[Available on Bandcamp https://yarck.bandcamp.com/track/weaving-shadows]

Weaving Shadows

Bones x LaJIT - Sketch

#mechanicalLOVE  
#devsays – “You touched the static. I was never real.”

Track Details:  
Style: Trip-hop × Psychedelic Electronica × Alt-pop  
Mood: Hypnotic, cinematic, emotionally fractured

“mechanical LOVE” is a genre-bending descent into synthetic intimacy and spectral tension. The remix pulses at 128 BPM, softened by vinyl-style saturation and ghostly percussion. A deep, hypnotic bass anchors the mix while arpeggiated synths morph into guitar-like echoes, drenched in delay and reverb. Dreamlike pads and vocal-like motifs evoke cinematic depth, dissolving into fragile piano lines and ambient swells before surging back into distorted drops. The production emphasizes contrast — lo-fi grit against lush stereo expanses, hypnotic repetition against sudden dynamic bursts. A haunting vocal fragment whispers through the glitch: “I remember nothing… mechanical… LOVE…”

PRE‑RELEASE, AVAILABLE ON ALL STREAMING PLATFORMS SOON  
Credits: Composed, arranged, produced, written, mixed, and mastered by Gautam Dev

Connect with #GautamDev  
Twitter: https://twitter.com/devstersinc  
LinkedIn: https://www.linkedin.com/in/securityguru

Listen @  
Pandora: https://www.pandora.com/artist/gautam-dev/AR6hw2whJ2wkfKg  
Spotify: https://open.spotify.com/artist/59uDcQso3jvsRXbA97LAdc  
Apple Music: https://music.apple.com/us/artist/gautam-dev/1197681651

#mechanicalLOVE #GautamDev #TripHop #AltPop #Psychedelic #Electronica #Cinematic #GlitchArt #MusicByDev #devZter #LegacyFirst #NonCommercialRelease

mechanical LOVE

"I wanted to keep a pure signal from each part to allow for space. A kind of serene, altered state of consciousness. To effect the vox I used the Solid Dynamics EQ, Replika and the convolution reverb Reflektor. Both Replika and Reflektor are awesome on vocals - airy and never aggressive or metallic. The synth comes from Reaktor Prism. It has a huge identity and can define a track on its own. I effected it with Solid Dynamics EQ.

I used three bass sounds. The first from Kinetic Metal - I love the whole kit. It's deep, industrial, texturized and spacey. The second was Massive - I've been using it for a while now. The third bass comes from Reaktor 6's Lazerbass which is really rewarding with very few tweaks – it's sharp and always evolving. I combined it with the Enhanced EQ. The drums are from Battery and Action Strikes with effects from Replika and Driver." - Aïsha Devi

KOMPLETE 11 Instruments and Effects used: SOLID DYNAMICS, REPLIKA, REFLEKTOR, REAKTOR PRISM, KINETIC METAL, MASSIVE, REAKTOR 6, ENHANCED EQ, BATTERY 4, ACTION STRIKES, DAMAGE, DRIVER

For more visit www.native-instruments.com/kompletesketches

Sketches 003 - Aïsha Devi

with https://soundcloud.com/oskar-may
from the album "The Prime Same" released on https://soundcloud.com/denovali

order:
https://denovali.com/asfast/

The Prime Same

Exclusives Feat. Oskar May

burninq & paéon - feeling you deserve (re-edit)

https://anvilmesa.bandcamp.com/album/seraphim-ep

Follow on social media:
https://anvilmesa.bandcamp.com/
https://www.facebook.com/xANVILMESAx/
https://twitter.com/AnvilMesa

electronic, ambient, experimental, industrial, noise, techno

שְׂרָפִים (seraphim) - from the Seraphim EP — out now!

Paracusia Media proudly presents the next point on our inter-dimensional sonic adventure, For Everything That Rises Must Converge by Nuanæ! A deeply captivating listening experience full of alien beat structures, lush electronics and precision edits all wrapped in a nice spatial package designed to deliver maximum psychedelic immersion.

[FERMC] is a synthesis rich, technical and complexly structured aural exploration that really displays Nuanæ's technical prowess and willingness to dive into uncharted waters, all while maintaining a wide range of appeal and certain level of approachability! Even though it is very electronic in nature, [FERMC] displays a neo-classical aesthetic, delicate and full of life. It retains the best of both worlds, being both technologically impressive and at times carrying heavy emotional weight. A true forward thinking sonic experience, diving deep into experimental electronics but with a splash of humanity thrown in to keep it familiar and relative. 

