Untitled Playlist

Sunshine State

$cuicide Boy$ dank dank

KILL YOURSELF Part III: The Budd Dwyer Saga

100 BLUNTS

walk around my room
and i see dead people everywhere
he can talk to police
ion care, i ain't even scared
let em do a check up on me
meet me anywhere
let em know my addy, let em pull up
i ain't even there

yeah i ain't even there
pull up if u tryna die
been about forever
since they took the feeling out my life
i take out the cameras
fuck it, i might do this shit on live
got so many bodies on my body
ion even try
four shots out the six shot
fuck 12, get shot
anthrax in the ziplock
my lips shut, my lips locked
keep what i do on the downlow
drop 10 bodies on the ground floor
ain't deep enough, put em down mo
so much blood, it's an outflow

walk around my room
and i see dead people everywhere
he can talk to police
ion care, i ain't even scared
let em do a check up on me
meet me anywhere
let em know my addy, let em pull up
i ain't even there

i see dead ppl

$uicideboy$ - the light at the end of the tunnel for $9.99 a month (slowed + reverb)

59


new world depression

$UICIDEBOY$ - The Light At The End Of The Tunnel For $9.99 A Month (slowed)

FREE DOWNLOAD: https://suicideboys.bandcamp.com
https://G59Records.com
G59Records@gmail.com

High Tide in the Snake's Nest

ROTTEN AND PARALYZED IN A TROPICAL PARADISE

JGRXXN - Avant Garde Ft. $UICIDEBOY$ X ROZZ DYLIAMS [CHOPPED X SLUGGED]

FREE DOWNLOAD: suicideboys.bandcamp.com
https://G59Records.com
G59Records@gmail.com

[Verse 1: $lick $loth]

Tell me what you know bout a motherfucker out the bottom with a gold grill gleamin
makin all these hoes problems
stalker creepin out the fucking dungeon
switchblade on em hit the guts like a pumpkin
dumpin'
30 rounds out the clip off rip
too thick with the stick bet i won't miss
lil $lick real sick
don't talk shit
whip whip like a brick scale on fish
$uicide night time
no we don't fight crime
it's the Grey *59 with the real red eyes and we dyin inside 
bodies in fluoride
let the rope untie
just crucify me
Yung Christ wrist's sliced
couple hoes on ice singin RIP

[Verse 2: Ruby da Cherry]

Ruby was a motherfuckin reject
then i cut my wrists and now i motherfucking bleed checks
still broke after all the motherfucking weed gets rolled
hoes askin if i see a ghost
tell em no i just seep smoke when the weeds blown
she chokes from the deep throat
3 feet of rope
lethal
slay the fucking sheep
so evil
ima hang myself and then i get to see home
Ruby a fuckin demon
Ruby got a cult now
hoes tryna bolt down Ruby
the result of a reject from a small town turned into a demon
I'm evolved now
loud growl
Snow Leopard on the prowl
stay the fuck back hoe
slay the whole pack hoe
paint the globe black hoe
soon i will shed this skin
turn to the devil then i'll never reminisce 


PARIS

https://G59Records.com
G59Records@gmail.com

[VERSE 1: YUNG PLAGUE]

slit my own wrist bitch i been killing shit
bitch pick up ash off the blunt when it spill
i ain't paying for shit i got 3 hunnid bills
palm full of pills i might day any day
hope i die with no will
there's a way to escape
it's called digging your grave
i don't chill with nobody or meet face to face
i'm just waiting in here until i can creep out of my cave
don't try and save
what cannot be saved
i cannot be saved
cause i am a slave
to my own mistakes
i hope i fade away like a memory fades in my brain
prey that i slay all the prey
blade that drains my fucking veins
satan please save me today
i break away now i've escaped

[VERSE 2: $LICK $LOTH]

slumped up off my habits with two full metal jackets
i'm that slender man up in your closet
panic when you think about it
that grey haired thugging lil shanty
paranoid can't be too cautious
roll up
fixing to blow on this dope
could be heroin could be smoke
either way i'm going to blow
numb till i can't feel no more
R.I.P. to the one they call $lick
D.I.E. when you fuck with the clique
pull up quick with the sticks empty clips
then i dip with your bitch
made her suck dick
she was shit
i got pissed so i didn't hit
just hit a lick hit the whip and then i dipped swift

