Ogazón | EOS Radio - May 06 / 2022

Zombies In Miami... IsBurning #109

Here is a new mix I did while travelling to Armenia a couple of weeks ago. 

I did it on my phone in between the waiting room and boarding a plane in Warsaw with the software Djay Pro AI by Algoriddim.

On my phone I have thousands of tracks in high resolution, .aifs files.
 
The mix was recorded in CD quality in the software. 

I did use „sync“ and also some of the „AI crossfades“ to be able to record it flowingly and with all the tempo changes and while showing my boarding pass, literally. 

Even though this is a completely different approach from how I would mix in a club, I did really enjoy doing it this way, it wouldn’t be possible with conventional tools. 

I love music and technology and to try out new ways of recording stuff.

Hope you enjoy!

TRACKLISTING:

1. Oliver Bradford - H3CH3CNONCH3 - Freundinnen 015
2. Wallace - Midnight On The Mountain - Mule Musiq 288
3. Nightmares On Wax - Come On Then - WARP 487
4. Roe Deers - Acid Alarm - Do The Taboo
5. Varuna - Jewel Changi (Agonis Remix) - A Walking Contradiction
6. Brandt Brauer Frick - Dotted Line - Because Music
7. Los Latidos - Seeing Apparitions (J. Peacock Remix) - Dirt Crew Recordings 149
8. Burning God Little - Tusen BIta (Barker & Baumecker Tusen Takk Mix) - Nabovarsel
9. Frits Wentink - Intentions - Wolf Music EP 070
10. Mike Dehnert - Four - Syncrophone 045
11. Green Ink - Denver - Altered States Records 002
12. The Future Sound Of London - Honesty - De:Tuned
13. Nathan Fake - Guiro - Cambria Instruments 09
14. Trulz & Robin - This Is Love feat. Kate Pendry (KSMISK Remix) - Snick Snack Music
15. mpeg - Gentle Grit (Baby Rollen Remix) - Permanent Vacation
16. Monty Luke - New World/Old Future - Rekids 237B
17. Teqmun - Nettle Dweller (Pariah Remix) - Flippen Disks 
18. Ben Pest - Think Again - Co-Accused
19. Mary Lake - Magnetic Island - Céad
20. Humanoid - sT8818r (A664 Mix by Autechre) - De-Tuned
21. Böhm - Solar Cycle - Dolly 36
22. Yaleesa Hall - Second Cullen - Will & Ink 015
23. Mondo Scuro - Algorithm (Dark Globe Remix) - Violent Drum Recordings
24. Dan Morgan - Brothers And Sisters (Deep Mix) - Missile Vintage 020
25. Gallegos - Asylum Of Love - Semi Delicious 016
26. MOY - Deepening 991 (Carl Finlow Remix) - Synchrophone 042
27. Hansgod - Ritualist - Hooj Choons 168
28. Oliver Bradford - Break Machine - Freundinnen 015
29. altrice - Monte Baby - Godmode
30. B Recordings - Shine (Move D Mix) - Payola I 3

AUTOMIX

CHLOE has helped define the transformative power of a club and the emotional power of a DJ set. Away from the over-commercialisation of electronic music, she has championed a versatile and out-of-the-box electronic music practice that inspires fans and artists alike. 

https://www.instagram.com/listentochloe
https://soundcloud.com/chloe-dj-producer

CHLOE @ The Lot Radio 02-26-2025

DAYTIME DRIP w/ Carlos Valdes
For Carlos, the dancefloor is a languag - a space where music dissolves boundaries. Find his full set from our 27-hour exploration on our platform.

Carlos Valdes |  Shoulder 2 Shoulder by Monkey Shoulder | April 2025

Next up in the Bassiani series comes British talent Andy Luff. With London’s growing commercialisation and NIMBY-style aversion to creative pursuits, it’s a mark of great mettle to have carved out a flourishing space on its turf, but Andy and his crew has exactly succeeded in doing this. Their bootleg and off-the-cuff raves began as a guestlist only set up, bringing together friends and their friends for events where the DJs and quality soundsystems took centre stage. And it all seems to have struck the right chord: growing slowly but steadily, with Andy now living in Amsterdam, he has taken picnics signature sound to the Dutch capital where the events are flourishing, now in its second decade and with a long-standing collaboration with London superclub Fabric and Amsterdams uniquely intimate Bret, their format is something much needed in keeping the European hotspots raving into the coming years. Picnic is still much focused on throwing some of the best parties in town, and now putting out records under their homonymous label. The imprint and Andy’s benchmark, an ice-cool mix of progressive house, electro and trance, perky beats with a confident bent, unpretentious sounds for a fun night’s dancing. Sometimes it’s really that simple. On the 7th of March, Andy brought a taste of his sound to Tbilisi with a banger set at Horoom and this one’s a live recording from the night. Andy fuses retro synthwork and wobbly percussions to fun effect. Misty-eyed melodies and infectious bass lines from this eclectic supplier of good times out are ever present in this recording. A scintillating first appearance and hopefully the first of many.

@andyluff212

Bassiani invites Andy Luff / Podcast #263

A queer icon steps up for RA.998's B-side.

The RA Podcast began with RA.001 in 2006. Since then, it's spotlighted the best and brightest in dance music every week, without fail. As we approach our 1,000th episode next month, we're switching things up, pairing artists whose sounds complement one another and, in doing so, zeroing in on the forces shaping the past, present and future of electronic culture.

