A bunch of covers and improvised pieces that I made mostly in 2012. Archiving now in preparation for switching over to Reason.

Slip Inside this House (Primal Scream cover)

Beastie Boys - Netty's Girl

B For My Name - The Beastie Boys

A rough cover of "Tough Guy" off of the Beastie Boys' 1994 album Ill Communication.

Tough Guy (Beastie Boys Cover)

Weird Percussion album.  Song, "Tempation"
Beastie Boys "Suco De Tangerina"

Temptation & Suco De Tangerina Mix

Unlicensed To ILL: Mixes, Mashes & Mutations (2014)
Track 02

MishMash of...
The Flaming Stars > The Black Keys > Led Zeppelin > etc...

Beastie Boys - Finger Lickin Good (( dB mix ))

Dark Entries and Honey Soundsystem have teamed up to release “Catholic”, the lost opus of disco pioneer Patrick Cowley and Indoor Life vocalist Jorge Socarras. Perhaps one of the most revolutionary and influential people in the cannon of disco music, Cowley created his own brand of Hi-NRG dance music coined "The San Francisco Sound." Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco at the age of 21. He studied at the City College of San Francisco and met Jorge Socarras in 1973 through mutual friends. The duo’s first collaboration was a ten-minute trance like piece that Cowley composed for a performance piece by Socarras in 1975. Patrick, who played drums, guitar and keyboards, provided the perfect match for Jorge’s vocal talents. Between 1975 and 1977 they recorded an album’s worth of material before Socarras moved to London and Cowley started playing synthesizers for Sylvester. Upon Jorge’s return to San Francisco in 1979, the duo would re-record some of the “Catholic” songs with Patrick’s newly accumulated equipment. Meanwhile, Socarras met the musicians with whom he would form Indoor Life, and in 1980 Patrick co-produced their first album before the band relocated to New York in 1981. The “Catholic” album was offered to San Francisco’s Megatone Records who passed on it. Fast forward to 2007 when Honey Soundsystem was contacted by John Hedges, former co-owner of Megatone Records. Hedges’ was moving to Palm Springs and invited the crew over to his basement to collect over 2,000 records from his collection. Among the archives were three moldy boxes of quarter inch reel to reel tapes featuring unreleased music by Cowley, including the “Catholic” material. The reel was passed on to Stefan Goldmann of Macro Recordings in Berlin who tracked down Jorge Socarras to clear the rights, and released the album on CD in 2009. 

“Catholic” is a genre-bending concept album that ranges from minimalistic proto-techno to synth-driven post-punk, pre-dating the dance punk acts LCD Soundsystem and The Rapture by almost 30 years.  It shows a much broader range than any Cowley or Socarras material available and gives a totally new perspective to one of the most inspiring eras in music history. Influenced by Tomita, Wendy Carlos, the Velvet Underground and Roxy Music, “Catholic” fills in the gaps between these artists and preempts bands like Talking Heads, Units, The Human League or Chris & Cosey.  Patrick forges his unique electronic sound from his collection of synthesizers, modified guitars and self-constructed equipment while Jorge’s vocals go from hypnotic to camp, singing about gay love juju and tackling classics by Donovan and Stoller & Leiber.  


Featuring over 80 minutes of music, never before released on vinyl, this compilation contains two bonus tracks not on the CD. The tapes were meticulously restored by mastering guru Rashad Becker at D+M, in Berlin, then remastered for vinyl by George Horn at Fantasy Studios in Berkeley, CA.  The vinyl comes housed in a glossy dual pocket gatefold featuring the intended album cover from the original “Catholic” photo shoot in 1979 plus original hand-lettering by Arch Connelly aka A. Style for the first 45rpm single that never was. Inside the gatefold sleeve contains lyrics and an essay from Jorge Socarras. For the 32nd anniversary of Patrick's death, Dark Entries and Honey Soundsystem present a glimpse into the innovative minds of two geniuses. These recordings shine a new light on the experimental side of a disco legend who was taken too soon. All proceeds from “Catholic” will be donated to the San Francisco AIDS Housing Alliance. 

16 Hurdy Gurdy Man

TAKE OVER

No Eye Contact: Taylor Powell -Guitar, Storm Cindir -Bass, Matthew Desreuisseau -Keyboards, Chris Van Rooyen -Drums

Electric Worm (Beastie Boys Cover)

100K

Off The Grid (Interlude) (Prod. Beastie Boys)

1. The Bill Harper Collection - Beastie Boys
2. Sabrosa - Beastie Boys
3. Sneakin’ Out The Hospital - Beastie Boys
4. Transitions - Beastie Boys
5. Multilateral Nuclear Disarmament - Beastie Boys
6. Oh My Goodness This Record’s Incredible - Beastie Boys, Biz Markie
7. Namaste - Beastie Boys
8. The Melee - Beastie Boys
9. I Don’t Know - Beastie Boys
10. Song For The Man - Beastie Boys
11. Song For Junior - Beastie Boys
12. Groove Holmes (Instrumental) - Beastie Boys
13. Eugene’s Lament - Beastie Boys
14. In 3’s - Beastie Boys
15. Picture This - Beastie Boys
16. Instant Death - Beastie Boys
17. Learning Remote Control - Beastie Boys
18. Creepin’ - Beastie Boys
19. Ricky’s Theme - Beastie Boys
20. Shambala - Beastie Boys
21. Flowin’ Prose - Beastie Boys
22. B For My Name - Beastie Boys
23. Fibonacci Sequence - Beastie Boys
24. Such De Tangerine - Beastie Boys
25. The Gala Event - Beastie Boys
26. Electric Worm - Beastie Boys
27. Freaky Hijiki - Beastie Boys
28. The Rat Cage - Beastie Boys
29. Politickin’ - Beastie Boys
30. Son Of Neckbone - Beastie Boys
31. Pow - Beastie Boys

Sneakin' Out The Hospital - A Beastie Boys Field Trip

Naww G, born Najee Khaleel Jeremiah, is a recording artist hailing from Brooklyn, New York. Growing up in the suburban town of Hempstead, Naww G was raised by his Caribbean parents who instilled in him a strong work ethic and a love for music.

After attending Howard University, Naww G dropped out and began working part-time jobs to support himself. It was during this time that he discovered his passion for music and began to pursue it seriously.

Since 2012, Naww G has been actively releasing music and has amassed a loyal following on his verified SoundCloud profile. With over 40 projects and 700 songs to his name, including his breakout debut album 
"Diamond Tape" and his most recent release, "IWROTETHISINTHEWAITINGROOMGOINGTOTHERAPY," 
With his biggest hit to date "Nobody Beats The Wiz" with over 200k plays. Naww G has cemented his place in the underground hip hop scene.

Naww G's music can be described with his own coined term Classical Rap and occasionally Chipmunk Rap. He makes golden era hip hop with timeless beats that create a soundtrack for the ambitious and business-minded individual. His lyrics are introspective and reflective for the introvert type of individual, touching on topics such as personal growth, perseverance, and the pursuit of success.

As an independent artist, Naww G has managed to cultivate a dedicated fan base and has performed at various venues across the country. He continues to release music that resonates with his listeners and showcases his growth as an artist.