gestural sound composition for chef & enchanted kitchenette - 2015
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keywords:
perSonification, dirty-synthesis, noise, lo-fi, glitch

instrumentation:
- signal driven physical modelling synthesis shaped further by machine learning on audio-descriptors
- gesture modulated granular synthesis

scene:
mortar-and-pestle is slowly transformed into a wild noisy dirty analogue synthesizer 

2 Grind

Navid Navab is a Montreal based alkemist, composer/improvisor, programmer, and sound designer. A graduate of Ontario Royal Conservatory of Music, Concordia University’s Electroacoustics and Computational Arts program, and McGill Music Technology, he has been working for the past several years creating deeply expressive media instruments synthesizing research at IRCAM, CRIMMT, CNMAT, Topological Media Lab and Matralab. 

Interested in the poetics of gesture, and embodiment, his work explores the social lives of objects and the enrichment of their embedded performative qualities. Navid uses gestures, rhythms and vibrations from everyday life as basis for real-time sound generation, resulting in augmented acoustical-poetry that enchants improvisational and pedestrian movements. 

Navid has collaborated with many great improvisers and artists including Jean Derome, Constantinople Ensemble, Lori Freedman, Vinny Golia, Pierre Tanguay, Coat Cooke, Rainer Weins, Rohan de Saram, Mei Han, Lan Tung , Zata Omm Dance Project. His investigations, which range from compositions to responsive architecture, urban interventions, theatrical interactive installations, and improv-based performances, have been presented at various festivals and events in Vancouver, Austria, Canada, UK, California, Paris, Romania, Paris, New York, Houston, and Chicago. 