ASMR:Relaxing

"Extans mantra is a collection wild soundscapes, spacey ambiances and psychedelic frequencies to get lost in time and space"

004 flows from an open heart, unearthing new and unfounded energies that have yet to be explored. This tale begins with 'อากาศ' as it reinstills the extans vibration through the poetic words of local Thai artist Tulwai. Already awakened to an array of sound, outsized melodies of emotionally driven segments are felt from 'Dakini' through to 'Shin (Subject to space)' and 'Circa Forever'. A final regression culminates in 'Silom'.

Tape Mastering by Abhi Meer.

Extans Mantra (環境) Vol. 4 (SNIPPETS)

Reality - 수현

로제(ROSÉ) 사랑하기 때문에

[바라던 바다] 로제X온유 - 기억을 걷는 시간

화이트(White) - 조유리

존박 off my face

류진 Every Second

헌서 That’s not how this works

오해원 데자부

✧Sea Urchin✧ are

Leila Hassan: spoken words, lights & textiles
Francesco Cavaliere: music, words & lights

Counting for the next tide. side a ✧ Sea Urchin ✧ c.20

sleep in nothingness, 2018 

// sounds heard 
samples from the Guimet's archival LP copy of 'Japanese masterpieces for the shakuhachi' (Lyrichord_MX4205_1989) 
+ artists own field recording of train ride in the monastic region of Koyasan Japan, clarinet, sine tones, voice, amplified objects, sferics, and a google-translate/text-to-speech recording of the album liner notes. // 

In a dream he found himself floating in a boat. Suddenly thick mist rolled down the sky and blocked his view of the moon. On hearing the moving melody of a flute, he reached out for his favourite bamboo flute to accompany the ethereal melody. The music is long and simple, and the listener is expected to forget everything and "sleep in nothingness".
-the dream of a priest named Kyochiku in the 12th Century while meditating at a temple in Nara (as cited in the album liner notes).

composed for performance at the Guimet Museum in Paris on Feb 03 2018, curated by the French label Tsuku Boshi.

sleep in nothingness

스물다섯, 스물하나 - 김세정

Plants are not plants, but plastic, plastic is not plastic, but form. They do not presuppose a static structure, but generate structure as a result. One vegetable body opens onto another, one articulation gives way to another, entering a transformational metamorphosis which is pulverized into myriad of forms. Plants are erratic geometrical and material sorcerers. They lure gradually and with perseverance, making biosphere the playground for a multiple combination of interchangeable shapes, patterns and models. There is a sensuous, almost sexually bewitchment of form on which green plasticities reside to define life till its most microscopic folds. Cruel viscosities unseal themselves, and the delicate filth of chlorophyllic matter unfurls, causing structures to pollinate. A light bow of a stalk meets the tense muscle of a lower peduncle and inflorescence turns into excess.

xenosemiotics#2  phytoplastia

이하이 Rose (from 비긴어게인)

neither spores nor verbs

집에서 즐기는 혼자만의 캠핑감성 모닥불 소리 Camping Sensibility to Enjoy at Home Alone

집에서 즐기는 혼자만의 캠핑 감성 모닥불 소리 Camping Sensibility to Enjoy at Home Alone

집에서 즐기는 혼자만의 캠핑 감성 모닥불 소리 Camping Sensibility to Enjoy at Home Alone

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