songs ive listened to death

anime

Native Construct

metal and rock

cute shouty boys

complexity

tolerable chaos

HAKEN - Deathless. Taken from 'Visions'. Sensory Records 2011.

Check out HAKEN on their upcoming tour:

Haken, Leprous and Maschine:
(Presented by Prog Magazine)
23rd October, 2014 – London, The Garage
24th October, 2014 – Leamington Spa, Assembly
26th October, 2014 – Bristol, The Fleece
27th October, 2014 – Wolverhampton, Robin 2
29th October, 2014 – Dublin, The Village
30th October, 2014 – Liverpool, O2 Academy 2
31st October, 2014 – Manchester, Club Academy
1st November, 2014 – Edinburgh, The Liquid Room
2nd November, 2014 – York, The Duchess

Deathless

HAKEN - Falling Back To Earth. Taken from 'The Mountain'. InsideOut Music 2013.

Check out HAKEN on their upcoming tour:

Haken, Leprous and Maschine:
(Presented by Prog Magazine)
23rd October, 2014 – London, The Garage
24th October, 2014 – Leamington Spa, Assembly
26th October, 2014 – Bristol, The Fleece
27th October, 2014 – Wolverhampton, Robin 2
29th October, 2014 – Dublin, The Village
30th October, 2014 – Liverpool, O2 Academy 2
31st October, 2014 – Manchester, Club Academy
1st November, 2014 – Edinburgh, The Liquid Room
2nd November, 2014 – York, The Duchess

Falling Back To Earth

Known for it (Freak Grips)

4th Installment of the Wish Upon A Blackstar Series.

Available at www.fixtstore.com/celldweller

Wish Upon A Blackstar

Gift For You

Taken from the album "The Congregation". Inside Out Music 2015.

LEPROUS -  Rewind

Dance Gavin Dance We Own The Night

We’ve been fortunate enough to work together and have a front row seat to the craziness and innovation he brings to scene.. Now he blesses us once again... pure art~
@whereisalex - Death

discover whereisalex : @whereisalex
https://twitter.com/nowherealex
https://www.facebook.com/whereisalexmusic
https://whereisalex.bandcamp.com/
https://sellfy.com/whereisalex

Artwork by @whereisalex <3 
----------------------------------------------------
info@zensupremacy.com

<3

whereisalex - death

Drift

Continuum

! ENTER THE GUNGEON ( Original SoundTrack ) ! 
Is a blistering yet beauty bottomed bounty of BEATS, STRINGS, SING, CHIP & ATTITUDE. Created as Original SoundTrack for "ENTER THE GUNGEON" an IndependentVideoGame crafted by DODGE ROLL GAMES and published by DEVOLVER DIGITAL. ENJOY the sprawling slapping and pleasantly punishing sounds of ENTER THE GUNGEON, in one 85+ minute blend of anthemic and angular bangers! 

!!!! BONUS MUSIC, ART, & MORE !!!! 
! AVAILABLE ONLY ON BANDCAMP ! 


ENTER THE GUNGEON is available on PS4 & STEAM (MAC/PC/LINUX) 
VISIT www.EnterTheGungeon.com for MORE INFO! 
ENTER THE GUNGEON is a bullet hell dungeon crawler following a band of misfits seeking to shoot, loot, dodge roll and table-flip their way to personal absolution by reaching the legendary Gungeon’s ultimate treasure: the gun that can kill the past!!! 
store.steampowered.com/app/311690/
credits


ENTER THE GUNGEON

with @xandg ( @xianmusic & @gaszia )

All characters appearing in this work are fictitious. Any resemblance to real persons, living or dead, is purely coincidental.

shoutout to my bros makonnen & tunji & 145

IDTM w/ X&G

Keep It Healthy / Disco//very

Disco//very (Moody Good Remix)

Transcendence

Stars

Quiet World

The Spark of the Archon

Come Hell or High Water

Passage

Seasick - EP

Seasick

PRO MOTION and Farhad Humayun are proud to annouce The Decade Brothers as the winners of the "Give In" Remix Competition!

Farhad Humayun - Give In (Decade Brothers Remix)

Quiet World (Instrumental Version)

Passage (Instrumental Version)

The Spark of the Archon (Instrumental Version)

Mute (Instrumental Version)

Chromatic Aberration (Instrumental Version)

Come Hell or High Water (Instrumental Version)

Big Fish Theory

Big Fish

Brick + Mortar presents the fully remastered  "Move To The Ocean" (Baauer Remix) OUT NOW  !  This remix will be featured on Brick + Mortar's upcoming release  "Dropped Again " on MAY 19th

Move To The Ocean (Baauer remix)

Move To The Ocean (Baauer Remix) REMASTERED

SIAMÉS] - Bounce Into The Music
Debut Album, August 2016

THE WOLF (Lyrics)

