Deadline: 12th January 2022

All submissions to Haiku 418:
https://www.naviarrecords.com/2022/01/05/naviarhaiku418-a-machine-gun/

To participate:
- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku110)”
To submit your track:
- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz
Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.
Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku
Naviar Records store: www.naviarrecords.bandcamp.com
Subscribe/support the project: www.naviarrecords.com/support-us

haiku #418: A machine gun, / the low moon, / round and resounding.

Live studio jam, Performed by
Flute (Bobby Rangell, Denver USA)
Percussion (Nico Arnicho, Montevideo Uruguay)
Fretless Bass, arpeggiator (Daniel Diaz, Buenos Aires, Argentina)

Recorded circa 2007 in Paris, mixed and shared for the first time Wednesday 5th January 2022 for this haiku:

A machine gun,
the low moon,
round and resounding.

Poem by Saitō Sanki (1900 – 1962) 
Photo by DD (Malaga, Spain, December 2021)

@naviar-records

round and resounding (naviarhaiku418)

A machine gun,
the low moon,
round and resounding.

haiku by Saitō Sanki https://harvardreview.org/content/three-demons-haiku-by-sanki/

picture by Rosie Sun https://unsplash.com/@rosiesun

For more information visit http://www.naviarrecords.com/about/naviar-haiku

unfold hearings

halF resoundinG [naviarhaiku418]

This track was created for the Naviar Haiku group.
418 week haiku
https://www.naviarrecords.com/2022/01/05/naviarhaiku418-a-machine-gun/

today probably more sound design than song :-)

2022-01-06

A Machine Gun  (Naviarhaiku 418 )

Electronic sequence, sounds created in Pure Data.

Resounding (naviarhaiku418)

For Haiku 418 from Naviar Records I was blocked by the "machine gun"... As I didn't want to use any type of gun sounds an idea came to reverse the situation: I finally recorded some machine gun like firing, but those sounds act as signal for the side-chain that makes the tracks duck in volume. So instead of being loud they create gaps of silence, as if they were distant memories from the ear that are blocked by a traumatized brain.

Duuster - Haiku 418

naviarhaiku418 – A machine gun

A machine gun,
the low moon,
round and resounding.

Saitō Sanki (1900 – 1962) was a dentist who discovered his passion for haiku poetry in his mid-thirties, when his colleagues at the hospital in Soto Kanda convinced him to write a haiku for a collection. Later, he became one of the most important exponents of wartime haiku: he was imprisoned in 1940 during the government’s World War II persecution of controversial artists, and was officially forbidden to write until the end of the war.

This haiku is included in The Kobe Hotel, a collection that depicts the author’s wartime experiences in Kobe, the struggles of ordinary people to endure war, defeat and occupation.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 12th January 2021

haiku by Saitō Sanki https://harvardreview.org/content/three-demons-haiku-by-sanki/

picture by Rosie Sun https://unsplash.com/@rosiesun

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Official: http://www.seramind.de
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Machine Gun (naviarhaiku418)

naviarhaiku418:
A machine gun,
the low moon,
round and resounding.

Saitō Sanki (1900 – 1962) was a dentist who discovered his passion for haiku poetry in his mid-thirties, when his colleagues at the hospital in Soto Kanda convinced him to write a haiku for a collection. Later, he became one of the most important exponents of wartime haiku: he was imprisoned in 1940 during the government’s World War II persecution of controversial artists, and was officially forbidden to write until the end of the war.

haiku: Saitō Sanki https://harvardreview.org/content/three-demons-haiku-by-sanki/
image: Rosie Sun https://unsplash.com/@rosiesun

Machine Gun Moon [NaviarHaiku418]

Saitō Sanki (1900 – 1962) was a dentist who discovered his passion for haiku poetry in his mid-thirties, when his colleagues at the hospital in Soto Kanda convinced him to write a haiku for a collection. Later, he became one of the most important exponents of wartime haiku: he was imprisoned in 1940 during the government’s World War II persecution of controversial artists, and was officially forbidden to write until the end of the war.

This haiku is included in The Kobe Hotel, a collection that depicts the author’s wartime experiences in Kobe, the struggles of ordinary people to endure war, defeat and occupation.

The low moon (naviarhaiku418)

another last-minute entry for the Naviar Haiku challenge https://www.naviarrecords.com/2022/01/05/naviarhaiku418-a-machine-gun/

machine gun sound https://freesound.org/people/SuperPhat/sounds/417688/

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku