Can't sleep tonight because of the riots in the streets of Hamburg.
So I decided to work on a new Rock track. Here it is :-))

composition, guitars, bass and mix : Andreas Kloppenburg
drums: Addictive Drums 2
Here is the vocal version: https://soundcloud.com/ndreasloppenburg/suicide-city-feat-wild-christopher

What If...

I'm a german guitarist who always wants to play better than he can *lol*. I love the sound of the guitar and I love guitars, their beauty and their smell. Never can get enough.
I wanted to make music since I was a little kid. I urgently wanted a guitar since the age of 10, I think. Unfortunately I got my first (classic) guitar not until the age of 18 because there was not enough money to buy one earlier. Well, since I've got my first guitar I nearly play every single day one of my darlings ;-).
Making my music public on the cloud is really a great thing for me. I love this community. Such fantastic musicians here...
I'm always interested in collaborating with talented musicians.
Thank's for visiting my page, hope you enjoy and don't forget: Music is everything!! Music is love!!! Without music, mankind would never exist anymore!!!!!!!!!

A NOTE TO ALL FOLLOWERS who only follow to get a refollow and then unfollow. Take a  warmhearted FUCK YOU!!! No like for a like, no refollow for a follow here.  I'll like what I like and I'll follow those who convinced me with their music!!!!

Cheers, Andreas

Quentin, aka Kuarz, is a 25-year-old DJ and producer from France, immersing himself in the world of drum and bass with a unique approach shaped by years of drumming experience. Drawing inspiration from an eclectic range of genres, he embraces everything from UK DNB to bass house and dubstep. His sound blends punchy energy with boundless creativity, capturing the essence of each style to craft unforgettable tracks.

Mail: kuarz.music@hotmail.com

Debut Album Now Out!! "Twilight on Tunnel Road"
Available now on Bandcamp: https://penelopesthrill.bandcamp.com/
(and streaming everywhere....)
For an immersive experience of the new album, visit the new Penelope's Thrill website at:
https://www.penelopesthrill.com/
Penelope's Thrill is a lucky accident. Lured out of musical retirement by son Andrew, Timothy Walsh dusted off his guitars, including his favorite vintage Guilds and Gretsches, and picked up where he left off 25 years ago playing in garage bands in New Jersey and Boston. 
Tim founded Penelope's Thrill as the vehicle for his new songs, often pulling in other musicians from Madison and from around the world for particular tracks. Son Andrew occasionally appears on guitar or adding vocals. Wife Barbara also appears on keyboards and backing vocals.

     ***All tracks are recorded and mixed by Timothy Walsh at Yew Tree Studios (that is, a tiny upstairs room in my house nestled amid century-old yew trees). Recent songs are recorded with Logic Pro using hardware tube preamps, compressors, etc. Earlier tracks were recorded direct to a Zoom R8 recorder.

>>>Downloads available at Bandcamp:
https://penelopesthrill.bandcamp.com/
>>>Tim's poetry & writing website:
http://timothyawalsh.com/
>>>Andrew's writing website:
http://andrewjwalsh.com

Also check out our re-post and playlist page, Penelope's Playlists:
https://soundcloud.com/penelopes-playlists

Hello and welcome to my page 
I live in the city Eschweiler near the bigger city Aachen / Germany.
I play guitar since the year 2010.
The guitar sounds of the music tracks i produce with different guitars  and only with effect cabinet Digitech RP500, Boss ME80  and Boss Looper RC300 and  do not use any musicsoftware. " Everything is handmade"  Much fun with my music !

35 year partnership still creating and  loving the ride.

FOR BOOKING : nir300project@gmail.com

NIR300 is a musician based out of Khimki, Moscow Region. With a combination of studio production and live performances, NIR300 creates new impressions and exits emotions of different musical and electronic dance styles. NIR300 is best known for the singles "Sexual Origins (feat.Amber)," "Club Pimp (feat. Sagat)," "Zodiak Inside," "Kitty Kitty Top-O-Top," and "Step By Step."Many of the singles were under different monikers and were played in heavy rotation on radio stations throughout Europe. NIR300 continues to push boundaries and gaining international recognition for his forward-thinking beats in the new electronic dance music age.

"To my mind, a BLUES doesn't have to be a 12-bar progression. To me, if a song has the right emotion then I accept it as BLUES" - PETER GREEN

"I go by feel, I go by feel. 
The only way I know what's real" - BUDDY GUY

Mostly, as a self-taught guitar player (maybe not... considering all the influences and internet/book resources I've come across lately!)  and rather than trying to be anything remotely near a good player of any great technique, I'm not bound by genre or clichés; I just like to go for it. It's a whole lot better that way. 
Blues is a human expression of emotion. That may explain why I felt called to blues music, even though, I grew up in Europe, a continent apart from the music’s heartlands in America’s Deep South. And that may also be the reason for the great Portuguese Bluesmen we have nowadays (The Legendary Tigerman/Frankie Chavez/Budda Power Blues/Rui Veloso/Dead Combo/The Black Mamba/Mazgani and many others...)

I’m a fan of raw guitar players who aren’t really polished… you’re not sure if it’s all going to fall apart.  Those who, rather than trotting out a collection of preconceived practised licks and lines, take some chances along the way, creating ideas on the spot. IMHO they sound more exciting and impressive for it. I play whatever comes into my head. It's an adventure because when I do a breakdown or a solo, it's new each time and I just let it go... The majority are first take. I just turn it on and press record...they are mostly one moment in time. I’m always looking for something. Sometimes I’m not quite sure what, but you just have to keep looking...
The real beauty is playing without thinking and once you have some concepts down, what comes out, is from the heart.  It's second nature. 
I just enjoy listening and playing some music, in honour of that timeless way of killing time (just for the fun of it...and whenever inspired: "If you're not feeling it, don't play it!"). I'm happiest picking out a blues tune to a suitable backing track. After all, simple music is the hardest to play...
For me, half the battle is to get the right sound. And that, in turn, inspires how you play.
As a tone fiend, I like to let those bluesy guitar tones breathe a little bit. But, almost everything I play, it never, ever comes out quite the way I heard it in my head. Sometimes I end up with something that's kind of close, but it's not quite what intended originally. These uploaded tracks are no exception... They are far from being perfect. First of all, I'm not a fan of perfection when it comes to music...it may even compromise the tone, but if the tone is there, great! It sounds like a human being playing guitar. 
As Dan Patlansky once said "I would rather hear an average player with a great guitar tone than a great player with a bad tone".
 I love stuff that sounds like a spontaneous real-life experience. Playing music is a human activity, and we humans are far from perfect! There is a certain charm in something that feels human with the flow of a spontaneous performance. It's that spontaneity that makes for the magic... 
Feel free to comment good, bad or indifferent and do not hesitate to share any ideas you might have. 

Favourite guitarists (old school suspects apart):
Matt Schofield;  Jim Campilongo;  Walter Trout; Robin Trower; Joe Bonamassa; Andy Timmons; Gregor Hilden; Robben Ford; Larry Carlton (among others)...

There is so much talent and variety here, and most of the people are pretty cool too. I love being part of this community. Listening to your music and being heard in return is enough.

Still reading? OK I'm gonna muse a bit. It's hard to fully convey how much this forum has meant to me. There are people I've never met that feel very much like old friends -- and in a very real way they are.
If I follow someone I make every effort to listen to and support their efforts. It's certainly not a transactional relationship but I do tend to limit my follows to people who engage in mutual listening and engagement. If you listen and leave a comment I always try to listen to *your* music when responding! If you follow at random without any feedback I hope you get something out of that too... ; )