires

State Faults - "Incantations"

Children Of The Moon

Bodega Head

Wind Song

Mind Games

I Know (I Know) (Elements Mix)

Out The Blue (Elements Mix)

Only People (Elements Mix)

You Are Here (Elements Mix)

Intuition (Elements Mix)

Saving Abel

Addicted

The Sound of Madness

The Crow & the Butterfly

Hellbilly Deluxe

Living Dead Girl

Outlaw Gentlemen & Shady Ladies

Lola Montez

Vulgar Display of Power

Walk

The third record off Cyrus's first official album, "We Should Just Enjoy Ourselves." Tracks will be periodically released from now until the end of July. Please be sure to support on streaming apps such as Spotify, Apple Music, and Google Play! youlovecyrus.com/wsjeo

Produced by: Mantra
Stream/Purchase at: youlovecyrus.com/wsjeo

http://youlovecyrus.com
twitter.com/youlovecyrus

Album art - Aaron Bell

Booking/Press: info@thespecktators.com

Buy/Stream

Cyrus - We Could Just Enjoy Ourselves

Odyssey

Acceptance - Concealing Fate Part One

Brain Salad Surgery

Toccata (2014 Remaster)

Produced by Luke White (@lwotb)

LYRICS BELOW

Buy on iTunes: http://itunes.apple.com/album/id1134706937?ls=1&app=itunes
Buy on Google Play: https://play.google.com/store/music/album/Bazanji_Why_feat_Justin_Stone?id=Bhihdbke2dc22zoynbyfnhcb6ge
Stream on Spotify: https://open.spotify.com/track/5j8OlzSqLg4nwbG1VcwGhQ
Stream on Apple Music: http://itunes.apple.com/album/id1134706937

Connect With Bazanji
►Twitter: www.twitter.com/Bazanji
►Instagram: www.instagram.com/bazanji919
►Facebook: www.facebook.com/Bazanji
►YouTube: www.youtube.com/bazanji
►Website: www.bazanji.com/

Connect With Justin Stone
►Soundcloud: @justinstonemusic
►Facebook: https://www.facebook.com/justinelistone
►Twitter: https://www.twitter.com/JustinStone_
►YouTube: https://www.youtube.com/channel/UCopd7DDjaIjzp8JXMKFvL8w

--

LYRICS

[Hook - Bazanji]
Why you gotta do me like that?
Why you gotta do me like that?
Why you gotta use me like that?
Why you gotta use me like that?
Why you gotta do me like that?
Why you gotta do me like that?
Why you gotta use me like that?
Why you gotta use me like that? Yeahhhh

[Verse 1 - Bazanji]
Ok, you know me you owe me all the time
You told me you'd show me
All the ways you'd grow me, you phone me
When I got money you hold me
But I know it's phony, you fakin'
Then we text and you flakin'
Told myself to be patient and now my whole body achin'
And I be goin' to get it alone,
Knowin' the way and I'm ready to go,
Knowin' I'll never be ready to slow,
Knowin' the money is ready to blow,
Knowin' I've never been tellin' no lies,
Knowin' I'm never gon' show a disguise,
Hit up A-Bone and I'll be in the skies,
I've just been hopin' that nobody dies,
And I've been workin' no lurkin,
I'm murkin' tracks and I'm certain,
I'm curvin' phone don't disturb him
I'm busy, who with me?
I got no time for burdens, I'm burnin'
See the top and I'm flirtin'
But I'm thinking 'bout the time I could've had and I've been wonderin...

[Hook - Bazanji]
Why you gotta do me like that?
Why you gotta do me like that?
Why you gotta use me like that?
Why you gotta use me like that?
Why you gotta do me like that?
Why you gotta do me like that?
Why you gotta use me like that?
Why you gotta use me like that? Yeahhhh

[Verse 2 - Justin Stone]
Almost famous, almost known
Always out on my own, yeah
On the grind like every night,
Can't take me outta my zone, yeah
Planned this all at 15,
20 now and it came true,
Killin' every track, killin' every verse,
That's just what it came to,
Every city we ran through they wanted more,
Groupie girls wanna settle down but I just ignore,
Sorry babe gotta fade away,
Makin' noise like an 808,
I can't help if you fall in love,
Can't stay around, gotta get away
Don't hit me up, last year you turned me down
Ever since you saw my name in lights you came around,
Why you do me like that? Yeah, tell me why you do
Why you do me like that? Yeah, tell me why you do..