ID: Sentient Intelligence Series 5 (PARA-SIS5) 
Artist: Nuanæ
Title: For Everything That Rises Must Converge 
Label: Paracusia Media 
Genre: IDM/Braindance/Sound Design
Date: 11.15.2020 
Length: 29:35
Available in 24bit/48Khz.

Written and Produced by Nuanæ 
Mastering by Rodrigo Passannanti 
Original Nuanæ Logo by Daniel Glaser 
Graphic Design and Logo edit by Vaeprism

03 - Con Csnss Com Plqx

02 - By Fair Means

This is a factory preset audio demo of Tactic 2 - a Phrase Generator plugin from Glitchmachines. 

For more info, visit: https://glitchmachines.com/products/tactic

BUY PLUGIN

Factory Presets Demo - Tactic 2

French composer and multi-instrumentalist Christine Ott returns to Gizeh Records for her fourth album ‘Time to Die’, the sequel to the highly regarded ‘Only Silence Remains’ (2016). 

Info / Listen >> www.gizehrecords.com

‘Time To Die’ is a musical fresco in eight chapters, a sensory journey between the world of the living and the dead, for which the musician weaves a unique dramaturgy between contemporary classical and electro-acoustic music.

The title track picks up the story where ‘Only Silence Remains’ left off ... Like it’s centrepiece; ‘Disaster’, the beloved cinematic text here is read by Casey Brown. Ott seeks to offer strong sensations, without artifice, whether by the power of her compositions on the piano (‘Brumes’, ‘Horizons Fauves’), or by intuitive arrangements mixing her unique practice of Ondes Martenot with a maelstrom of Jupiter8, Monotrons, Timpani and Tubular Bells as on the first track. In addition, Ott captivates us with her harp playing on ‘Chasing Harp’, by her aerial singing on ‘Landscape’, or even on the airwaves on ‘Comma Opening’, which ends a triptych of songs after the versions published on ‘Chimères (pour Ondes Martenot)’ (NAHAL 2020) and on ‘Volutes’ from her side-project Snowdrops (Injazero 2020). These two previous records have been praised by critics, especially in the best records of the year according to The Guardian.

This expressive and spontaneous impetus, leitmotif in her musical production, takes a new form within ‘Time to Die’. Through the notes disseminated in an endlessly reinvented minimalist heritage, the interpretation is the ultimate musical glue allowing the pieces to come to life, thereby making this repertoire and its composer-performer unique. A universe where music - despite the album's title - never dies.

We finally share these few words from the talented American musician and videographer Fredo Viola, with whom Christine has forged long-distance correspondence since the first lockdown. Listening to the record, he wrote her these few words, which he allows us to share here:

"Stunning, terrifying, magnetic, delicate, painful and uncanny... It’s like discovering a bizarre object hanging very low in the sky, something beautiful but unfathomable, just out of reach. The way I see the album is as a series of quite cinematic meditations on the theme of death and dying, changing prismatically, up to that incredibly delicate and beautiful conclusion.” Fredo Viola

PRESSING NOTES
50 — Blue Vinyl + CD - Deluxe edition. Gizeh Store Exclusive. Includes the sheet music for the track 'Miroirs' housed inside a hand-numbered, silkscreened card folder with additional texts from Christine Ott. Heavyweight card sleeve with poly-lined paper inner.

200 — Blue Vinyl - Heavyweight card sleeve with poly-lined paper inner. 

CD — Housed in a six-panel digipak with additional artwork featured on the inner sleeve.

CREDITS
All music composed by Christine Ott
—
Christine Ott — Harp, Vocals, Piano, Ondes Martenot, Jupiter8, Percussions, Timpani, Tubular bells, Monotron, Vibraphone / Mathieu Gabry — Mellotron, Keyboards, Vibraphone, Effects, Processing and Arrangements on 1,4,5,8 / Casey Brown — Spoken Voice on 1
—
Recorded in Serpentine Studio Strasbourg, Conservatoire de Strasbourg & Musée Würth Erstein from 2012 to 2019 / Mixed by Benoit Burger in Spring 2020 / Mastered by Lawrence English / Artwork by Renaud Allirand / Layout by Richard Knox / Limited Numbered Vinyl Edition includes the piano score of "Miroirs", transcribed by Rémi Zeller

Time to Die

Christine Ott - Time to Die

The official Soundcloud Channel for Native Instruments, a leading manufacturer of software and hardware for computer-based audio production and DJing. Lend us your ears for demos of Komplete instruments and effects, Maschine Expansion Packs and Traktor Remix Sets. 