EACH AND EVERY DAY
HIDING FROM THE SUNSHINE
WANDERING IN THE SHADE
NOT TOO OLD, NOT TOO YOUNG

EVERY NIGHT AGAIN
DANCING WITH THE MOONLIGHT
SOMEWHERE FAR AWAY
I CAN HEAR YOUR CALL…

UH UH UH
(I’m) OUT OF MY HEAD
OF MY HEART AND MY MIND
CAUSE YOU CAN RUN BUT YOU CAN’T HIDE
I’M GONNA MAKE YOU MINE

OUT OF MY HEAD
OF MY HEART AND MY MIND
CAUSE I CAN FEEL HOW YOUR FLESH NOW
IS CRYING OUT FOR MORE…

AIN’T NO FAIRY TALE
WHAT I SEE IN YOUR EYES
AWAITING YOUR MISTAKE
NOT TOO CLOSE, NOT TOO FAR

SNEAKING IN THE PAIN
EVERY TRUTH BECOMES LIE
I WON’T TRUST MYSELF
ONCE I HEAR YOUR CALL…

SIAMÉS Social Networks:
https://www.facebook.com/siamesmusic
https://www.instagram.com/siamesmusic
https://www.twitter.com/siamesmusic

Bounce Into The Music

The Wolf

Broken Machine (Deluxe)

I'm Not Made by Design

Buy: http://fiordmoss.bandcamp.com/ 
Download: www.fiordmoss.com

Cold Night

The Forest Seasons

Eternal Darkness (Autumn)

Rivers of Nihil "The Silent Life" from the album "Where Owls Know My Name"

Where Owls Know My Name

Rivers of Nihil "The Silent Life"

New Levels New Devils

O.D.

Recorded at Pus Cavern in Sacramento April-May 2012
Engineered, Mixed, Co-Produced by Josh Benton
Produced by Hail the Sun
Mastered by Eric Broyhill at Monsterlab

Hail the Sun-Ow! (Splidao) I like it though

Long Road, No Turns

Peach Club

Givin' Up

The second single from the coming album The Unmaster.

Vocals, Halfords marimba keys, drum programming, bass synth, production, arrangement : Dizraeli
Additional synth : Danalogue
Clarinet : Ewan Bleach

Photo by Fabrice Bourgelle

Oi Oi

Now, Not Yet

RUNAWAY

Robert Edens: Vocals
Myles Yang: Guitar
Max Harchik: Bass

Native Construct is the product of collaboration between several students that began in 2011 at the storied Berklee College of Music in Boston, Massachusetts. Fueled by a desire to breathe new life into the modern metal genre, Native Construct artfully blends a wide spectrum of compositional influences, ranging from classical all the way to prog metal and musical theatre. The result is a wonderfully unique sonic texture, made up of extended-range guitars, theatrical vocals, and a full complement of symphonic instrumentation. Guitarist and composer Myles Yang’s passion for innovation, coupled with his extensive academic study of arranging and compositional techniques, makes Native Construct a truly distinctive up-and-coming metal act.

In 2014, the band’s music caught the ear of Brian Slagel at Metal Blade Records, and led to a recording contract and a worldwide release of the band’s debut album, Quiet World. The album promises to be a rich, vibrant, and aurally engaging musical experience. While following a musically programmatic approach to its storytelling, the album demonstrates a fascinating unification of numerous musical styles and provides an emotional journey through the vast and imaginative world Native Construct have envisioned.

Quiet World was largely self-produced and written between 2011 and 2013 in between the individual band members’ studies at the Berklee College of Music. What began as jam sessions simply for fun eventually turned into a full-fledged musical endeavor. All tracking and programming was done at the band’s home studios in Boston, MA, with the exception of vocals, which were recorded with Jamie King at The Basement Studios in Winston-Salem, NC. The album was mixed by Rich Mouser at The Mouse House Studio in Los Angeles, CA, and mastered by Jamie King.

A brief listen to Quiet World is enough to make it apparent that there is a concept, here. Though it’s best to let the band explain the album in their own words: “Quiet World is about a guy who loves a girl. The guy is a bit of an odd and eccentric person – an outcast. He’s also a mute, and a little unstable, as it turns out. The girl doesn’t return his feelings, but he can’t bring himself to let go. As his unrequited passion for her devolves into obsession and eventual resentment, his mind begins to slip further and further away. He convinces himself that he can’t be loved because of his condition and abnormalities. So he decides to create for himself a new, fantastic world of which he has complete control – a world where there are no oddballs or outcasts. A world where everyone is surrounded by people who are just like themselves: a much quieter world.

“It’s at this point that the first track of the album, “Mute,” begins. And it turns out that many of the subjects of his new world are not as content living this way as he is. In the second track we see a new character, the Archon, rise up and unite his people in the clouds with the once distant people in the sea. He leads an opposition to “Sinister Silence,” as the people come to call him. The rest of the album unfolds with events within the “Quiet World” and manifestations of the enduring struggle between the Archon and Sinister Silence. The lone exception is track number four, “Your Familiar Face,” which steps out of this world for a moment to give a closer look at the events prior to the first track and the tragedy of Sinister Silence.“

What is impressive about Native Construct is not necessarily an involved concept on a debut record, it’s that they wrote, produced, and recorded the album while balancing school work and on a college student budget. It’s the epitome of “self produced.” And what Native Construct wants fans to know is that “the composition process for this album was intensely meticulous from top to bottom. Each note, each lyric, each twist and each turn were arrived at with the utmost care. As such, we were able to weave rich, often subtle layers of meaning into the music and text. We’re very excited for you all to experience the result of our efforts!”