[Hook - Bazanji]
Why you gotta do me like that?
Why you gotta do me like that?
Why you gotta use me like that?
Why you gotta use me like that?
Why you gotta do me like that?
Why you gotta do me like that?
Why you gotta use me like that?
Why you gotta use me like that? Yeahhhh

<a href="https://theartistunion.com/tracks/0ed847" rel="nofollow">Download for free on The Artist Union</a>

Summer Singles

Free Download

WHY? (ft. Justin Stone)

Karn Evil 9 2nd Impression (2014 Remaster)

Vimana

Speechless

Citizen

Half Light

Disconnect

Where's my patience?
Written/Produced/Mixed By GALLO

NYC SHOW DEC. 15th

Patience (Prod. By GALLO)

Lyrics:

Sometimes sometimes 
you gota bite the bullet
negative shit gets me down sometimes
but ima live life to the fullest
people come & people go
im learnin that as i grow old
the warmest people can go cold
i never let it jade soul
im just too strong for that shit
i dont let it get me phased
they mad that my confidence lit but
i love myself so let em hate
the haters can watch as i celebrate
to whom of which this i dedicate
they doubt me they doubt me but little do they know i use it as fuel to regenerate
 
gota love the motivation

sometime sometimes
you gota take no for a yes
they're gona try to shoot you down down but you gota throw on a vest
look just let me talk
im not tryna preach
but i got enough 
& enough is a feast
i dont need a rari to know that im poppin ill pull up in rollerblades and take ya bish 
yeah 
um
i do it to say that i did it i get it i got and after im done with that shit 
but 
thank you for the motivation

gota love the motivation

Croosh

Motivation (Prod. Croosh)

Quiet World (Instrumental Version)

Passage (Instrumental Version)

The Spark of the Archon (Instrumental Version)

Mute (Instrumental Version)

Chromatic Aberration (Instrumental Version)

Come Hell or High Water (Instrumental Version)

From State Faults' "Desolate Peaks" LP out now on Tiny Engines

Order Now: http://tnyn.gs/state-faults

State Faults - Sleepwalker

Dead End Kings

Ambitions

Hypnone

Robert Edens: Vocals
Myles Yang: Guitar
Max Harchik: Bass

Native Construct is the product of collaboration between several students that began in 2011 at the storied Berklee College of Music in Boston, Massachusetts. Fueled by a desire to breathe new life into the modern metal genre, Native Construct artfully blends a wide spectrum of compositional influences, ranging from classical all the way to prog metal and musical theatre. The result is a wonderfully unique sonic texture, made up of extended-range guitars, theatrical vocals, and a full complement of symphonic instrumentation. Guitarist and composer Myles Yang’s passion for innovation, coupled with his extensive academic study of arranging and compositional techniques, makes Native Construct a truly distinctive up-and-coming metal act.

In 2014, the band’s music caught the ear of Brian Slagel at Metal Blade Records, and led to a recording contract and a worldwide release of the band’s debut album, Quiet World. The album promises to be a rich, vibrant, and aurally engaging musical experience. While following a musically programmatic approach to its storytelling, the album demonstrates a fascinating unification of numerous musical styles and provides an emotional journey through the vast and imaginative world Native Construct have envisioned.

Quiet World was largely self-produced and written between 2011 and 2013 in between the individual band members’ studies at the Berklee College of Music. What began as jam sessions simply for fun eventually turned into a full-fledged musical endeavor. All tracking and programming was done at the band’s home studios in Boston, MA, with the exception of vocals, which were recorded with Jamie King at The Basement Studios in Winston-Salem, NC. The album was mixed by Rich Mouser at The Mouse House Studio in Los Angeles, CA, and mastered by Jamie King.

A brief listen to Quiet World is enough to make it apparent that there is a concept, here. Though it’s best to let the band explain the album in their own words: “Quiet World is about a guy who loves a girl. The guy is a bit of an odd and eccentric person – an outcast. He’s also a mute, and a little unstable, as it turns out. The girl doesn’t return his feelings, but he can’t bring himself to let go. As his unrequited passion for her devolves into obsession and eventual resentment, his mind begins to slip further and further away. He convinces himself that he can’t be loved because of his condition and abnormalities. So he decides to create for himself a new, fantastic world of which he has complete control – a world where there are no oddballs or outcasts. A world where everyone is surrounded by people who are just like themselves: a much quieter world.

“It’s at this point that the first track of the album, “Mute,” begins. And it turns out that many of the subjects of his new world are not as content living this way as he is. In the second track we see a new character, the Archon, rise up and unite his people in the clouds with the once distant people in the sea. He leads an opposition to “Sinister Silence,” as the people come to call him. The rest of the album unfolds with events within the “Quiet World” and manifestations of the enduring struggle between the Archon and Sinister Silence. The lone exception is track number four, “Your Familiar Face,” which steps out of this world for a moment to give a closer look at the events prior to the first track and the tragedy of Sinister Silence.“

What is impressive about Native Construct is not necessarily an involved concept on a debut record, it’s that they wrote, produced, and recorded the album while balancing school work and on a college student budget. It’s the epitome of “self produced.” And what Native Construct wants fans to know is that “the composition process for this album was intensely meticulous from top to bottom. Each note, each lyric, each twist and each turn were arrived at with the utmost care. As such, we were able to weave rich, often subtle layers of meaning into the music and text. We’re very excited for you all to experience the result of our efforts!”