Wakey wakey to some morning warm good vibe dubs. BigUps to all the legends that got in and around the marvelous HEX system to soak up the vibrations. I hope you enjoy the recording wherever you are in this universe. Big Love
Tracklist up soon xoxo

Inna Jungle SubSBass 2022 rec

I like everything dark, liquid, technoid, slow, fast, deep, chill, soft, broken, heavy, industrial, noisy, abstract, experimental in all kinds, forms and excesses of D&B, Jungle, Chillstep, Dubstep, Atmospheric, UK Future Garage, Ambient, Old School East Coast, Old School Techno/Rave, Autonomic, Ragga, Dub (Soundsystems), Downbeat, Lowbeat, Trip Hop, Downtempo, Noise, Industrial, Rythm n Noise, Breakbeat, Experimental, Accid Jazz, 90s UK GRIME, such kind of breaks, beats, bass ALL AROUND just like I also discovered electronic synth/cold/darkwave/postpunk as an VERY interesting new paths. My understanding of music mainly characterised by: David Bowie, Depeche Mode, Prodigy, Wu Tang, LTJ Bukem, Krush, Kid Koala, DJ Food, Goldie, Roni Size, CAM, Andy C, Kid606, Dieselboy, Q_Bert, BTTB, Tricky, MC Conrad, Ed Rush, Portishead, Antipop Consortium, Vadim, Massive Attack, KanKick, Enduser, Coldcut, Architect, Broken Note, DJ SHADOW, And One, Project Pitchfork, Hype, Shy FX,  Grooverider, Optical, Rebel MC, Marky, Zinc, Krust, Kool Herc, Tim Westwood, Beastie Boys, Kris Kross, KRS One, Busta, Snoop Dogg, DUB FX, Black Moon, Boards of Canada, Björk, Salt n Pepa, TLC, Janet Jackson, Missy Elliot.....
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Second account created for my new discovery of the genres electronical Wave/Synthwave/Darkwave/Coldwave/Pop, Industrial, Rhythm 'n' Noise, Noise, Postpunk, EBM, IDM, IBM & appropriate in all facets and wings around to separate this incredibly interesting and beautiful new door in https://soundcloud.com/noone-2-310434778.
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If you're SO insanely happy about every single new follower here like i am......i think it should give me and my self-worth (a lot) to think about, I absolutely know. For this reason: my biggest THANK YOU to every single follower. You and all this here really mean a lot to me.
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I know that music can neither heal nor prevent the decades-long existing global sick capitalism, consumption, politics, lobbyism, corruption, systems, society/s that are sick of it, nor the imminent climate collapse resulting from all these causes. But what it can heal and fill up wonderfully I know: hearts and souls - even empty, cracked, damaged and discarded ones. And that completely free of charge. Unbelievable nowadays...what is also clear: we will never be enough people to be able to break the capitalist climate-damaging sick system globally in time, now it has been really too late for too many years gone by. I live against this system as far as my framework as a system-dependent taxpayer allows me to do so. Music is an enormously important part of it. We should tune in together to the inevitable real climate collapse. With happy hearts & souls filled to the brim with music, contentment & love. Only then will the demise of our livelihoods be bearable for us all.
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War, natural disasters, politics, violence, protests, riots, injustices, attacks, terror and much more. Back then, compared to today, it was all relatively completely unfiltered, clean and completely free of any media and political fake news manipulation and twisted propaganda. All the  pseudo massiv CAPITALISTIC problems, much more its numerous symptoms of illness such as "burn outs", "social media", "depression", "shortage of skilled labour", "housing shortage", with manipulation, fake news, advertising, capitalistic, political influence soaked "media", or topics such as "urban gardening", "gentrification", immigration, all that "self-love, self-worth, what is happiness, the search for the self" madness, "gender", LGBT, "metoos". ... didn't exist back then or were healthy, normal, simple, clean. And yes, people's worries and fears back then were the same as now, just as real, normal, simple BUT FREE from any capitalist distortion, self-promotion, exaggerated and inflated hyperbubbles. Without the very large, constantly spreading epidemic of capitalism, there would probably be less than 40%? of all these problems on our planet, and a global negative climate collapse would never have been an issue. Religion does not affect our climate alone, but in numerous religious political disputes harms people beside climate, nature and all living creatures the most.

Drew Id is an Australian dub producer with a passion for heavy bass, sound design and Soundsystem culture.  