Dark Side of the Clouds

JEFFER DRIVE

https://G59Records.com
G59Records@gmail.com

[VERSE 1: YUNG $CARECROW]

bitches at my burial
trying to touch
$lick so grey no running blood
skull 2 feet he's covered up with dead vines, crows, and liquid Tuss
suicidal holocaust
for the dead i shed a tear
cut fuck boys from ear to ear
you never see me creeping near
triple six
lord infamous
dedicate my soul to he
the scarecrow that had birthed me
screaming Ricky RIP
creep like Koopsta
trizzy trick
the devil's playground in my head
live through me until i am dead
new orleans born but memphis bred

[VERSE 2: YUNG MUTT]

i know motherfuckers wanna be grey
burn a cig in your wrist cauterize your fuckin vein
what a shame fuck boy think he know the game but he don't know shit
cut off his head hand his body to $lick
told him "Do something with this"
burn it into ash
no, put him in a ditch
put him in the trash
even in death he ain't shit
bitch boy didn't even make the motherfucking list
and still Ruby ceases to exist
a whisper in the wind
a whisper on your bitch's lips
spill two drinks for the demons and sins 
i committed to nothing but i committed nonetheless
six wishes for death
holding my breath i got six digits
no seventh number except for my residence
bitch i'm not heaven sent not sent to heaven
got sixes and crucifixes
praisethedevil

praisethedevil

https://www.youtube.com/watch?v=2QEijk5VZbk

$UICIDEBOY$ - ANTARCTICA

shout out to @deadskrnr for the artwork

murder

The Bodyguard - Original Soundtrack Album

I'm Every Woman

Raise!

Let's Groove

Street Songs

Super Freak

iTunes Preorder: https://itunes.apple.com/album/id1126901431?ls=1&app=itunes

[VERSE I - $LICK $LOTH]

serpents of death crawling under your skin
if i take a bet you can guess who gonna win
i walk in the jects without no protection
i function in hoods every city im in
im that grey born gorilla out the concrete jungle
ducking from the dope cuz i just shot a bundle
scarecrow make the chopper drum shots rumble
scarecrow got the dope game from my uncle
still prefer the drugs over bitches
better watch the side that you picking
snakes start hissing
heads start missing
rest in piss to the ones im killing
chief keef drillin
codeine spilling
blood on my linen from the cuts never healing
hot boys out the crypt with a mouth fulla scripts
body bags zip when the gun hammer click

[VERSE II - RUBY DA CHERRY]

ruby leveled up
ruby gone global
epidemic proportion
i got the torch and now i'm lighting up gas on the porch
kick back
now i'm bored
$lick asked for the short
flick ash for the sport
ruby wrestles several devils in the 7th ward but ruby can't afford to move toward the hoard just yet
seventh ward dragon with a fiery sword through the neck
engulfed in flames
engulfed in blood as it rains from the red heaven that yung plague has escaped
levitate over Lake Pontchartrain
set em straight
no we are not the same
yeah it's hard to remain when your self slain
yeah it's all that remains when your self made
ruby bout to take a second breath
embrace yourself because all that remains is the blood stains

Radical $uicide

$UICIDEBOY$ x GETTER - MEMOIRS OF A GORILLA

$uicideboy$ - Say Cheese And Die [Chopped & Screwed] By SUS PhiXioN

YouTube www.youtube.com/c/SUSPhiXioN
Facebook facebook.com/susphixion/
Instagram www.instagram.com/sus_phixion/
Twitter twitter.com/SUS_PhiXioN

Artists soundcloud @g59
Artists Youtube www.youtube.com/channel/UCU5AbNuMPGB491GcqXuzwKw

$uicideboy$ - Say Cheese And Die [Chopped & Screwed] PhiXioN

$uicideboy$ - Lucky Me [Chopped & Screwed] By SUS PhiXioN

YouTube www.youtube.com/c/SUSPhiXioN
Facebook facebook.com/susphixion/
Instagram www.instagram.com/sus_phixion/
Twitter twitter.com/SUS_PhiXioN

Artists soundcloud @g59
Artists Youtube www.youtube.com/channel/UCU5AbNuMPGB491GcqXuzwKw

$uicideboy$ - Lucky Me [Chopped & Screwed] PhiXioN



<a href='https://theartistunion.com/tracks/fac3cd'>Download for free on The Artist Union</a>