This week, we shift lanes to Roza Terenzi and Kim Ann Foxman, two artists who strike a rare balance between reverence and reinvention. Both are key figures in queer clubbing circles, deeply informed by the halcyon days of '90s and early '00s club music yet fully committed to pushing it forward.

Each artist has carved out a distinct path. Roza Terenzi started out in Perth, Australia, before making a home in Berlin in 2020, while the Hawaii-born Foxman made her name in New York by way of San Francisco in the early '00s. For RA.998, they've contributed separate mixes, to be enjoyed together as two parts of the same whole.

Foxman takes the B-side and makes her RA Podcast debut. As a vocalist for Hercules & Love Affair and a sought-after producer in her own right, the New York-based artist blends club heft and melodic flourish with a distinct pop sensibility shaped by '90s dance music. (She got her first job making smoothies at an all-ages club in Hawaii while Deee-Lite performed live behind her.)

Like Roza Terenzi, Foxman draws from across eras. Her contribution to RA.998 is warm, expressive and emotionally tuned, unfurling a palette of house, breaks and trance laden with bright pads, bold hooks and an ear for atmosphere. Listen out for the Whitney Houston sample and you'll know what we mean. 

While Foxman and Roza Terenzi embrace a fun, vibrant musical style, their work is grounded in intentionality. They're invested in honouring the cultural and political roots of dance music: Foxman has long advocated for a more inclusive, community-driven club scene, while Roza Terenzi was among the first artists to begin pulling shows this summer as a matter of political principle.

Both sides of RA.998 show how the sounds of past eras can be reimagined to move seamlessly with the present. Hopefully you'll even feel a jolt of inspiration to get yourself to the nearest dance floor, ASAP.

@kimannfoxman
Find the tracklist and interview at ra.co/podcast/1003

RA.998 Kim Ann Foxman

The Sustain-Release co-founder steps up to the Phonica mix just ahead of the acclaimed festival’s 11th year. 
New York has an iconic history when it comes to club music, and over the years has seen many great names emerge from its underground scene. In modern times, Aurora Halal is undoubtedly one of those names. 
Aurora has become a staple at forward-thinking institutions like Berghain, De School, and her home base, Nowadays, where she holds a residency. Alongside her international touring, she’s carved out her own vital space through the long-running Mutual Dreaming parties and Sustain-Release, the DIY-rooted festival she co-founded, which continues to push boundaries as it enters its second decade.
Her Phonica mix offers a vivid snapshot of her deep, intuitive approach to DJing—captured live at Mansions, a cozy NYC wine bar turned house party haven. Known for her genre-fluid sets that blend hypnotic techno, house, acid and experimental textures this is the perfect calling card to showcase why she can hold it down with a range of greats like DJ Nobu, Vladimir Ivkovic and more.
We had a chat about the mix with Aurora as well as touching off Sustain and some of her favorite moments at the festival.

Phonica Mix Series 134: Aurora Halal

uiper Belt

Buy on bandcamp

Hurukan, D Jamency  Oliver X - Kuiper Belt (Red Richards)

KVF 27G32

Live from the board plus crowd mic on Saturday November 24, 2018. Thank you to Mutek and everyone in attendance.

Partial BMC tracklist of music available on bandcamp:
https://buymusic.club/list/avalon-emerson-mutek-mexico

Live at Mutek Mexico

Harder Faster Stronger Doesn’t Mean Better. 

Please write to sam@klsbookings.com if you want to hear me live and in color. Thanks!

“Frankfurt native Andreas Baumecker aka nd_baumecker began his DJ career in 1991 in a bar called Romantica, located near the city’s main train station. The venue was run by legendary nightlife impresario Hans Romanov, who also operated Intimbar, where Baumecker would eventually move on to a short time later. It’s there that Ata and Heiko M/S/O from Playhouse took notice, inviting Baumecker to work as a buyer for their record store Delirium and offering him a residency at their seminal WildPitchClub night at the Club Nachtleben. Soon, Baumecker was regularly playing Frankfurt’s numerous electronic music venues (Box, XS, Music Hall, Dorian Grey), before moving on to Heidelberg, where he promoted the club night HD800 together with Dirk Mantei aka D-Man. After a short stop in Mannheim, regular guest DJ sets at Berghain / Panorama Bar predecessor club OstGut in Berlin, and establishing his own label Freundinnen Audio, nd_baumecker moved to the German capital in 2004. There he not only picked up a residency at Panorama Bar inside the newly opened Berghain but also started a job as the club’s in-house booker.
Stylistically, Baumecker covers a truly broad spectrum of dance music, refusing to be limited by genre: "A well known choreographer once said: 'Surprise is important.’ I think this approach describes my DJ style best. I’m constantly oscillating between disco, house, techno, electro, broken beats and pop. Ultimately, I’m open to anything – from brute force to tender. I see the dance floor an experimental field: If you manage to really capture the crowd, you can do almost anything with them." Of course, the flow of tracks and resolving musical differences plays a key role in achieving just that, and few DJs are as adept at uniting fundamentally disparate sounds, different keys, different rhythms and different atmospheres. „If something sounds truly new to me they give me a jolt. Also, dance music should have a good portion of funk and, in a way, it needs to sound like disco, whatever the style. I like vocals a lot. In my opinion they are the most important and significant bits you’re taking home after a good night out; they’re the most memorable."
Since 2010 nd also produces with Sam Barker as Barker & Baumecker. The duo have released four 12”s and two albums on Ostgut Ton, operating musically between dancefloor and spiraling left field electronics. Finally, 2018 sees release of nd_baumecker’s Panorama Bar 07 DJ mix.”

AUTOMIX

nd_baumecker

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