complexity

I did not make this. All credit goes to the creators

Ken Ashcorp - I'm Your Slave

veri good https://www.youtube.com/watch?v=KSIeaxqwEVI
SUPPORT WORTHIKIDS HE'S SO GOOD
https://www.youtube.com/channel/UCF_W8MbO4NrHH82tQOEK7WQ

Friends In Low Places by worthikids/worthikids music

Still Waiting

So Much Better

Something in the moon, it calls for you
There's something in its wake that makes you move
You think you got your stride, but it's not the case inside
There is nowhere left to hide, you are carried by the tide
Something in the moon, it knows your name
There's something in its tune that stays the same
You hear it every night, and it holds you in its sights
Cos there's something in the moon, and it's coming for you soon

Day out and night in, coming back to feed those lights again
And find yourself in trouble one more time
With no want to break the rhyme

What's in a face, what's in a name
Once all the lights are dim, it's all the same
It's getting easy to say that there ain't no other way
Anyway, let stars shine until the breaking day

Something in the moon, it waits for you
There's something in the moon that knows you too
It knows how you abide to the rising of the tide
And you're not the type to sink
You come up and come again

Nowhere left to run
Until the morning coming of the sun
It's time to dive head in and face the facts
This is your life, no looking back

What's in a face, what's in a name
Once all the lights are dim, it's all the same
It's getting easy to say that there ain't no other way
Anyway, let stars shine until the breaking day

Nothing to prove, nothing to gain
No one replaced when there's no one there to blame
It's getting easy to say that there ain't no other way
Come what may, in the fray, don't you look the other way

What's in a face, what's in a name
Once all the lights are dim, it's all the same
It's getting easy to say that there ain't no other way
Anyway, let stars shine until the breaking day

Nothing to prove, nothing to gain
No one replaced when there's no one there to blame
It's getting easy to say that there ain't no other way
Come what may, in the fray, don't you look the other way

Something In The Moon · Geno Samuel

Act I: The Lake South, The River North

The Pimp and the Priest

with @xandg ( @xianmusic & @gaszia )

All characters appearing in this work are fictitious. Any resemblance to real persons, living or dead, is purely coincidental.

shoutout to my bros makonnen & tunji & 145

IDTM w/ X&G

Quiet World

Your Familiar Face

Come Hell or High Water

New Levels New Devils

O.D.

The second single from the coming album The Unmaster.

Vocals, Halfords marimba keys, drum programming, bass synth, production, arrangement : Dizraeli
Additional synth : Danalogue
Clarinet : Ewan Bleach

Photo by Fabrice Bourgelle

Oi Oi

Four Years Gone

Now, Not Yet

RUNAWAY

From Mother Falcon's sophomore album due out May 2013 - to help fund its recording and production, visit the band's project page on Indiegogo at http://bit.ly/mfindiegogo. For more on Mother Falcon, follow them on:

Facebook: http://www.facebook.com/motherfalconmusic
Twitter: http://twitter.com/MotherFalconMus
Website: http://motherfalconmusic.com

released 12 March 2013 
songs written by Mother Falcon 

Recorded and mixed by John Michael Landon at Estuary Recording Facility 
Mastered by Joe LaPorta at The Lodge 

>>FREE DOWNLOAD<<

Dirty Summer

make sure to check out worthikids music
https://www.youtube.com/channel/UCF_W8MbO4NrHH82tQOEK7WQ
i did not make this

Worthikids - UP

not me make this
check out this https://www.youtube.com/watch?v=kfU9Fdl-boQ

The Drunk-Kiltro

Robert Edens: Vocals
Myles Yang: Guitar
Max Harchik: Bass

Native Construct is the product of collaboration between several students that began in 2011 at the storied Berklee College of Music in Boston, Massachusetts. Fueled by a desire to breathe new life into the modern metal genre, Native Construct artfully blends a wide spectrum of compositional influences, ranging from classical all the way to prog metal and musical theatre. The result is a wonderfully unique sonic texture, made up of extended-range guitars, theatrical vocals, and a full complement of symphonic instrumentation. Guitarist and composer Myles Yang’s passion for innovation, coupled with his extensive academic study of arranging and compositional techniques, makes Native Construct a truly distinctive up-and-coming metal act.

In 2014, the band’s music caught the ear of Brian Slagel at Metal Blade Records, and led to a recording contract and a worldwide release of the band’s debut album, Quiet World. The album promises to be a rich, vibrant, and aurally engaging musical experience. While following a musically programmatic approach to its storytelling, the album demonstrates a fascinating unification of numerous musical styles and provides an emotional journey through the vast and imaginative world Native Construct have envisioned.

Quiet World was largely self-produced and written between 2011 and 2013 in between the individual band members’ studies at the Berklee College of Music. What began as jam sessions simply for fun eventually turned into a full-fledged musical endeavor. All tracking and programming was done at the band’s home studios in Boston, MA, with the exception of vocals, which were recorded with Jamie King at The Basement Studios in Winston-Salem, NC. The album was mixed by Rich Mouser at The Mouse House Studio in Los Angeles, CA, and mastered by Jamie King.

A brief listen to Quiet World is enough to make it apparent that there is a concept, here. Though it’s best to let the band explain the album in their own words: “Quiet World is about a guy who loves a girl. The guy is a bit of an odd and eccentric person – an outcast. He’s also a mute, and a little unstable, as it turns out. The girl doesn’t return his feelings, but he can’t bring himself to let go. As his unrequited passion for her devolves into obsession and eventual resentment, his mind begins to slip further and further away. He convinces himself that he can’t be loved because of his condition and abnormalities. So he decides to create for himself a new, fantastic world of which he has complete control – a world where there are no oddballs or outcasts. A world where everyone is surrounded by people who are just like themselves: a much quieter world.

“It’s at this point that the first track of the album, “Mute,” begins. And it turns out that many of the subjects of his new world are not as content living this way as he is. In the second track we see a new character, the Archon, rise up and unite his people in the clouds with the once distant people in the sea. He leads an opposition to “Sinister Silence,” as the people come to call him. The rest of the album unfolds with events within the “Quiet World” and manifestations of the enduring struggle between the Archon and Sinister Silence. The lone exception is track number four, “Your Familiar Face,” which steps out of this world for a moment to give a closer look at the events prior to the first track and the tragedy of Sinister Silence.“

What is impressive about Native Construct is not necessarily an involved concept on a debut record, it’s that they wrote, produced, and recorded the album while balancing school work and on a college student budget. It’s the epitome of “self produced.” And what Native Construct wants fans to know is that “the composition process for this album was intensely meticulous from top to bottom. Each note, each lyric, each twist and each turn were arrived at with the utmost care. As such, we were able to weave rich, often subtle layers of meaning into the music and text. We’re very excited for you all to experience the result of our efforts!”

Your Familiar Face

Native Construct

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