Vibes

America

spring

rain n stuff

Now its time for Relaxation..... 1 hour Sleep Meditation .Relaxing Rain and Thunder Sound .

Relaxing Rain and Thunder Sound , Sleep Meditation

Biper Y Sus Amigos :D MAmi ♥♥

Hello guys.
I hope you enjoy this song as much as i enjoyed producing it.
Let me know what you think. :)



Get the Hope!

Celani - Ray Of Hope

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Stryv - Moving On

Sleep Music   1h Of Relaxing Music   Sounds Sleep Music #1

This is the sixth instrumental I have put out this year. 
Easily my most innovative and ambitious. 
I worked in double-time, 150BPM to add changes at a smaller scale. 

Beat tape still postponed, as I don't feel comfortable working on a full length project yet.

SAMPLED: Bruno Martinotti - Running Softly [Flute] 
_____
Production by: ADRN
Instrumental of 2016 No. 6
Check out my RapPad: www.rappad.co/users/ADRN

Holy Cannoli (Instrumental) [Chill Vibe]

Beat Pricing : $10
Beat Store: https://www.myflashstore.net/sunbeatss
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*Attention*
If beat is used, credit must be given to Sun BeaTs. 
[Prod. by Sun BeaTs]

Producers involved: 
- BO.TB

Sun BeaTs - Faith In Love [Feel Good, Chill & Vibe Type Beat](Instrumental)

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Peter Pan | Ruth B | Remix

Prod. By Dannythe3rd
Free beat just give credit if used :)
youtube.com: Dannythe3rd
twitter: Dannythe3rd
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Chill Ambient Vibe Bass Hiphop Instrumental 2016 (FREE)

For any inquiries/buying/leasing: itsnab0o@gmail.com

YouTube link: https://www.youtube.com/watch?v=pmg0oqMspZ0

גמור...


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Have a good day and enjoy!

Rap Instrumental Chill Vibe "Done" (Prod. Nevo)

Harbor Waves And Ocean Sounds  Sleep Sounds Relaxation HD (1)

Tinnitus - Nature Sounds Sleep Solution for Tinnitus

Babbling Brook for Sound Therapy and Deep relaxation

Gentle Water Stream for Sleep

Sleep Solutions - Nature Sounds and Background Nature Music

Chirping Birds in the Secret Forest

.: Aqui Les Dejo Este del Canal de Pa Ke Puedan Descargar Lo Mejor De Dj JJ:.

Mix Marilyn Dj JJ mezcla

For more information visit: http://www.klassikakzente.de/recomposed/home 

Some works are so familiar that it is almost impossible to hear them afresh, but that is what Max Richter has achieved with Vivaldi “Recomposed”. This is no mere arrangement; instead Richter has absorbed Vivaldi’s The Four Seasons into his own musical bloodstream. At first Richter followed the example of other works in the “Recomposed” series, which re-mix existing recordings, but, he says, “I wanted to open up the score on a note-by-note level, and working with an existing recording was like digging a mineshaft through an incredibly rich seam, discovering diamonds and not being able to pull them out. That became frustrating. I wanted to get inside the score at the level of the notes and in essence re-write it, re-composing it in a literal way.”Richter calculates that, in the process, he has discarded around three-quarters of Vivaldi’s original. He opens with what he describes as “a dubby cloud which I’ve called Spring 0. It functions as a sort of prelude, setting up an electronic, ambient space for the first Spring movement to step into. I’ve used electronics in several movements, subtle, almost inaudible things to do withthe bass, but I wanted certain moments to connect to the whole electronic universe that is so much part of our musical language today.” Other resonances are no less unexpected: Richter describes part of the first movement of his Summer as “heavy music for the orchestra. It’s relentless pulsed music, which is a quality that contemporary dance music has; and perhaps I was also thinking about John Bonham’s drumming. Then, in the second movement of Autumn I asked the harpsichordist Raphael Alpermann to play in what is a rather old-fashioned way, very regularly, rather like a ticking clock. That was partly because I didn’t want the harpsichord part to be attention-seeking, but also because that style connects to various pop records from the 1970s where the harpsichord or Clavinet was featured, including various Beach Boys albums and the Beatles’ Abbey Road.” Clearly, Richter has brought his own frame of reference to the project. As he says, “Vivaldi’s music is made of regular patterns, and that connects with post-minimalism, which is one strand in the music that I write. That felt like a natural link, but even so it was surprisingly difficult to navigate my way through it. At every point I had to work out how much is Vivaldi and how much is me. It was difficult but also rewarding because the raw material is so fascinating.”Just as Richter’s Seasons plays tricks with the way we hear Vivaldi’s original, so it also asks questions of the soloist, Daniel Hope. “Violinists have Vivaldi’s The Four Seasons hardwired in their brain. Daniel is likely to play the original I don’t know how many times in a year, and for him to have my parallel text going on in another part of his brain is a challenge. I think he did a wonderful job. He brought to it a deep engagement with the original, but he was fully prepared to cut this new swathe through the text.”