Free Download

Uno The Activist - Custos- Featuring Babiface Dixon

$uicideboy$ - Kill Yourself (Part III) [Chopped & Screwed] By SUS PhiXioN

YouTube www.youtube.com/c/SUSPhiXioN
Facebook facebook.com/susphixion/
Instagram www.instagram.com/sus_phixion/
Twitter twitter.com/SUS_PhiXioN

Artists soundcloud @g59
Artists Youtube www.youtube.com/channel/UCU5AbNuMPGB491G­cqXuzwKw

$uicideboy$ - Kill Yourself (Part III) [Chopped & Screwed] PhiXioN

beerbongs & bentleys

rockstar (feat. 21 Savage)

[VERSE I: $LICK $LOTH]

eyes stay bloodshot
both on fetty wap
let them roll back while them drugs do their job
same motherfuckers thinking that they still hot be the same motherfuckers i can't see at the top
6 double 6 til my crucifix
diagnosed a lunatic
blood on me no need to rinse
been dead for years no need to slit
suboxone strips so i don't slip
but all my cravings still exist
shit
sometimes i just need that fix
sometimes i just need that drip
voices say you need that bitch
convinced i'm made to die with it
scripts stay piled up with my sins
sniffing them pills all i feel is bliss
falling from a cliff no saving $lick
fate laid out no changing it
found my piece
accept it
that i am my own apocalypse

[VERSE II: RUBY DA CHERRY]

digital villain
the sin of the internet
your wifi password is incorrect throw up the set
G59 in full effect
cigarette smoke silhouette
me and slick sloth in the trunk of the vette with pouya in the front headed straight for the check
stains on the blades
no that ain't wet paint
that's your favorite fucking rappers brains on the pavement 
typical drug addict
fictional love at it's finest
i'm pissing away my whole life and it's fine because ruby the cherry is physical
i'm just a piece of shit trying to shine
ignorant swine
what a pitiful try
bitch i'm ripping out spines
$OUTH$IDE$UICIDE
sifting through pine just so i can get high one more time
let me shout i'm high til i die

KILL YOURSELF Part XVIII: The Fall of Idols Saga

I AM THE APOCALYPSE

Get Down On It

Excerpts from the album 'THE ULTIMATE BEE GEES'.
BUY THE DELUXE DOUBLE CD & DVD SET from Amazon <a href="http://amzn.to/1brkEjR">USA</a>, <a href="http://amzn.to/13m2yuv">Canada</a>, <a href="http://amzn.to/1aT2W9B">UK</a>, <a href="http://amzn.to/1auhjNU">France</a>, <a href="http://amzn.to/12yro7t">Germany</a>, <a href="http://amzn.to/12XkhoT">Italy</a>, <a href="http://amzn.to/12NLidu">Spain</a>, <a href="http://amzn.to/194AqQW">Japan</a>.
BUY THE DOUBLE CD from Amazon <a href="http://amzn.to/1brikth">USA</a>, <a href="http://amzn.to/13m1yqh">Canada</a>, <a href="http://amzn.to/11ZpOAr">UK</a>, <a href="http://amzn.to/194C3hv">France</a>, <a href="http://amzn.to/13zPNZf">Germany</a>, <a href="http://amzn.to/13Qm59C">Italy</a>, <a href="http://amzn.to/12JOv2f">Spain</a>, <a href="http://amzn.to/194AqQW">Japan</a>.
DOWNLOAD THE ALBUM from <a href="http://bit.ly/11ZocXv">iTunes</a>, or Amazon <a href="http://amzn.to/15oILcH">USA</a>, <a href="http://amzn.to/17ngCEb">UK</a>, <a href="http://amzn.to/15K92lE">France</a>, <a href="http://amzn.to/18pBX4E">Italy</a>,<a href="http://amzn.to/18mu506">Germany</a>, <a href="http://amzn.to/12XiWOL">Spain</a>, <a href="http://amzn.to/13zLJrN">Japan</a>.
LISTEN ONLINE on <a href="http://www.deezer.com/en/album/422914">Deezer</a>, <a href="http://grooveshark.com/#!/album/The+Ultimate+Bee+Gees/4657434">Grooveshark</a>, <a href="http://www.last.fm/music/Bee+Gees/The+Ultimate+Bee+Gees">Last.FM</a>, <a href="https://myspace.com/beegees/music/album/the-ultimate-bee-gees-14023661">MySpace</a>, <a href="http://www.rdio.com/artist/Bee_Gees/album/The_Ultimate_Bee_Gees/">Rdio</a>, <a href="http://www.rhapsody.com/artist/bee-gees/album/the-ultimate-bee-gees">Rhapsody</a>, <a href="http://slacker.com/r/lLHTB">Slacker</a>, <a href="http://open.spotify.com/album/3JXTUy5Ccdpe79HUgUiMF9">Spotify</a>.


