Listen to SKATERS cover The Smith's "This Charming Man". ℗ 2014 Global Radio Services Ltd. Recording taken from Danielle Perry’s Evening Show. Produced By Chris Denman

This Charming Man (The Smiths Cover)

The first single from Amana Melome's new EP 'Lock and Key'

www.amanamusic.com

LOCK and KEY - Amana Melomé

cover of Talking Heads "This Must Be The Place (Naive Melody)"
produced by Sure Sure & Michael Coleman
engineered, mixed & mastered by Michael Coleman

This Must Be The Place

From Amana Melome's new EP 'Lock and Key'.

www.melomemusic.com

ICARUS  - Amana Melomé

NATTochDAG En Gång Till (One More Time - Joe Jackson Cover) Live

"I was sitting in my disgusting bachelor frog pad and got blown off by some teeny back-and-forth-text-me-later-mamacita and I channeled like 4 months of sexual frustration into a crackled white guy Smokey Robinson-song.”

Elliot is the brainchild of beer corpulent and modest twenty-two year old Swede Ellioth Axelsson. Based in Stockholm, he self admittedly "bedroom produces" earworms that are not conventionally pop. 

Elliot is predominantly a lo-fi solo artist, producing his own version of music resembling art rock of days gone by. His writing ironizes and dissects music, but also shows great affection for the form Elliot takes his influences for art from more than just music and peers.

New single Make Love To Me is a typical example of what is to come from this project. Influenced heavily by the Los Angeles experimental pop scene including Ariel Pink, John Maus and French singer SoKo.

The song is heavily hypnotizing, bordering on lo-fi psychedelic pop music and resembles the works of Panda Bear, Deer Hunter and even Animal Collective’s experimentation. 

Facebook: https://www.facebook.com/elliotmusicguy
Icons Creating Evil Art (www.icea.se)

Make Love To Me

Elliot - Make Love To Me

Elliot is the brainchild of beer corpulent and modest twenty-two year old Swede Ellioth Axelsson. Based in Stockholm, he self admittedly "bedroom produces" earworms that are not conventionally pop.

Elliot is predominantly a lo-fi solo artist, producing his own version of music resembling art rock of days gone by. His writing ironizes and dissects music, but also shows great affection for the form Elliot takes his influences for art from more than just music and peers.

Elliot's latest single, 35th Middle East Art Space in Humble Bragswick, includes Mesmerizing lo-fi vocals, organs and 60’s style guitar creating a sound firmly in the ballpark of Grizzly Bear, John Maus and the production creativity of an early Animal Collective. 

"The title suggests the song is about next level middle class edge lord kids locusting poor urban neighborhoods, and you could derive that from the lyrics. It's also about the art of Argentinian barbeque and two actors who resemble each other. It is coherently incoherent. I was spaced out”, explained Elliot.

Facebook: www.facebook.com/elliotmusicguy
Icons Creating Evil Art (www.icea.se)

35th Middle East Art Space in Humble Bragswick (single)

35th Middle East Artspace in Humble Bragswick

Elliot - 35th Middle East Artspace in Humble Bragswick

Stockholm-based 22 year old Ellioth Axelsson continues along his path of experimental pop music with his debut EP, Jazz For Your Dad. Elliot is beginning to create a bit of a reputation for constructing the musical equivalent of hypnotizing ‘bedroom earworms’.

The latest single, 35th Middle East Art Space in Humble Bragswick, includes Mesmerizing lo-fi vocals, organs and 60’s style guitar creating a sound firmly in the ballpark of Grizzly Bear, John Maus and the production creativity of an early Animal Collective. "The title suggests the song is about next level middle class edge lord kids locusting poor urban neighborhoods, and you could derive that from the lyrics. It's also about the art of Argentinian barbeque and two actors who resemble each other. It is coherently incoherent. I was spaced out”, explained Elliot.

Make Love To Me is a typical example of Elliot’s wide ranging talent highlighted on this EP, influenced heavily by the Los Angeles experimental pop scene including Ariel Pink, John Maus and French singer SoKo. Whilst the song’s hypnotizing feel resembles the works of Panda Bear and Deer Hunter.

Another track from the EP includes the slightly psychedelic feeling Technicolor Yawn, which has a timeless feel, highlighting that his writing ironizes and dissects music, but also shows great affection for the form. The unusually titled Dirk Diggler Boogie is a contemporary feeling piece that sits nicely amongst the other tracks. Being just over two minutes long, it manages to squeeze in just enough melodic beats to leave us craving more. Elliot takes his influences for art from more than just music and peers.

http://www.facebook.com/elliotmusicguy
http://www.icea.se

Jazz For Your Dad

Dirk Diggler Boogie

Elliot - Dirk Diggler Boogie

Technicolor Yawn

Stream on Spotify

Elliot - Technicolor Yawn

Trade Burgers 4 Love best shows what I’m trying to convey with the my new album 'Fast Food Music'. It’s not lazy songwriting
that the song is repetitive in writing, I’m intentionally trying to re-create the same circular bullshit you dwell on when you’re depressed. The verse and chorus are pitted against each other and not really getting any me any closer to feeling content or meaning. In this case, I’m using ’greasy burgers’ as a subject of an unhealthy way of perceiving yourself which then leads to a weird limbo of apathy. I don’t want to eat my own alt-masculine shit everyday. I wish I could take the courage to be vulnerable and try to love someone.

Lyrics:
Greasy burger, I would trade you
For the love of my life
In a twosome
Greasy burger, I would quit red meat
For feeling that intimacy
Greasy burger, let you down to the floor
I would leave you at a drop for her
Greasy burger, I wish I had
Someone else to
Fill the whole I’ve got

Wait a cotton-picking-minute

Burgers come in company
Let me plus size my intimacy
Burgers come in company
Let me plus size my intimacy

Greasy burger, I would trade you
For the love of my life
In a twosome
Greasy burger, I would quit red meat
For feeling that intimacy
Greasy burger, let you down to the floor
I would leave you at a drop for her
Greasy burger, I wish I had
Someone else to

Wait a cotton-picking-minute

Burgers come in company
Let me plus size my intimacy
Burgers come in company
Let me plus size my intimacy

----
Elliot on Facebook: www.facebook.com/elliotmusicguy

P & C 2017 Icons Creating Evil Art. All Rights Reserved
www.icea.se

Trade Burgers 4 Love

Elliot - Trade Burgers 4 Love

From Amana's debut album Indigo Red - Irma Records 2008

WWW.MELOMEMUSIC.COM

Space Age Mama Jama (Indigo Red)

NATT & DAG 
[NIGHT & DAY]
Pretenders & Joe Jackson på svenska!
[Pretenders & Joe Jackson in Swedish!]

Vi spelar Joe Jacksons debutalbum ”Look Sharp” från 1979.
I rätt ordning, med rätt sättning. 
Varför? För att den är så förbannat bra.
[We play Joe Jackson’s debut ”Look Sharp” from 1979.
In the right order, with the right setup.
Why? Because it’s so damn good.] 
Contact: nattochdagband(at)spray(dot)se

NATTochDAG En Gång Till (One More Time - Joe Jackson Cover) Live

NATTochDAG

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