Listen to the latest release https://hypeddit.com/drewid/withinreach

Forward ever into the dubwise style, Drew Id’s original productions and passion for Soundsystem culture firmly establishes him at the forefront of the Australian dub and bass community. Drew Id's all original productions traverse weighty 140 bass and steppers soundscapes, with over 15 years releasing music on labels including High Vibration Audio, Culture Dub Records, Dubmission Records, Rudekat Records and the latest release on Aspire Higher.

oDD it T (formally Native Dog)
Northern NSW 
Into bass, space, grooves, moods, deepness and dopeness. Genre-Fluid xo 
Releases on Onset Audio, After Midnight Sounds, SuperOrdinate DubWaves, Diffuse, VIM and Deep Garnet 
DJ sets at Rainbow Serpent, Elements, Rabbits Eat Lettuce, Wide Open Spaces to name a few
Drop me a PM if you wanna connect- thanks for visiting :)

😻 De La Haye >> Jungle/DNB DJ/artist, events
🦄 Baws Bass Kitty [/unicorn hybrid]
🔥Spread Love & Basslines Podcast

New Zealand born and raised Kimmi Aroha De La Haye aka De La Haye, has been one of the most hardworking and energetic members of the Brisbane bass scene, since moving to Australia in 2001. With track selection, mixing, and a smile that sets any dancefloor ablaze, De La Haye is a regularly booked DJ, not to mention one of the scene's leading promoters. Before discovering jungle in ’96, Kimi's early musical influences ranged from soul, funk, reggae and hiphop, to rock, punk and metal. Perhaps in this, we find the blueprint for her versatility. Whether its dub or ragga vibes, driving techstep darkness, complex drum choppage, or rolling liquid sounds, De La Haye's drum’n’bass sets offer something for all tastes.

All of this has not gone unnoticed by other promoters, as De La Haye continues to amass an impressive DJ resume playing all around Australia, New Zealand and worldwide. In 2009 she was invited by legendary Metalheadz DJ Storm to play her curated night at the renowned Sun & Bass Festival in Sardinia Italy, having since been invited back to play 11 times between 2009-2024.
She has played numerous times at Intrigue Music Bristol & London UK, Cross Club in Prague Czech, the infamous Cheeky Monday in Amsterdam, the 2010 Paradise in Bali Festival, Hong Kong and regularly in NZ including Bass Frontiers & Sandwiches in Wellington & Bassfreaks Christchurch.

From being a regular at local events (e.g. Biscuit Factory, Massive, SAFE, Planet of the Breaks, 8Ball Audio, Rewind, Hex/Sub Sbass Sunny Coast, 420 Sound in Byron Bay, Kinphonics, Liquid Sessions, Rude Bwoyz, Phat Albeats, BassCreepz, Praxis, Dub Thugs, Adicts, Shifty, Shucka, Proppa, Sting-Land, Junkyard Sessions, Rum Jungle), De la Haye's cross-genre appeal has also seen her feature at many mixed genre raves, doofs and festivals (e.g. Defqon.1 (Sydney), Stereosonic, Future Music, Esoteric (VIC), Mushroom Valley (N-QLD), Elements Festival, Earth Frequency, Love Camp, Home Gathering, Earthcore, Parachute Music Festival (NZ), ReAnimator, Mayhem, System 6, Island Vibe, BBQ Breaks, Shhh, Deliverance, Manifest, Blah Blah Blah, Dragonflight, Amalgarythymz, Expression Sessions, Behind The Pines, Rabbits Eat Lettuce & Bohemian Beatfreaks, Jungle Love, Sub Sbass Inna Jungle, Subtropics (Magnetic Island), Wavecult (Adelaide), Outer Depths). 2022 saw her feature at renowned UK-Boiler Room style event ‘Keep Hush’ in Melbourne for an all-vinyl jungle set and soon after was invited to join ‘The Brisbane Drum & B4zzz Show’ on 4ZZZ 102.1FM as a monthly radio host.

What cannot be understated is De La Haye’s massive contribution to promoting in the Brisbane broken-beat community over the past 21 years. In 2002 she co-promoted the weekly Freestyle event & radio show at Red Room - Uni of Qld, in 2003 formed the famous femme DJ crew 'Junglettes’, in 2004 began the dub and jungle nights 'Ragga'd' and 'Offshoots of Reggae’, and in 2005 started the hard n dark DnB & Dubstep night 'Rukus' alongside SpeakerWrath as well as running a highly successful monthly Moonbar residency between 2006-2010 hosting many international acts. Through both collaborations with other local crews and on her own, De La Haye’s events have hosted most of the international DnB acts that have come through Brisbane since. Recent years saw her team up with Kosha D running the popular monthly Junkyard Sessions night for the past decade, as well as handling DNB bookings for Rum Jungle at Sub Rosa, artist agency bookings and assisting with Planet of the Breaks at La La Land. This incredible and often solo effort has been a driving force and integral part in the growth of the Brisbane scene.

De La Haye is one busy Junglette, also managing the Brizbass event mailing list and local broken-beat website that she founded in September 2008, and regularly playing hiphop/reggae, funk/soul, house/disco and garage sets as well, having acquired numerous residencies at Rumpus Room, Rum Jungle, Mr Percival’s, Felon’s, Riverbar, Paddo, Bruce, Loft, Solbar, Kerbside, Brew, Soleil to name a few. However, jungle remains her true passion with her main focus for 2023 being to lend more time to production, a long time goal, and curating the new Spread Love & Basslines video podcast on ‘neurodiversity in dnb/music’ set to release soon. Given the accomplishments and talent shown so far, where she will go from here no one can predict.

Inna Jungle SubSBass 2022 rec

oDD it T _ native dog