ABOUT THE BEE GEES
Formed: 1958 in Brisbane, Queensland, Australia
Years Active: '60s, '70s, '80s, '90s, '00s

No popular music act of the '60s, '70s, '80s, or '90s attracted a more varied audience than the Bee Gees. Beginning in the mid- to late '60s as a Beatlesque ensemble, they quickly developed as songwriters and singers to create a style of their own that carried them from psychedelia to progressive pop. Then, after hitting a popular trough, they reinvented themselves as perhaps the most successful white soul act of all time. What remained a constant throughout their history is their extraordinary singing, rooted in three voices that were appealing individually and melded together perfectly.

The group was also music's most successful brother act. Barry Gibb, born on September 1, 1946, in Manchester, England, and his fraternal twin brothers Robin Gibb and Maurice Gibb, born on December 22, 1949, on the Isle of Man, were three of five children. The three of them gravitated toward music, encouraged by their father, who saw his sons at first as a diminutive version of the Mills Brothers. The three Gibb brothers made their earliest performances at local movie theaters in Manchester in 1955, singing between shows. The family moved to Australia in 1958, resettling in Brisbane. Now known as the Brothers Gibb — with Barry writing songs — they attracted the attention of a local DJ, and eventually got their own local television show. It was around this time that they took on the name the Bee Gees (for Brothers Gibb). The trio was astoundingly popular in the press and on television, but actual hit records eluded them.

By late 1966, they'd decided to return to England — which, thanks to the Beatles, was now the center of the world for rock and popular music. The group had sent demo recordings ahead of them, and "Spicks & Specks" — which became their first Australian hit while they were in mid-ocean — had attracted the interest of manager Robert Stigwood. The trio was signed by Stigwood upon their arrival, and began shaping their sound in the environment of Swinging London. Barry and Robin Gibb alternated the lead vocal spot, harmonizing together and with Maurice. Barry played rhythm guitar, while Maurice played bass, piano, organ, and Mellotron, among other instruments. Their first English recording, "New York Mining Disaster 1941," an original by the group with a haunting melody and a strangely surreal, almost psychedelic ambience, was released in mid-1967 and made the Top 20 in England and America. They had successful follow-ups with "Holiday" and "To Love Somebody," the latter actually written for Otis Redding to record, and "Massachusetts," which topped the U.K. charts.

After Bee Gees' 1st, the Gibb brothers took over producing their own records. It was easy, amid the sheer beauty of their recordings, to overlook the range of influences that went into their sound, which came from a multitude of sources, including American country music and soul music. At this point in their history, they were most comfortable deconstructing elements in the singing and harmonies of black American music and rebuilding them in their style.

In 1969, the trio split up in a dispute involving the Odessa album. A lushly orchestrated double LP, it was their most ambitious recording to date, but they were unable to agree on which song would be the single, and Robin walked out. Barry and Maurice held on to the Bee Gees name for one LP, Cucumber Castle, while Robin released Robin's Reign. Without a group to promote it, the Odessa album never sold the way it might have, even with a hit, "First of May." Cucumber Castle generated several successful singles in England and Germany, including the gorgeous, African-influenced "I.O.I.O.," while Robin had a hit with "Saved by the Bell."

In 1970, almost two years older and a good deal wiser, they decided to get back together. They related to each other better and had also evolved musically, now creating a progressive pop/rock sound similar to the Moody Blues. They came back on a high note with two dazzling songs: the soulful "Lonely Days," the group's first number one hit in America; and the achingly lyrical "Morning of My Life," which proved so popular with fans that the group was still doing it in concert decades later.

Their success began to ebb, however, after another huge international hit with "How Can You Mend a Broken Heart" in 1971. The single "Run to Me" made the Top 20 in 1972, but the album To Whom It May Concern was forgotten almost instantly after a brief chart run. Their fortunes continued in reverse during 1973 withLife in a Tin Can and the single "Saw a New Morning" — despite a move to America and a heavy promotional push, the song never made the Top 40 and the album stalled out.

