no way back

Submission for Naviar Haiku Challenge #535.

we can almost touch

We Can Almost Touch  - Naviar Haiku 535

Barlume

Samples: see https://inches-per-second.blogspot.com/

Crombieyx Aversol

This track was created for the Naviar Haiku group.
558
https://www.naviarrecords.com/naviarhaiku558-cascade-sounds/

2024-09-12

Cascade Sounds (Naviarhaiku 558)

Generally bouncy (4/4 and 7/8). Mellow episodes,with tenor saxophone playing softly (3/4-sort of).
The photograph was taken,between periods of rain, in my suburban garden in late September. This beautiful hoverfly is Sericomyia silentis (the Yellow-barred peat hoverfly) feeding from Japanese Anemone.. First time for the garden. Infact two female Bog flies were seen several times over two days.

Sunshine And Frequent Showers

This episode features music made by Naviar's community inspired by Takahama Kyoshi’s poem “The huge setting sun - / little remains of / its power”.

Tracklist:

Voidborn Horde - The Remains
Paul Beaudoin - Huge Setting Sun
Jimmy Lem - I Have Many Potatoes But No Closets
tetkik ve tedavi - Little Remains
Mr_Lamppost - Setting Sun
Gianantonio Patella - Eugen's eighth stunt


Credits:

music intro: “This ruined house” by Tuonela
voice intro: Ian Joyce
cover image: Micah Hallahan

Naviar Broadcast is a radio programme curated by Naviar, broadcasted on Resonance Extra every Wednesday at 7pm UK time. Thirty minutes of experimental music made in response to a weekly assigned haiku poem.
To have your music featured on the show, you'll have to participate in the Haiku music challenge: https://www.naviarrecords.com/about/naviar-haiku
support the show: https://www.naviarrecords.com/support-us/


Naviar Broadcast #330 – The huge setting sun – Wednesday 31st July 2024

2024-11-19

Time Just For Yourself

Recorded, mixed & mastered  by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa. 

Process notes -
I started by thinking that verses are quiet and choruses are loud and that my (instrumental) piece would have a clear simple melody in the chorus section and longer notes for the verse. Then I would just make the chorus quiet and the verses louder or in some way more brash.

On Friday, I started working on my monthly Patreon pack - this time using Ableton Live’s Wavetable. I started from an “analog” preset, messed it up a bit and then came up with 10 variations. I put that aside for the pack and then opened a new Live set to branch off from there for this submission. 

On Saturday, I arranged the bones of what I had, added a little Roar distortion to the bass/drone and added a few unpredictable elements to finish the track. 

Tools used - Ableton Live, Wavetable, Roar & other native Live devices, Sonic Bloom Bodhrán & Kalimba, iZotope Ozone 9. 

Artwork/Photography - Jim Lemanowicz, 28 Apr 2010, Manhattan, NYC, USA

©2024 Jim Lemanowicz

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This original version of “No. 63, Hold Back For Oncoming Traffic” was submitted as part of Disquiet Junto Project 0673: Switch Back. The Assignment: Make the quiet part loud, and vice-versa.

More on the Disquiet Junto at: disquiet.com/junto/

More on the 673rd weekly Disquiet Junto project, Switch Back — The Assignment: Make the quiet part loud, and vice-versa — at https://disquiet.com/0673/

#disquietjunto #disquiet0673 #experimentalmusic #soundart #electronicmusic #ambientmusic #sounddesign #ableton #wavetable

No. 63, Hold Back For Oncoming Traffic (disquiet0673)

Part of the Naviar Records Haiku-Challenge:

https://www.naviarrecords.com/naviarhaiku604-in-spring-sunlight/

the rows of tea bushes-naviarhaiku604

A live stochastic experiment 
with four Crumar Spirit synthesisers,
from http://cherryaudio.com

Electronic Sunrise

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

Naviar Broadcast #330 – The huge setting sun – Wednesday 31st July 2024

Naviar Records

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