Hermitage Castle At Dusk

https://soundcloud.com/noxpox14/noxpox-the-missing-solo-in-search-of-some-addings?in=noxpox14/sets/noxpox-the-missing-solo-in

original tack: noxpox
feedback processing, gen-piano and vibres: LyserGSis
artwork: Astarte23

Miss Soloing... (noxpox - Missing Solo Remix)

Wartime Dream

No, Wreck Wroom isn't dead, she's just been resting :)

* * *

I've been looking around more lately
and I do not like what I see
The world's full of sad and scared people
living and dying inconsequentially
They've got more than I'll ever have
but I get to live clear and free
from this human fucking cancer
and its plastic legacy

Wreck Wroom - The Piscene Epoch

Under Your Spell

Rubbersole

The Return

Garden Under The Sea

Just a little experimental drone to test out some oscillator sync ideas, using the DPO and XPO (and other stuff) in my recently reconfigured Make Noise Shared System (see photo), and my new reverb (Chase Bliss CXM 1978). Also a way of exercising my new subwoofer.

The three oscillators (DPO A, DPO B, and XPO) are synced to each other in a circular fashion (see below for more details). They were initially tuned to the same pitch but there is a small amount of slow pitch modulation applied to all three. There is also a bunch of other slow modulation affecting the filter (QPAS) and the delay (Mimeophon) as well as other aspects of the oscillators. All the modulation comes from an Instruo Ochd, which is the only non-Make Noise module in this system. Finally through the CXM 1978. No post-production other than fade-in/fade-out and normalization.

Warning: lots of deep lows. Use headphones or preferably good speakers (best with a subwoofer).

For the modular nerds, here's how the oscillators are connected together:
- XPO Spike output to DPO X-Lock (this syncs the DPO B oscillator to the XPO)
- DPO A oscillator in Sync mode (which syncs it to DPO oscillator B)
- DPO A oscillator triangle output to XPO sync input

In addition:
- DPO A sine output ring-modulated to DPO B sine output (using section 1 of modDemix)
- DPO B sine output ring-modulated to DPO A sine output (using section 2 of modDemix)

Sync Study

🌸Cherry blossom viewing in the daydream

This is an excerpt from Live at The Old Church 2018, a live album recorded during the third edition of the Naviar Haiku Fest, in London, on the 6th October 2018.

Performers:

halF unusuaL

According to Jane Reichhold, the ‘hai’ part of ‘haiku’ translates to ‘joke’, ‘fun’, or ‘unusual’. halF unusuaL is Darren Bourne, whose musical career to date has included international sound engineering, production, performing and writing credits across a variety of genres and platforms from pop to film music and sound design to contemporary dance and theatre. His current obsessions are chance and the boundary between music and non-music.

soundcloud.com/half-unusual

Tomas Nordmark

Artist and composer Tomas Nordmark makes contemplative and somewhat cinematic music based partly on ancient northern European hymns, with a minimalistic phase-shifting compositional technique. Inspired by the writings of cultural theorist Mark Fisher and the concept of a lost future, Nordmark uses the ancient textures with a critical perspective layered with a notion of bypassing the contemporary stasis.

Nordmark recently released the first track from his upcoming album via the NYC based label Valley of Search (www.valleyofsearch.com).

soundcloud.com/tomasnordmark

ikjoyce

ikjoyce makes electronic ambient and drone music using modular synthesis to explore themes of nature, space, isolation, man/machine interaction, and the borders of the sleep/wake cycle.

soundcloud.com/ikjoyce

Audio Obscura

Audio Obscura performs Lap-top based electronics for the ears, haunting the wide spectrum’s of electro-acoustic music with a firm footing in the ambient realm. The sound also strays towards the experimental; musique concrète, idm with post-classical minimal leanings occasionally push through.

Neil has summed up the Audio Obscura sound as thus;
“Light is, to the camera obscura, as sound is to Audio Obscura”

soundcloud.com/audio-obscura-music

Simon McCorry

Simon is a cellist & composer based in Stroud, Gloucestershire. After playing in several bands as a bass player in the 90s he started making music and sound design for theatre, contemporary dance and film. He has worked with visual artists creating soundscapes for installations and exhibitions, defining space and feeling with sound. Also releases work as ‘amonism’ combining influences of modern classical, free improvisation with electronics & field recording.

soundcloud.com/simonmccorry

Released on 3rd November 2018

Recorded by Ian Joyce and Neil Stringfellow
Mixed by Ian Joyce
Mastered by Tomas Nordmark
Cover picture by JR Korpa

Live at The Old Church

download album (free)

Live at The Old Church 2018 (excerpt)

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

Live at The Old Church 2018 (excerpt)

Naviar Records

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