The trio was falling into a deep creative and commercial hole. Rescue came from a suggestion by Eric Clapton, that they try recording at Criteria Studios in Miami, Florida, where he had just cut an album. The Bee Gees took his advice and came back with Mr. Natural (1974), produced by Arif Mardin. This record was a departure with its heavily Americanized R&B sound, and the following year they plunged headfirst into the new sound with Main Course — the emphasis was now on dance rhythms, high harmonies, and a funk beat. And spearheading the new sound was Barry Gibb, who, for the first time, sang falsetto and discovered that he could delight audiences in that register. "Jive Talkin'," the first single off the album, became their second American number one single, and was followed up with "Nights on Broadway" and then the album Children of the World, which yielded the hits "You Should Be Dancing" and "Love So Right." Then, in 1977, their featured numbers on the soundtrack to the Robert Stigwood-produced Saturday Night Fever, "Stayin' Alive," "How Deep Is Your Love," and "Night Fever," each topped the charts, even as the soundtrack album stayed in the top spot for 24 weeks. In the process, the disco era in America was born — Saturday Night Fever, as an album and a film, supercharged the phenomenon and broadened its audience by tens of millions, with the Bee Gees at the forefront of the music.

It was a profound moment although, ironically, there wasn't that much difference in their sound. Amid the dance numbers, the Bee Gees still did a healthy portion of romantic ballads that each offered memorable hooks. They'd simply decided, at Arif Mardin's urging, to forget the fact that they were white Englishmen and plunged into soul music, emulating, in their own terms, the funkier Philadelphia soul sounds that all three brothers knew and loved. In one fell swoop, the group had managed to meld every influence they'd ever embraced, from the Mills Brothers and the Beatles to early-'70s soul, into something of their own that was virtually irresistible. Spirits Having Flown was their crowning commercial triumph, topping 30 million in sales and yielding three more number one singles.

By the end of the '70s, however, the disco era was waning from a combination of the bad economy, political chaos domestically and internationally (leading to the election of Ronald Reagan), and a general burnout of the participants from too many drugs and profligate sex (which would precipitate an epidemic of sexually transmitted diseases and herald the outbreak of AIDS in the United States). There had already been an ad hoc reaction against the group's dominance of the airwaves, with mass burnings of Bee Gees posters and albums organized by DJs. The group itself helped contribute to the end of the party with their participation (at Stigwood's insistence) in the film Sgt. Pepper's Lonely Hearts Club Band, "inspired" (if that's the word) by the Beatles' album. The movie was a commercial and critical disaster, and an embarrassment to all concerned.

In America, the Bee Gees were virtually invisible for most of the '80s. Instead, Barry Gibb pursued work as a producer for other artists, creating hits for Barbra Streisand and Diana Ross. By 1987 and the E.S.P. album, their sales had rebounded everywhere but the United States, yielding a number one single (outside of the U.S.) in "You Win Again." Their 1989 album One got a good reception around the world and generated a Top Ten U.S. single. And in the '90s, Polygram Records released the four-CD anthology Tales from the Brothers Gibb, which sold well around the world. The trio's 1997 induction into the Rock & Roll Hall of Fame led to a resurgence of interest, which heralded the release of the live album One Night Only (1998), cut at their first American concert in almost a decade.

The Bee Gees remained active until the death of Maurice in January 2003, from cardiac arrest during surgery. Following his death, Robin and Barry decided to cease performing as the Bee Gees. Their recorded legacy, however, subsequently became more visible than it had been in decades with the move of their catalog to Warner/Reprise. The latter company began the long-awaited upgraded CD reissue of the Bee Gees' post-1966 library, including the first-ever release of outtakes and rehearsal versions of songs. Robin was diagnosed with and underwent treatment for cancer in 2011. He died in London in May 2012 due to complications from cancer and intestinal surgery; he was 62 years old. Given the previous deaths of Andy (who had several number one hits and who died of an inflammatory heart virus in 1988) and Maurice Gibb, Robin was the third Gibb brother and second member of the Bee Gees to pass away.


Music ℗ & © 2009 Barry Gibb, Robin Gibb and The Estate of Robin Gibb under exclusive license to Warner Strategic Marketing Inc. a Warner Music Group Company.


$UICIDEBOY$ - The Light At The End Of The Tunnel For $9.99 A Month (slowed)

30THOUXAN